Songfacts®: You can leave comments about the song at the bottom of the page.
Lennon wrote this at the height of his feud with Paul McCartney after The Beatles broke up. Each line of the song is an attack on some aspect of McCartney's life or music at the time. For instance, the line "Everything you done was yesterday. Since you gone you're just another day" refers to Paul's song "
Yesterday" with the Beatles and his first solo single "Another Day." John felt that Paul's greatest work was behind him.
When the Imagine album was originally released, it contained a postcard of John holding the ears of a large pig. This was making fun of Paul's 1971 album cover for Ram, released before Imagine, where Paul is pictured holding the horns of a ram. On the back of the Ram album, Paul included a picture of two beetles 'screwing,' or saying to John 'screw' you from one Beatle to another.
The feud between Lennon and McCartney originated after The Beatles manager Brian Epstein passed away. Paul wanted his new father-in-law to manage the group while the other Beatles wanted the notorious Allen Klein. Lennon and McCartney maintained a frosty relationship after the band broke up. By most accounts, McCartney contacted Lennon periodically, but was often rebuffed. The last time they saw each other was two years before Lennon's death when they shared dinner in New York. In a 2008 interview with The Times of London, McCartney said: "The answer to John was well - I was sleeping very well at the time. Before John died I got back a good relationship with him. That was very special. The arguments we had didn't matter. We were able to just take the piss about all those songs; they weren't that harsh. In fact, I have been thanked by Yoko and everyone else for saving the Beatles from Allen Klein. Everything comes round in the end."
This appears in John and Yoko's film Imagine. (thanks, Mike - Little Falls, NJ, for above 4)
Some of Lennon's lyrics refer to McCartney's "Too Many People" from his album Ram (Hence the pig postcard). The lyrics from "Too Many People" that referred to Lennon: "Too many people preaching practices" and "You took your lucky break and broke it in two." (thanks, John - Watertown, WI)
Nicky Hopkins, an Apple records protégé who Paul McCartney produced on his song "Those Are The Days My Friend," played piano on this.
George Harrison played lead guitar on this track, and Klaus Voorrman played the bass. Voorman, an old friend from The Beatles Hamburg days, did the cover collage for The Beatles album Revolver. The fact that others who were close to McCartney also played on this track made it even more painful for the former Beatle. (thanks, chet - saratoga springs, NY, for above 2)
Lennon discussed this song in an interview with BBC Radio 1 DJ Andy Peebles on December 6, 1980, four days before his death. He recalled: "I used my resentment against Paul, that I have as a kind of sibling rivalry resentment from youth, to write a song. It was a creative rivalry… It was not a vicious vendetta… but I felt resentment, so I used that situation the same as I used withdrawing from heroin to write
Cold Turkey; I used my resentment and withdrawing from Paul and the Beatles to write How Do You Sleep?" (Source
Q magazine November 2010)
Comments (96):
The Real Nick Drake
The head of Drake's estate shares his insights on the late folk singer's life and music.
Divided Souls: Musical Alter Egos
Long before Eminem, Justin Bieber and Nicki Minaj created alternate personas, David Bowie, Bono, Joni Mitchell and even Hank Williams took on characters.
Chris Tomlin
The king of Christian worship music explains talks about writing songs for troubled times.
Songs Discussed in Movies
Bridesmaids,
Reservoir Dogs,
Willy Wonka. Just a few of the flicks where characters discuss specific songs, sometimes as a prelude to murder.
"That's enough, John."
I believe you will accept this interpretation of the lyrics if you read the excerpt below and the biography itself, which is largely based on interviews with McCartney.
PAUL: I thought, Maybe this is the moment where I should take a trip with him. It's been coming for a long time. It's often the best way, without thinking about it too much, just slip into it. John's on it already, so I'll sort of catch up. It was my first trip with John, or with any of the guys. We stayed up all night, sat around and hallucinated a lot.
Me and John, we'd known each other for a long time. Along with George and Ringo, we were best mates. And we looked into each other's eyes, the eye contact thing we used to do, which is fairly mind-boggling. You dissolve into each other. But that's what we did, round about that time, that's what we did a lot. And it was amazing. You're looking into each other's eyes and you would want to look away, but you wouldn't, and you could see yourself in the other person. It was a very freaky experience and I was totally blown away.
There's something disturbing about it. You ask yourself, 'How do you come back from it? How do you then lead a normal life after that?' And the answer is, you don't. After that you've got to get trepanned or you've got to meditate for the rest of your life. You've got to make a decision which way you're going to go.
I would walk out into the garden - 'Oh no, I've got to go back in.' It was very tiring, walking made me very tired, wasted me, always wasted me. But 'I've got to do it, for my well-being.' In the meantime John had been sitting around very enigmatically and I had a big vision of him as a king, the absolute Emperor of Eternity. It was a good trip. It was great but I wanted to go to bed after a while.
I'd just had enough after about four or five hours. John was quite amazed that it had struck me in that way. John said, 'Go to bed? You won't sleep!' 'I know that, I've still got to go to bed.' I thought, now that's enough fun and partying, now ... It's like with drink. That's enough. That was a lot of fun, now I gotta go and sleep this off. But of course you don't just sleep off an acid trip so I went to bed and hallucinated a lot in bed. I remember Mai coming up and checking that I was all right. 'Yeah, I think so.' I mean, I could feel every inch of the house, and John seemed like some sort of emperor in control of it all. It was quite strange. Of course he was just sitting there, very inscrutably.
I am very interested in knowing more about all the songs back and fourth. "3 Legs" off of Paul's Ram album to me sounds directed to John. This is also Paul possibly mocking John's playing/guitar sound and rhythm. I didn't know about "Too Many People" or "let me roll it" which I am so glad to know. So I originally thought it was Paul starting the feud first with '3 legs" then the reply "how do you sleep", and then the reply "Dear Friend", and the "Steel and Glass". That was always my interpretation. We need to compile all interviews, knowledge, pictures, hearsay, songs, and make a big grand presentation and have Dylan, Donovan, Petty, Ray Davies, Paul, Jeff Lynn, Dhani and Sean review it. Thanks and Peace to all. All of the comments are good. Good to see no arguing. We all need music. All you need is love.
'LOVE YOU PAUL!!! jan.vanmarcke@hotmail.com
Anyway, he evidently regretted having written this song.
-JOHN, Bellingham, Wa.
So don't go thinking john was just some dispencable angry young man...
Paul has not to this day matched ( and why would he want to ) johns edge or vehement perspective.
allen klien bought jimmy millers royalties off of him whilst he was in need of heroin money in New York..true fkg fact!
for $30,000.ooUS dollars. Early eighties. what a nice guy!
wake up in rehab with your lifes work and future earnings
stolen. i think any judge would rule against klein because miller
was not able to act on his own behalf while additcted to heroin.
Heroin is a bad thing... it makes people constipated and then headachy and miserable.
any votes on this--maybe the cia could do it ...
Just kidding...sort f...
i know we don't want the song to be about paul, but the first line is "those freaks was right when they said you were dead". and we all know about the 'paul is dead' theory.
there's no way it could be about anything but paul.
"Those freaks were right when they said you were dead"- ouch! That John!
Matthew from NY I cannot express how much I agree with you...these people just had huge prides and I can relate there cannot be two control freaks in a group it will fall apart sooner or later especially when the two disagree. Roddy from Southampton, I sometimes wonder how Paul could have done this!
Well that's basically it. I will come back if I ever have anything to add. Goodbye now y'all.
Ringo to his house to talk to him. Paul screamed at Ringo when he came in, and then threw him out! Jeez, guess John's not the only one with a mean streak! Anyway, back to comments. Alan from Boston, I guess John had a reason for being mean, although it was his Father who made him choose between living with him and his mother, and his mother running away when he reluctantly chose his father. His father left shorty after that, and didn't come back until the Beatles were famous. John was still unnecessarily mean, and Paul was still unneccessarily bossy, but I guess they both had their reasons. Tom from Laurel MD, how was Live and Let Die a shot at John. After I finish typing here I will go to that songfact. Kevin Murphy from Ridgewood NJ, that was great! I can't wait for people to start disecting that *well, John could see the soul of his future killer in his subconsious, and it came out in his lyrics!*. I can't believe you figured that out! Good job! Alejandro and Steve (with the cold hard truth) are right. Wow, I wrote and learned, a lot here. Thanks, people.
Paul is one of the best composers of all time. As well as john of course.
Let me emphasize again, I DO NOT believe this to be the true meaning of the song AT ALL. It's just an interesting coincidence and should be taken light-heartedly. For those of you who dissect the s--t out of Lennon/Beatle lyrics, this should be amusing, examining the fictitious possibility that Lennon had a subconscious premonitiion when writing this song....spooky, but no at all true! By no means does MDC deserve any refrerences in any songs. So please, do not label me as some Beatle heretic who puts false meanings into songs.
John was frequently quite cruel to other people. But the people who understood him well knew a lot of extenuating factors, particularly that he had been essentially abandoned by his mother, who forced him to choose between her and his father, and then did not allow him to live with her. She then died when John was a teenager, just when he felt he was getting to know her better. John's uncle, the substitute father figure in his childhood, also died when he was young. It's easy to see why he turned into such an "angry young man". Add to that the fact that for years he was addicted to heroin (which makes people paranoid).
Paul admitted that, in retrospect, there were times when he had been bossy. But he felt that at many points he had taken a lead (musically and otherwise) because no one else was doing it.
As for bringing that suit, it was meant to get control of the Beatles' money away from Allan Klein, whom the other three initially sided with -- though later, they sued him, too. Paul knew that the suit would make him unpopular, but he did it anyway... and all the Beatles ended up better off.
Paul didn't think he'd announced the breakup of the Beatles any more than John had done previously (and it was really John who wanted most badly to be out of the group), but for various reasons, Paul's interview was seized as evidence that the Beatles were over, whereas John's hadn't been.
Indeed, as people point out above, Yoko and Allan Klein were involved in the writing of some of the crueler lines, and Ringo had a hand in blocking them.
Sorry to go on at such length, but I think it's pretty important to base comments on a good source, and Miles' book seems to be pretty thorough and even-handed.
liked to provocate and sometimes said silly things, but now I think he was very sensible what
explains the lyrics of this song; dear, dear John.
In the "Imagine" movie, right at the end, John says "How do you sleep, you (expletive deleted)" He was obviously extremely angry and bitter with Paul.
I think it's a good song. I've heard that it was actually just John getting rid of the 'silly' notions in his head instead of being an attack but either way, it's a great song.
-=The Prynce
Paul Jego, ConcepciÃ?n, Chile
1. George Harrison is credited on the album as having played slide guitar on this track (although he played it while he was still alive rather than "late").
2. The Beatles 'broke up' in 1969 and McCartney announced it in 1970, not 1971. [Effectively, McCartney was the last one to 'leave the group' just before he released his first solo album.]
3. "Give Peace A Chance" was not "obviously" after this song. "GPAC" was released by The Plastic Ono band in 1969. "HDYS" was released on the "Imagine " album in 1971.
4. Paul McCartney has a songwriting credit on "GPAC" but does not feature on it. McCartney later performed the song live as a tribute to John.
5. George and Ringo played on several Lennon tracks after the break up of The Beatles. Ringo most notably on "The Plastic Ono Band" album and George on the "Imagine" album.