Tom Fleming told the story of the song in an interview with
Drowned in Sound: "This began life as a much fuller arrangement, one that was a sort of amalgamation of all the things that might be called our signifiers. Naturally, upon realising this, we sickened ourselves and set about changing it. This was really built in the studio from start to finish, the only things kept from the first tentative version being Hayden's original melody and the chord sequence. My part is one, unchanging chord."