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William Garrett, a songwriter friend of group member Georgia Dobbins, offered this to The Marvelettes when she asked if he had anything for them to sing. He wrote it as a Blues song, but Dobbins completely rewrote it (she saved only the title) and taught it to lead singer Gladys Horton. Before The Marvelettes recorded it, Dobbins left the group to care for her mother. Motown producers Robert Bateman and Brian Holland worked on the song with The Marvelettes and crafted it into a hit. Holland, along with his brother Eddie and Lamont Dozier, went on to write many other Motown classics.
Marvin Gaye played drums on this song. He was 22 at the time and trying to break into the business.
Part of this song was written by a postman who helped Dobbins complete the lyrics. His name was Freddie Gorman and his mail route included Brewster public housing where members of The Supremes lived. Gorman also sang with Motown group The Originals. He passed away in 2006. (thanks, hal - atlanta, GA)
The Marvelettes were five teenage girls from Inkster, Michigan. This was their first single and their only #1. They went through many member changes before breaking up in 1969.
Waiting for a letter and other mail-related storylines were common in songs of this era, when the postal service provided a primary means of communication ("Return To Sender
" was a hit for Elvis the following year). This song describes a woman awaiting a letter from her lover - something unlikely to happen in the internet age.
This was the first #1 hit for Motown Records. Motown soon flourished into a legendary label with hundreds of hits.
The Marvelettes' follow-up single "Twistin' Postman" (a #34 American hit) tried to capitalize on the dance craze and also continued the story of the woman who waits for a letter from her boyfriend. In the continuing story, the woman begins to lose hope on ever receiving a letter and then finally receives one. (thanks, Jerro - New Alexandria, PA)
This was #1 US hit for the Carpenters, who covered it on their 1975 album Horizon. Featuring Karen Carpenter on drums and a guitar solo by Tony Peluso, it was their biggest hit ever worldwide, reaching #1 in the US, Australia, Germany, Japan and several other countries, as well as reaching #2 in the UK and Canada. Richard Carpenter later said that he wished they never did the song, as by that stage of their career, they should not have been covering oldies.
The Beatles recorded this in 1963. Sung by John Lennon, they played it at many of their early concerts. The song was one of three Motown cuts, along with "You've Really Got A Hold On Me
" and "Money (That's What I Want)
" that The Beatles released on The Beatles' Second Album
. Motown head Berry Gordy agreed to a lower rate for use of the songs, as he was thrilled to have The Beatles recording tracks from his roster.
The songwriting credits on this track are a bit murky. The copyright lists Georgia Dobbins, Brian Holland, Freddie Gorman and Robert Bateman, but the music publishing agencies (the ones who send the checks), list just Holland, Bateman and Gorman. William Garrett is listed as one of the writers in some publications.
They Might Be Giants
Who writes a song about a name they found in a phone book? That's just one of the everyday things these guys find to sing about. Anything in their field of vision or general scope of knowledge is fair game. If you cross paths with them, so are you.
Dan cracked the Top 40 with "Ritual," then went to India and spent 2 hours with the Dalai Lama.
The good doctor shares some candid insights on recording with Phil Spector and The Black Keys.