Songfacts®: You can leave comments about the song at the bottom of the page.
The title comes from a Reggae band called Jimmy Scott and his Obla Di Obla Da Band. Says McCartney, "A fella who used to hang around the clubs used to say in a Jamaican accent, "Ob-la-di, ob-la-da, life goes on," and he got annoyed when I did a song of it, 'cause he wanted a cut. I said, 'Come on, Jimmy, it's just an expression." (thanks, Chiara - West Vancouver, Canada)
When Jimmy Scott needed money for bail (he was jailed for missing alimony payments), McCartney had his friend Alistair Taylor put up the money in exchange for Scott dropping rights to the name. Taylor had to get the money from a friend, since no one in the Beatles camp carried much cash. (thanks, Bertrand - Paris, France)
Paul McCartney wrote this and The Beatles spent a great deal of time recording and overdubbing it. John, George, and Ringo became very annoyed. Harrison hinted at his frustration on "Savoy Truffle
," which was recorded three months later. In the song he wrote; "But what is sweet now, turns so sour/ We all know Ob-La-Di, Ob-La-Da/ But can you show me, where you are?"
John Lennon hated this song. He didn't like a lot of McCartney's later songs with The Beatles, feeling they were trite and meaningless. Ringo and George disliked this too and all three of them vetoed Paul's wish that this be released as a single.
This was a #1 hit in England for Marmalade in 1968. With this song, Marmalade became the first Scottish group to top the UK charts (leaving little doubt about their origin, they performed the song on Top Of The Pops
wearing kilts). It also could be considered the first UK #1 to be done in a Reggae style. Marmalade's bassist Graham Knight recalls in 1000 UK #1 Hits
by Jon Kutner and Spencer Leigh, "The Beatles' music publisher, Dick James, played us the acetate of The Beatles' Ob-La-Di Ob-La-Da and we thought it was great. He said, 'You can have it, I won't give it to anyone else,' but of course he passed it to another 27 acts. We rush-recorded it in the middle of the night during a week of cabaret in the north-east. Our manager, who was in America at the time, kept sending us telegrams not to do it. He didn't think we should record a Beatles song. We expected it to do well, but we didn't think it would go to #1. We got no feedback from The Beatles at all. There had been so many covers by that time that I shouldn't think they'd have been very interested." (thanks, Edward Pearce - Ashford, Kent, England)
The guitars were over-modulated on purpose to get the desired effect.
This was one of the first songs with a Reggae beat to have pop success.
Paul mistakenly sang "Desmond stays at home and does his pretty face." It was intended to be "Molly," but Paul decided to leave it in to create confusion.
Lennon played the piano part.
After doing a huge number of takes (around 60), Paul continued on trying to record this as a slow song. John was in the other room listening while doing drugs. After getting high, he was very frustrated to hear Paul record it slow so many times. He subsequently burst into the recording room, pushed Paul aside and got on the piano playing the song very fast and upbeat. The fast and happy recording on the infamous White Album is the result. (Thanks to Charles Barrows) (thanks, Bompsy - Madison, WI)
This was used as the theme to the TV show Life Goes On. It was sung by Patti LuPone and the rest of the cast. (thanks, Nora - richfield, MN)
The melody of this song was later used by The Offspring in their song "Why don't you get a job?" (thanks, Austin - Brooklyn Park, MN)
In December 1968, a version by The Bedrocks hit #20 in the UK.
The Beatles never performed this live, as they stopped touring in 1966, but Paul McCartney did play it live - eventually. He included it in his setlist for the first time on his 2010 "Up And Coming" tour.
The author Paul Saltzman, who was studying Transcendental Meditation in Rishikesh, India with The Beatles in February 1968, published a photo book on his time with the band called The Beatles In India, where Saltzman recalled watching McCartney and Lennon collaborating on the song. Wrote Saltzman: "I looked over and under Paul's toe, under his sandal was a little torn piece of paper. And I look over and in his handwriting it's 'Ob-La-Di Ob-La-Da, bra/La-La how the life goes on.' And I'm sitting beside Ringo (Starr) - maybe five feet away from Paul - and they start singing it and really working with it. Only those words -- only John and Paul. Ringo was just quietly listening." (thanks, DeeTheWriter - Saint Petersburg, Russia Federation, for above 2)
Steven Tyler of Aerosmith
Tyler talks about his true love: songwriting. How he identifies the beauty in a melody and turns sorrow into art.
Mac Powell of Third Day
The Third Day frontman talks about some of the classic songs he wrote with the band, and what changed for his solo country album.
Petula talks about her hits "Downtown" and "Don't Sleep In The Subway," and explains her Michael Jackson connection.