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In addition to his writing and recording career, John Denver was a political activist, and in 1985 when he toured the Soviet Union he was moved greatly by a visit to the Piskaryovka Memorial Cemetery where literally hundreds of thousands of victims of the Siege of Leningrad are buried. He also met Alexander Gradsky, the leading singer-songwriter in Russia, and the following year at the Melodiya Studios in Moscow they recorded this anti-war number, from both US and Soviet perspectives.
Denver commissioned a short film for the song, which was put together from archive footage by his friend Obie Benz. This is believed to have been the first time an American and Soviet artist had performed together in a music video. As well as sharing the vocals with Gradsky, the recording included the Red Army Chorus "to go behind the spirit and the meaning" of the song.
Denver himself said this was simply the best piece of work that he had ever produced in his career. (thanks, Alexander Baron - London, England, for all above)
This song precipitated a split between Denver and his record company RCA, which had recently been acquired by General Electric, who had military contracts and really couldn't have an artist singing about the issues in that song. Denver and RCA weren't on the best terms anyway, and there's a good chance they would have parted regardless of this song. Denver began recording on his own Windsong label, which is where he released material by the Starland Vocal Band, famous for the single "Afternoon Delight
." (thanks to Mary at john-denver.org
Rupert crafted hits for Tina Turner, Howard Jones and The Fixx.
Reverend Horton Heat
The Reverend rants on psychobilly and the egghead academics he bashes in one of his more popular songs.
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Long before Eminem, Justin Bieber and Nicki Minaj created alternate personas, David Bowie, Bono, Joni Mitchell and even Hank Williams took on characters.
On Glen's résumé: hit songwriter, Facebook dominator, and member of Styx.