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Marcy Levy, one of Clapton's backup singers, wrote this with him and sang on it. She toured with Bob Seger before joining Clapton's band in 1973. In 1988, Levy, using the name Marcella Detroit, joined former Bananarama singer Siobhan Fahey to form Shakespear's Sister.
In this song, Clapton tries to convince a girl to hang out with him in bed instead of leaving. The song is not typical of Clapton's work, which is often based on The Blues.
This is the first track on the album. Depending on who you ask, "Slowhand" was either a nickname given to Clapton by the group's manager when he was with The Yardbirds (because of his laid-back guitar style), or derived from what would happen when Clapton would break a string on stage: the audience would do a "slow hand clap" while he fixed it.
"Lay Down Sally" is grammatically incorrect, as it would mean taking Sally and actually placing her horizontally. When asking Sally to join him in bed, Clapton's correct grammar would be "Lie Down Sally." He's in good company: Bob Dylan also ignored this rule of grammar in "Lay Lady Lay
." (thanks, Bert - Pueblo, NM)
Eric Clapton once had his hand slammed in a car door by a member of the band The Blues Project. As told in Al Kooper's Backstage Passes and Backstabbing Bastards
, during the landmark 1967 concert "Murray the K's Easter Rock Extravaganza," Clapton, Steve Katz, and Kooper headed out to a local music store between sets and were a little late getting back. Hurrying out of the cab, "Steve was right behind me and as he left the cab he accidentally slammed the door right on Clapton's hand! Eric began to scream in pain, and Steve turned around, ran back, and opened the door. Miraculously, Eric hadn't broken any bones or even punctured his skin for that matter. Steve felt like a jerk, however. Can you imagine that kind of guilt?"
John Lee Hooker
Into the vaults for Bruce Pollock's 1984 conversation with the esteemed Bluesman. Hooker talks about transforming a Tony Bennett classic and why you don't have to be sad and lonely to write The Blues.
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You may not recognize his name, but you will certainly recognize Peter Lord's songs. He wrote the bevy of hits from Paula Abdul's second album, Spellbound
, plus a collection of other classics for the likes of Aftershock, Ali and Goodfellaz.
Rupert crafted hits for Tina Turner, Howard Jones and The Fixx.