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This is about a father-daughter relationship. Stevie wrote it on the guitar in about 5 minutes in Aspen, Colorado. She was surrounded by mountains and thinking, "Wow, all this snow could just come tumbling down around me and there is nothing I can do about it." When she feels like this she just goes to a room and writes her thoughts down so she can read it and ponder what she has written.
Nicks said of this song: "My Dad did have something to do with it, but he absolutely thinks that he was the whole complete reason it was ever written. I guess it was about September 1974, I was home at my Dad and Mom's house in Phoenix, and my father said, 'You know, you really put a lot of time into this [her singing career], maybe you should give this six more months, and if you want to go back to school, we'll pay for it. Basically you can do whatever you want and we'll pay for it - I have wonderful parents, and I went, 'cool, I can do that.' Lindsey and I went up to Aspen, and we went to somebody's incredible house, and they had a piano, and I had my guitar with me, and I went into their living room, looking out over the incredible Aspen skyway, and I wrote 'Landslide.' Three months later, Mick Fleetwood called. On New Year's Eve, 1974, called and asked us to join Fleetwood Mac. So it was three months, I still had three more months to go to beat my six month goal that my dad gave me." (thanks, Mike - Mountlake Terrace, Washington - USA, for above 2)
Nicks wrote this the night before her dad, who was the president of Greyhound Bus Lines, was operated on at the Mayo Clinic. (thanks, Todd - Atlanta, GA)
Lindsey and Stevie were recording as a duo using the name Buckingham-Nicks before they were asked to join Fleetwood Mac. They had already released an album and were planning to include this on their next one. When Stevie wrote this and "Rhiannon
," Lindsey was on the road with the Everly Brothers.
During Fleetwood Mac's tour for The Dance, Stevie and Lindsey performed the song alone on stage, often getting teary-eyed toward the end. (thanks, Ally - Phoenix, AZ)
Drummer and founding member Mick Fleetwood was sure this album would be a hit, but was worried that Warner Brothers Records wouldn't promote it properly. He went to the head of the label and insisted that they either give it a big push or let another record company have it. Warner Brothers promoted it heavily and the album went to #1 in the US.
The song has changed meaning as the band has aged, but it remained a part of their setlist throughout their career. "When Stevie wrote that, she was probably 25 or 24," Lindey Buckingham told Rolling Stone in 2013. "She wasn't exactly 'getting older.' Now, that line certainly resonates with a far deeper perspective."
Tori Amos covered this and recorded it on January 31, 1996. She sings it often at her concerts. Other notable cover versions include:
Smashing Pumpkins, who recorded it for their 1994 album Pisces Iscariot and included it in their 2001 Greatest Hits album.
Venice, a Southern California band and a favorite of Stevie Nicks, put this on their 1999 album Spin Art.
Former New Kid On The Block Joey McIntyre recorded this for his 2002 album One Too Many: Live From New York.
The Dixie Chicks did very well by adding a mandolin to the mix on their 2002 album Home.
The Dixie Chicks performed their version at the Grammy awards in 2003. They won three awards that year, including Best Country Album.
A cover of this song by the Glee Cast resulted in it entering the Top 40 for the first time in March 2011. The tune featured in the "Sexy" episode of the Fox TV series in which Naya Rivera's character Santana Lopez chose "Landslide" to express her true feelings for Heather Morris' Brittany Pierce. The following week it debuted at #23 on the singles chart.
This song was used in a very memorable Budweiser commercial that debuted during the Super Bowl in 2013. The spot showed one of their famous Clydesdale's being raised from birth and then leaving home to join the Budweiser team. When his former owner travels to Chicago to see him, the horse breaks away for a reunion. The commercial looked like it was going to take a comic twist, but was actually quite sentimental and somehow worked.
Only Madonna, Beyoncé, Janet Jackson and Rihanna have more #1 Dance hits than Kristine.
Jason co-wrote many of Colbie Caillat's hits, including "Bubbly" and "Realize."
Steve Forbert - "Romeo's Tune"
"Let me smell the moon in your perfume..." It took a rough mix and an extra verse, but Steve found his "calling card" song, which is always