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Locomotive Breath by Jethro Tull

Album: AqualungReleased: 1971Charted:
62
  • Written by Jethro Tull frontman Ian Anderson, the locomotive in this song is running out of control, and is a metaphor for societal problems. Anderson gave a detailed explanation of the song in our 2013 interview, where he said: "When I wrote it, I wasn't deliberately setting out to write a piece of music on a particular subject. But it evolved during the writing process into being not terribly specific, but about the issues of overcrowding - the rather claustrophobic feel of a lot of people in a limited space. And the idea of the incessant unstoppable locomotive being metaphor for seemingly the unstoppable population expansion on planet Earth.

    When I look at it today, it does, for me, become very crystallized in being a song about unmanageable population expansion. It's something that concerns me even more today than it did back when I wrote it, when the population of planet Earth was only about two thirds of what it is today. So in my lifetime alone, we've seen an enormous increase in population, and an enormous increase in the degree to which we devour our limited resources. So the idea of population planning and management is something that I think we ought to be thinking about a lot more than we do. Does that mean I think we should sterilize everybody after the age of 30? No, of course not. The size of the family you want to have is going to be your choice. But, you should make that choice knowingly, wisely, and responsibly."
  • "Old Charlie," who appears in the chorus to this song, represents God. Anderson says that when he "stole the handle," he left the train running out of control. This symbolized everyone facing injustice in life and feeling powerless to do anything about it - you just have to make the best of it.
  • It took a few attempts to record this song, as Anderson had to impress on the band that musically, it was supposed to feel like a train on the tracks, not one that goes off and explodes. He uses the analogy of a boiler building up pressure to describe the song musically. Restraining the drummer is always a challenge when performing this song.
  • This is a Classic Rock staple, but disc jockeys have to be patient with this one, as it starts with a quiet piano intro that lasts about 1:22, at which point the other instruments kick in, giving the feeling of a calm that is suddenly disturbed. Anderson's vocals come in around 1:32.
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Comments: 5

The lyrics surprisingly enough seem to match up to Seth's story in Red Dead Redemption (You wouldn't know who he is unless you've played the game). Anyways not all but some of the lines match up to his backstory before he meets John Marston. In the shuffling madness of his life, Seth appears to be running insane and towards his death by spending all his time looking for treasure maps and digging up dead peoples graves, which could categorize him as an "All Time Loser" and a freak. Steam breaking on his brow and pistons scrapping could resemble him digging up the buried and searching their corpses for anything of use. Charlie stealing the handle could mean the devil took everything from him and is driving his mental locomotive off the rails and into the deep end. He mentioned his children and wife leaving him in the game which could refer to the next set of lines, plus his best friend, Moses, steals a piece of something that means good use to himself. He then searches in forgotten churches and cemeteries on his hands and knees for any clues for where the secret piece of map when't but only thinks of his mind going off the deep end. Now as you continue though the game with Seth as John, you both find a chest, where he claims the secret has been hiding all along. But opening it, he only finds a glass eye, leaving him hanging by the balls with nothing left to look for. Though this doesn't happen in Red Dead Redemption, but in some other later time, Seth opens up to the Gideon's Bible and finds that God has known about this all along and that he watched Seth's life fall apart as he searches for false hope and earthly possessions like riches and such like that.Drake - Huntington Beach, Ca
A different concept of 'locomotive breath' was a 1974 jaguar e-type 5.3l/326ci v-12 clocking 132 mph on a 3.5 mile slight uphill freeway leg with only a single phase alternator railroad spec.With flickering headlights temporary Christmas shopping patch job (the streamlined bullet nose was removed at the time)!!!Michael - San Diego, Ca
I find it very unbelievable that neither Jethro Tull nor Ian Anderson is in the American ROCK AND ROLL HALL OF FAME. Not even a mention. If one goes to that web site, you will shake your head in dismay of who is in before this man and his groups. Utterly disgraceful.Bill - Germantown, Tn
The song begins with the writer referring to a “shuffling madness” which is easy enough to comprehend - but who’s madness is the bigger question. Once the song becomes more apparent, we learn it belongs to God. The “locomotive breath” (mentioned only once in the entire song) is in fact the Crucifixion of Christ. God’s shuffling madness - an oxymoron.

Ian Anderson, with his effortless, blaspheming ways describes Christ being betrayed, abused and tortured to death by everyone, including His father, God. Christ, who introduced the world to grace, spirituality, and eternal life, was crucified for his kindness and goodness. The writer refers to this most unfortunate man as the “All Time Loser”.
As Christ carries His cross, he is “headlong to his death”. Being nailed to the cross, “He feels the pistons [or spikes] scraping” against His bone. Now on the cross, He feels His own hot blood (steam breaking on His brow) from the Crown of Thorns.
The writer makes it very clear that Ol’ Charlie is calling the shots here. Later, he is referred to as the “All Time Winner”, and in the end - God. As Christ dies on the cross, the writer begins to imply that Christ has been forced to die for our sins by reporting God “stole” the only way to postpone (slow down), or stop His torture.

Christ recalls His experience as He begins to die. “He see His children jumping off” refers to His disciple’s, who bailed on Him; through their interrogation processes, fear and humanness (stations), they denied Him “one-by-one”. He is devastated by His disciple’s lack of faith - It’s like His “woman and His best friend” stabbing you in the back! He sees Himself carrying His cross; “crawling down the corridors, on His hands and knees”.
But God has big plans for his greatest creation (us), and knows what must take place tonight - that Christ must die, and ascend so we may have eternal life! So God does nothing. On the Cross, Christ is at the point of His human death as He “hears the silence howling”. His angels are fainting over grief and disbelief. As Christ begins to ascend, He can see them, and in true Christ style, spiritually “catches angels as they fall”. Now the writer innocently, implies that God has Christ right where He wants Him – but it’s not “by the balls” as written, Ian, but in Paradise.

God’s plan worked out perfectly! In His pride God picks up a Gideon’s (Holy) Bible, and only has to open to page one to validate His greatness! He reads: God holds (stole) the handle! God calls the shots! And there’s nothing you, or any one thing, can do about it! Thanks Ian.
Ken - La, Ca
Jethro Tull is one of the few bands that I can say I actually believe to purposfuly interject religious overtones in their songs. Ian Anderson is a genious and the band kicked A**!!!Thomas - Somerville, Al