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Hello, Dolly! is the title song from the award winning 1964 musical which featured Carol Channing in the lead role. In 1969 it was made into a film starring Barbra Streisand. Although the contemporary score was composed in its entirety by Jerry Herman, the play can be traced in one form or another as far back as 1835, in outline at least. In spite of the immediate success of the stage production, the song was released as a single only reluctantly. In its May 23, 1964 edition, the English music paper Melody Maker carried an article "HELLO DOLLY! The hit no one wanted," which included an interview with Louis Armstrong. Herein it was revealed that although the song had reached #1 in the US charts selling more than a million copies, no one wanted to record it. In retrospect, Satchmo was an obvious choice.
The song won a Grammy for best vocal performance. It was recorded on Kapp by Armstrong and his "All Stars"; the B Side was "A Lot Of Lovin' To Do." Five years later, Satchmo appeared in the film version where he dueted with Streisand.
The sheet music for "Hello, Dolly!" was published by Edwin H. Morris & Co of New York, Copyright 1963 at 75c. There are a number of other printings and arrangements, including HELLO, DOLLY! Recorded by Louis Armstrong on London Records which retailed for 2s6d, and a full arrangement for orchestra by Jimmy Lally at 4s6d. (thanks, Alexander Baron - London, England, for all above)
The 62-year-old Armstrong became the oldest act to top the US charts when this reached #1. Four years later Satchmo also became the oldest artist to record a UK #1, when "What A Wonderful World
" hit the top spot.
When Armstrong was asked about his new #1 song, he replied, "It sure feels good to be up there with those Beatles."
This song was also a #18 hit for English singer Frankie Vaughan in the UK in 1964.
Richard explains how Joe Walsh kickstarted his career, and why he chose Hazard, Nebraska for a hit.
His keyboard work helped define the Muscle Shoals sound and make him an integral part of many Neil Young recordings. Spooner is also an accomplished songwriter, whose hits include "I'm Your Puppet" and "Cry Like A Baby."
Jon Anderson of Yes
From the lake in "Roundabout" to Sister Bluebird in "Starship Trooper," Jon talks about how nature and spirituality play into his lyrics for Yes.