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This was written and originally recorded by a the R&B guitarist Sticks McGhee, who adapted it from a chant he learned at Army boot camp. He first recorded it in 1947, but the song became a hit when McGhee signed with Atlantic Records and recorded it again in 1949. It became the first hit for Atlantic, which later was home to Led Zeppelin, Aretha Franklin, The Spinners and many others. A young Tom Dowd engineered the session and went on to produce The Allman Brothers, Eric Clapton, The Drifters and many others.
Fairly tame by today's standards, this was a particularly raucous song when Sticks McGhee recorded it in 1949. It's about getting drunk and not caring who knows it. The song was an early influence on Lewis and many other Rock music pioneers.
Lewis performed this at his very first live appearance in 1949. The song was a good indicator of things to come for Lewis, as he sang about drinking despite a stern religious background that prohibited such behavior. Lewis became famous for his rowdy stage antics and sexually charged persona, as well as 6 marriages (including one to his 13-year-old second cousin) and a history of alcohol abuse.
An R&B version of this song became a chart success 15 years after Lewis' initial success.
The album includes many British rockers, like Alvin Lee of Ten Years After and Peter Frampton.
Comments (10):
in 1968 he released "What's Made Milwaukee Famous (Has Made A Loser Out of Me)", it peaked at No. 94!!!
In his youth; Lee was a very cocky, self absorbed showman. He relished in being seen as the "Bad Boy" standard bearer of the newly emerging Rock'n Roll genre.
With out him, the popularity of Rock'n Roll would have been resigned to represent a bunch of wiggling hips.
His contribution helped turn it into the revolutionary anthem, for all who dared to be different.
That said, his rendition used a play on the lyrics from "Dee" to his own name of "Lee".
So the title under copyright was "Spo-Dee O'Dee"
but the lyrics were slurred to sound as "Spo-Lee O'Lee". A deliberate self absorbed act of showmanship, of which Jerry Lee was truly the "King"
In the mid 1960's, Smash/Mercury released an album by Jerry in stereo, Memphis Beat I believe, that had a version of this song on it.
Ed S., Nashville, TN.