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The third album by New York singer-songwriter Annie Clark, who records under the name of St. Vincent, was written in Seattle. She decamped to the North Western city to escape from the information overload she was experiencing at home and recorded Strange Mercy in a studio provided by Death Cab For Cutie drummer Jason McGerr. The album was released by 4AD on September 12, 2011 and peaked at #19 on the Billboard 200, making it her first Top 20 LP.
The publicity notes for Strange Mercy
describe many of the tracks being "about wanting relief from pain, and searching high and low for release." Clark elaborated to Spinner
on the kind of pain that she is singing about: "There's so many kinds of pain," she said. "There's existential crisis pain, the physicality of grief, there's losing people and reeling from that. There's self-induced, there's externally induced. It's a smorgasbord of pain."
Strange Mercy features very little of the ornately structured arrangements that marked Clark's previous release, Actor, and is a much more guitar-oriented album than her previous LPs. "I wanted to make things direct and immediate," said Clark. "I didn't tinker. I tried to keep the arrangements pretty simple and use just enough instrumentation to get the point across. I didn't want anything to get in the way."
Jesus Christ Superstar: Ted Neeley Tells the Inside Story
Expect to see protests even in today's society, as Jesus Christ Superstar
, the film, marks its 40th anniversary with a worldwide theater tour. Here, we take a walk down film location lane with Ted Neeley, or "Christ," if you prefer.
Phil Hurtt ("I'll Be Around")
Phil was a songwriter, producer and voice behind many Philadelphia soul classics. When disco hit, he got an interesting project: The Village People.