Rob Reiner named his 1986 movie "Stand By Me" after the song, since he thought The Body, a Stephen King story on which it was based, sounded like a horror movie.
Robert Smith doesn't license Cure songs for commercials, but he made an exception in 2004 when he let Hewlett-Packard use "Pictures Of You." He needed the money to buy the group's back catalogue.
Nelly's "Country Grammar" is a celebration of his hometown of St. Louis, which some folks from the coasts consider "country" because it's in the Midwest.
Sting wrote "Every Breath You Take" at the same desk in Jamaica as where Ian Fleming wrote his James Bond novels.
Members of the San Francisco 49ers, including Dwight Clark, Joe Montana and Ronnie Lott, sang backup on "Hip to Be Square" by Huey Lewis and the News.
"Open Arms" was a pioneering power ballad. Stadium Rock bands like Journey shied away from slow songs, but when they reluctantly agreed to record this song, it became their biggest hit.
Rufus Wainwright on "Hallelujah," his album Unfollow The Rules, and getting into his "lyric trance" on 12-hour walks.
Webb talks about his classic songs "By the Time I Get to Phoenix," "Wichita Lineman" and "MacArthur Park."
The leader of the Modern A Cappella movement talks about the genre.
The longtime bassist of Earth, Wind & Fire discusses how his band came to do a holiday album, and offers insight into some of the greatest dance/soul tunes of all-time.
Stone Temple Pilots bass player Robert DeLeo names the songs that have most connected with fans and tells the stories behind tracks from their Tiny Music album.
An interview with Frankie Valli, who talks about why his songs - both solo and with The Four Seasons - have endured, and reflects on his time as Rusty Millio on The Sopranos.