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This is the theme song to the movie An Officer And A Gentleman. It won the Oscar for Best Original Song in 1983.
The entire process - from idea to inclusion in the movie and release - took only 30 days. Will Jennings wrote the lyrics. He's responsible for the words to many famous songs, including "My Heart Will Go On
," "Looks Like We Made It," and many of Steve Winwood's hits. Jennings told us:
"Joel Sill, who was head of the music department of Paramount, asked me to consider writing a song for this film. I watched a rough cut, loved the film and I heard enough parts to make up a song. I asked Joel to send me the work track and I stitched together the verse, chorus, and bridge of the song and wrote the lyrics... Joel sent it to Stewart Levine, a fine music producer, and Stewart and I talked the song over on the phone and he went in to the studio and cut the hit track with Joe Cocker and Jennifer Warnes."
Will Jennings told us about coming up with the words to this song: "I am a working class person and these people in the film trying to make it, they are my people. The mountain imagery is about striving for the top - people often don't hear the lyric right - it is 'Where eagles cry, on a mountain high' instead of 'Where eagles fly, on a mountain high' - if you have ever heard an eagle cry, the power and beauty of it and all the wild freedom of it, you will get the distinction. As far as "All I know is the way I feel...' well, if you have nothing else to tell you what to do in your life, you have to go with the way you feel... if you are lost, you have only your instinct and passion to guide you."
Jack Nitzsche and Buffy Saint-Marie wrote the score for the movie and the music for this song; they got married the following year. Nitzsche scored many films, including The Exorcist, One Flew Over The Cuckoo's Nest, and The Indian Runner. He also played piano on several Rolling Stones songs and did arrangements for many songs Phil Spector produced. Before he died of a heart attack in 2000, he had some problems with the law - he appeared on the TV show Cops after waving a gun at another guy.
This won the Grammy for Best Pop Performance by Duo or Group With Vocal in 1983.
Joe Cocker toured England when this was climbing the charts there. He was born and grew up in England, but moved to the US in 1973.
Island Records boss Chris Blackwell liked to idea of Cocker recording the song with Warnes, but Cocker was on tour in the Pacific Northwest at the time. No problem: he simply flew to LA one afternoon, recorded the track with Warnes that evening, and flew back to resume the tour.
Jennifer Warnes, who hit US #6 in 1977 with "Right Time of the Night" and sang the Oscar-winning "It Goes Like It Goes" in the film Norma Rae
, was suggested by her manager - a friend of director Taylor Hackford's - to sing the song, but Hackford rejected the idea because he felt she sounded "Too sweet." When the manager suggested a duet with Joe Cocker, Hackford was intrigued with the possibility. Says Jennings, "Joe Sample and I wrote 'I'm So Glad I'm Standing Here Today.' It was for The Crusaders' Standing Tall
album, and Joe Cocker sang that. They were nominated for a Grammy, Best Inspirational Performance, and Joe sang it at the Grammys, just tore it up, and Taylor Hackford wanted to use him to sing the song from Officer And A Gentleman
, so that's how he came into it." (Check out our interview with Will Jennings
Taylor Hackford, who directed An Officer And A Gentleman
, had quite a run of #1 hits in his movies. His next film, Against All Odds
, scored with the Phil Collins title track. White Nights
followed, which gave us the chart-toppers "Say You Say Me" and "Separate Lives
." Then in 1987, Los Lobos hit #1 with their version of the theme song to Hackford's movie La Bamba
Little Big Town
"When seeds that you sow grow by the wicked moon/Be sure your sins will find you out/Your past will hunt you down and turn to tell on you."
John Doe of X
With his X-wife Exene, John fronts the band X and writes their songs.
Jason co-wrote many of Colbie Caillat's hits, including "Bubbly" and "Realize."
John Lee Hooker
Into the vaults for Bruce Pollock's 1984 conversation with the esteemed Bluesman. Hooker talks about transforming a Tony Bennett classic and why you don't have to be sad and lonely to write The Blues.