Songfacts®: You can leave comments about the song at the bottom of the page.
This became a patriotic anthem in America during World War II. The lyrics describe the wonderful things about the country, with images of the era like the grocer, the butcher, and the churchyard. The "house" is a metaphor for the country.
The song was written in 1943 with lyrics by Abel Meeropol and music by Earl Robinson. Meeropol, who wrote it under the pen name Lewis Allan, had very liberal views and mixed feelings about America. He loved the constitutional rights and freedoms that America was based on, but hated the way people of other races, religions, and political views were often treated. His lyrics do not reflect the way he thought America was, but what it had the potential to be. With the country under attack, he wanted to express why it was worth fighting for.
Meeropol was dogged by the government for his liberal (some would say communist) views. He took a particular interest in the case of Julius and Ethel Rosenberg, who were accused of passing nuclear secrets to the Soviet Union and executed in 1953. Meeropol felt they were wrongly accused, and he and his wife adopted their 2 sons when they were put to death. The sons, Michael and Robert, took Meeropol's last name (it was easier to be a Meeropol than a Rosenberg at the time), and have spent their adult lives trying to clear their birth parents' names.
Meeropol wrote a lot of songs, including "Strange Fruit," which was about the horrors of lynchings and became Billie Holiday's signature song. Many songs he wrote were parodies of America, with commentary on racism and political oppression. He wrote several versions of this, including one for children and one that expanded the "house" to mean the whole world, not just America. He also wrote a scathing version about things he felt were bad in the US. The idyllic images were replaced with lines like "The cruelty and murder that brings our country shame."
Earl Robinson, who wrote the music, also had very liberal views. During the McCarthy era, he was hounded for being a communist and blacklisted from Hollywood, making it hard for him to find work. Before his death in 1991, he wrote presidential campaign songs for FDR (1944), Henry Wallace (1948), and Jesse Jackson (1984).
This has been recorded by a slew of artists, including Mahalia Jackson, Paul Robeson, Sonny Rollins, and Josh White. Sinatra's version is the most famous, as it was used in a short film he starred in with the same in 1945. When Meeropol saw the film, he became enraged when he learned they deleted the second stanza of his song, which he felt was crucial to the meaning. He had to be removed from the theater. With it's message of racial harmony, the second stanza was deemed too controversial for the film.
Sinatra loved this song and performed it many times, even as his political views moved from left to right as he got older. As an Italian-American, Sinatra experienced bigotry growing up, but also loved the United States. He once sang this in the Nixon White House and performed it for Ronald Reagan at the rededication of the Statue Of Liberty in 1986.
This regained popularity among Americans in the aftermath of the September 11 attacks. A lot of people found it comforting at a difficult time.
In 2002, comedian Bill Cosby opened some of his shows with this playing while a light shined on an empty chair. The song had meaning for Cosby not only because of September 11, but also because of his son, who was murdered in 1997 at age 27 when he pulled over to fix a flat tire.
Kristian Bush of Sugarland
Kristian talks songwriting technique, like how the chorus should redefine the story, and how to write a song backwards.
The Murderdolls frontman on how growing up with horror movies led to a life of shock rock.
Andy Powell of Wishbone Ash
The Wishbone Ash guitarist on how touring with The Who inspired one of their most enduring songs, and why they moved to America at the peak of their powers.