Songfacts®: You can leave comments about the song at the bottom of the page.
This song is about the bad things money can bring. Ironically, it made Pink Floyd lots of cash, as the album sold over 34 million copies.
This is often misinterpreted as a tribute to money. Many people thought the line "Money, it's a gas," meant they considered money a very good thing.
The song begins in an unusual 7/8 time signature, then during the guitar solo the song changes to 4/4, then returns to 7/8 and ends in 4/4 again. When Guitar World February 1993 asked Dave Gilmour where the famous time signature for "Money" came from, the Pink Floyd guitarist replied: "It's Roger's riff. Roger came in with the verses and lyrics for 'Money' more or less completed. And we just made up middle sections, guitar solos and all that stuff. We also invented some new riffs - we created a 4/4 progression for the guitar solo and made the poor saxophone player play in 7/4. It was my idea to break down and become dry and empty for the second chorus of the solo."
Roger Waters is the only songwriter credited on this, but the lead vocal is by David Gilmour. Waters provided the basic music and lyrics, while the whole band created the instrumental jam of the song. Gilmour was the one overseeing time change and responsible the acclaimed guitar solo. Rick Wright and Nick Mason. (thanks, Juuso - Kauhava, Finland, for above 2)
Many studio effects were used on this song. They were using a new 16-track recorder, which allowed them to layer sounds much easier, but complex studio techniques like this still took a long time to do in 1973, as there weren't digital recorders and samplers available like we have today. If you wanted to copy and paste something, you had to do it the hard way - with a razor blade and splicing tape.
Roger Waters put together the cash register tape loop that plays throughout the song. It also contains the sounds of tearing paper and bags of coins being thrown into an industrial food-mixing bowl. The intro was recorded by capturing the sounds of an old cash register on tape, and meticulously splicing and cutting the tape in a rhythmic pattern to make the "cash register loop" effect.
Bands like The Beatles had used tape loops, but never like this. The tape loop used on this was about 20 feet long, and if you've ever seen a reel-to-reel tape machine, you can imagine how hard it was to keep it playing. In order to get the right tension and continuously feed the machine, they set up the loop in a big circle using microphone stands to hold it up. It was fed through the tape machine and played throughout the song.
The album was engineered by famed British producer and studio genius Alan Parsons at Abby Road Studios. Parsons later started his own band called The Alan Parsons Project and scored a hit in the '80s with "Eye In The Sky." He remains a much sought after music engineer and producer today. (thanks, Dave - Marieta, GA, for above 3)
The lyrics contain a naughty word. "Bulls--t" was left in the original release, but their record company quickly put out a version with the word removed, which became known as the "Bull Blank" version.
Along with "Us And Them," this is one of 2 songs on the album to use a saxophone, which was played by Dick Parry. The band wanted to experiment with new sounds on these sessions.
As happens throughout Dark Side Of The Moon, random voices come in at the end. Waters drew up flashcards with deep philosophical questions on them, then showed them to people around the studio and taped their answers. The ones they liked made the album. Among the people questioned: a doorman, a roadie, and Paul McCartney. Most contributions were not used, but McCartney's guitarist at the time, Henry McCullough, made the song with his answer, "I don't know; I was really drunk at the time."
Due to a record company dispute, they had to re-record this for their 1981 greatest hits album, A Collection Of Great Dance Songs (the title is a joke. You can't dance to Floyd). There are very subtle differences between this version and the original.
If you start the CD on the 3rd roar of the MGM lion, this begins just as the film goes to color in The Wizard Of Oz.
Like many of their songs, this was not released as a single in the UK, where singles were perceived as a sellout.
A cultural difference in the song: the reference to the "football team." In America, the sport is known as soccer.
There is a scene in The Wall where the main character (Pink) is a student in school, and the teacher catches him writing a poem instead of doing the work he was supposed to be doing. The teacher reads the poem out loud, and it is this song. He makes the student look like a fool and everyone in the classroom laughs at him. The teacher then tells him "It's rubbish laddy, now get back to work!" It probably symbolizes the way that we are raised almost uniform-like throughout our entire lives, starting in school. This is a theme of the movie. (thanks, Derek - Raleigh, NC)
The line, "Money, so they say, is a root of all evil today" is a paraphrase from the New Testament - 1 Timothy 6:10: "For the love of money is a root of all kinds of evil." (thanks, Mike - Lunar surface)
In 2002, a group called The Easy Star All-Stars recorded a Reggae version of the album called Dub Side Of The Moon. On this song, the sounds of money were replaced by sounds of someone smoking from a water-based marijuana delivery device (OK, a bong).
A group called Reloaded, made up of former Guns N' Roses members with Scott Weiland from The Stone Temple Pilots as lead singer, recorded this for the 2003 movie The Italian Job. The group eventually changed their name to Velvet Revolver.
The cash register loop and bass line at the introduction to this song are used in a radio show that plays in the US, The Dave Ramsey Show. The show offers financial advice to struggling people, so the song ties in well. (thanks, Collin - Texas, TX)
In the documentary The Making of Dark Side Of The Moon, it was revealed that Roger Waters wrote this in his garden, and the original demo version was described by him as being "Prissy and very English." (thanks, Tim - PGH, PA)
In Quentin Tarantino's 1992 film Reservoir Dogs, this song was originally intended to be used in a specific opening sequence. However, after hearing the song "Little Green Bag" by the George Baker Selection, Tarantino decided to use it instead because he it gave him an extreme sense of nostalgia. (thanks, Ashlynd - Charleston, WV)
Guitar World asked Gilmour if he was purposely trying to get away from just playing a 12 bar blues on guitar. He replied: "No, I just wanted to make a dramatic effect with the three solos. The first solo is ADT'd - Artificially Double Tracked. I think I did the first two solos on a Fender Stratocaster, but the last one was done on a different guitar - a Lewis, which was made by some guy in Vancouver. It had a whole two octaves on the neck, which meant I could get up to notes that I couldn't play on a Stratocaster."
Susanna Hoffs - "Eternal Flame"
The Prince-penned "Manic Monday" was the first song The Bangles heard coming from a car radio, but "Eternal Flame" is closest to Susanna's heart, perhaps because she sang it in "various states of undress."
The renown Texas songwriter has been at it for 40 years, with tales to tell about The Flatlanders and The Clash - that's Joe's Tex-Mex on "Should I Stay or Should I Go?"
Charlie Benante of Anthrax
The drummer for Anthrax is also a key songwriter. He explains how the group puts their songs together and tells the stories behind some of their classics.
Greg Lake of Emerson, Lake & Palmer
Greg talks about writing songs of "universal truth" for King Crimson and ELP, and tells us about his most memorable stage moment (it involves fireworks).