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Fame by David Bowie

Album: Young AmericansReleased: 1975Charted:
1
17
  • This song is about what it is like to be famous. Bowie gave his thoughts on the subject in a 2003 interview with Performing Songwriter magazine: "Fame itself, of course, doesn't really afford you anything more than a good seat in a restaurant. That must be pretty well known by now. I'm just amazed how fame is being posited as the be all and end all, and how many of these young kids who are being foisted on the public have been talked into this idea that anything necessary to be famous is all right. It's a sad state of affairs. However arrogant and ambitious I think we were in my generation, I think the idea was that if you do something really good, you'll become famous. The emphasis on fame itself is something new. Now it's, to be famous you should do what it takes, which is not the same thing at all. And it will leave many of them with this empty feeling. Then again, I don't know if it will, because I think a lot of them are genuinely quite satisfied. I know a couple of personalities over in England who are famous for being famous, basically. They sort of initially came out of the pop world, but they're quite happy being photographed going everywhere and showing their kids off and this is a career to them. A career of like being there and turning up and saying, 'Yes it's me, the famous girl or guy' (laughs). It's like, 'What do you want?' It's so Warhol. It's as vacuous as that. And that to me, is a big worry. I think it's done dreadful things to the music industry. There's such a lot of rubbish, drivel out there."
  • John Lennon helped write this song - he came up with the title and also sang the background "Fame" parts in the high voice. They started working on the song when Bowie invited Lennon to the studio, and Lennon played rhythm guitar on a jam session that resulted in this track. Bowie met Lennon less than a year earlier at a party thrown by Elizabeth Taylor. Lennon was one of Bowie's idols, and they became good friends.
  • Bowie often had conversations with Lennon about how fame took away parts of their lives. In the same interview, Bowie said: "We'd been talking about management, and it kind of came out of that. He was telling me, 'You're being shafted by your present manager' (laughs). That was basically the line. And John was the guy who opened me up to the idea that all management is crap. That there's no such thing as good management in rock 'n' roll, and you should try to do it without it. It was at John's instigation that I really did without managers, and started getting people in to do specific jobs for me, rather than signing myself away to one guy forever and have him take a piece of everything that I earn. Usually, quite a large piece, and have him really not do very much. So, if I needed a certain publishing thing done, I'd bring in a person who specialized in that area, and they would, on a one-job basis, work for me and we'd reach the agreed fee. And I started to realize that if you're bright, you kind of know you're worth, and if you're creative, you know what you want to do and where you want to go in that way. What extra thing is this manager supposed to do for you? I suppose in the old days, it was [in a hokey New York voice] 'Get you breaks!' (laughs). I don't quite know what managers are supposed to do, even. I think if you have even just a modicum of intelligence, you're going to know what it is you are and where you want to go. Once you know that, you just bring in specific people for specialist jobs. You don't have to end up signing your life away to some fool who's just there kind of grabbing hold of the coattails."
  • Bowie's guitarist Carlos Alomar came up with the guitar riff. It was based on a song called "Foot Stompin'" by The Flares, which Bowie had been performing on tour. "In funk music, what you want to do is put down a lot of holes," Alomar recalled to Mojo magazine of the song's instrumentation, "leaving a little space for someone to be able to dance in. Lennon played acoustic guitar and we reversed it and that's the suction sound you hear at the beginning."

    "Then we put up big reverb upon David's riff," he continued. "Like going to a recreation centre when it's empty, taking your amplifier and your guitar – and filling that room."
  • This was Bowie's first big hit in America, and also his first to do better in the US than the UK. He had a few UK hits before this, including "Rebel Rebel," "Life On Mars," and "Diamond Dogs."
  • Bowie: "Fame can take interesting men and thrust mediocrity upon them."
  • This was recorded at the Sigma Sound studios in Philadelphia, where many soul classics of the '70s were made. Bowie wanted the album to have a rhythm & blues feel, and he called the sound he created "Plastic Soul."
  • Bowie whispers something at the end. It is rumored to be either "Brings so much pain" or "Feeling so gay, feeling gay."
  • Bowie performed this on Soul Train. He is one of only a few white performers to appear on the show. Bowie allegedly got drunk before the performance to calm his nerves.
  • This was remixed as a Techno version for the Pretty Woman soundtrack. It was re-titled "Fame '90." This version was also included on the album Changesbowie when it was re-issued.
  • At the end of this song, "Fame" is repeated 23 times, each "Fame" being a different note. The repetitions of "Fame" span an amazing 4 octaves. (thanks, Annabelle - Eugene, OR)
  • In one of Bowie's first US TV appearances, he performed this on The Cher Show in 1975. (thanks, Bertrand - Paris, France)
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Comments: 21

Personally, I am not a fan of the '90s "techno" version. The original is the best. Even my 11-year-old loves it (although I think "Changes" is her favorite Bowie song).K.c. - Nh
It sounds a lot like earth, wind and fire's Shining Star.Allona - Ottawa, On
On September 20th, 1975 "Fame" reached #1 for one week, then "I'm Sorry" b/w "Calypso" by John Denver became #1 for one week. But Bowie reclaimed #1 for another week!!!Barry - Sauquoit, Ny
Fame is a flairy kind of Bowie song, but good nonetheless. However it was created, it's catchy.John - Concord, Nh
In an interview, the fantastic Mr. B. has admitted to experimenting with the caballero's sword in the past, but he said it was just that --experimenting. He is now very happily living with his wife and child. It doesn't matter. Mister David Bowie is still a very talented and handsome gentleman, no matter what his preferences are. Viva Bowie!Rayna - Pembroke Pines, Fl
I love how this song is about how John Lennon and David Bowie disliked what fame did to their lives, and here people are talking about their private lives, a strong quality of fame, famous people don't like.

Great song though.
Rabia - New York, Ny
When I read the Lyrics to "Queen Bitch" off Honky Dory it seems pretty evident Bowie hung around in the gay scene. The references to "watching the cruizers below" (the act of picking up men ie. cruizing). Also "she's known in the darkest clubs
For pushing ahead of the dames". That would be a drag queen for sure. I just cant see someone using this jargon if they are totally straight.
Brian - Vancouver, Bc
Duran Duran did a cover of this song. It was a single and not on any of their main albums.Karen - Manalapan, Nj
David is in a straight relationship(family man) and seems to thrive on it. I think that the whole androgynous Bowie was something he made up for suckers to take what they wanted from it. The original "Man Who Sold the World" cover was brilliant. "Ziggy", "Aladdinsane", purported the whole gay thing, "Hunky Dory" was part this and a part that, remember "Kooks" was written for Zowie. And also remember that John Lennon "nutted" the journalist who suggested he had a relationship with Brian Epstein.
David is a clever man but let's not forget Willie Weekes whose bass playing makes this track.
John - Dundee, United Kingdom
This song is used for the Choclate Skateboards montage is the skat video "Yeah Right". During this song, Jesus Fernandez, Chico Brennes and Richard Mulder, as well as Kenny Anderson dropped sock parts.Kyle - Jefferson, Md
Not to be argumentative, but this was not remotely Bowie's first big hit in America. That honor would go to A Space Oddity.Dennis - Anchorage, Ak
I heard when Lennon died, Bowie moved out of New York, then came back years later

is that true?
Joey - Nowhere Land, Ca
Changesbowie is the album, actuallyJohnny - Los Angeles, Ca
John Lennon did not sleep with David Bowie. Period. have any of u guys heard the 90' remix on the album "Changes"Johnny - Los Angeles, Ca
If he did have relations with Jagger he did a long time before the ridiculous Dancing in the Streets video! And if he did so what? Listen to the music and let his personal life remain that. He doesn't care who your sleeping with!Jeremy - Warren , Ri
Lennon and Bowie probably didn't have sex, they both played off the image of being sexually liberated and weird to sell records. Bowie later in his career appeared to play down his bisexuality as a gimick. Bowie claimed to have met his wife while they were dating the same dude.Nathan - Defiance, Oh
There was a rumour that Bowie had a homosexual affair with Lennon, but I don't know if that was ever confirmed. Then again, there are rumours that Bowie has sex withever he performs with. He did Dancing in the Streets with Mick Jagger and there was a rumour that he did it with Mick Jagger too.Roger - Los Angeles, Ca
So what about the song, "Hot" by James Brown. It's basically the same song, production and all. I know artists have sampled James Brown probably more than any other artist out there, but is this a case of James "sampling" before sampling existed?John - Elkhart, In
what a great song, and fun to dance to. Especially with that rhythm and blues feel.Stefanie Magura - Rock Hill, Sc
Bowie uses the phrase "plastic soul' I had heard that during the early sixties some african american artists had labeled the Rolling Stones as plastic soul. Rumor has it that Paul Mccartney, refering to the Beatles, asked "Whats that make us" and Lennon "Rubber, whatever they say will bounce off". "Rubber Soul"David - Waco, Tx
Bowie was jamming with lennon when john started playing shame shame shame, a beatles song, bowie asked what it was and lennon told him that it was easy to make a good song fast, then bowie disappeared, five minutes later he came back with the lyrics to fameEthan - Slc, Ut