Songfacts®: You can leave comments about the song at the bottom of the page.
Arguably Buckley's most famous work, this was originally written and recorded by Leonard Cohen in 1984 on his album Various Positions. It was featured in several episodes of the Fox TV show The O.C. several years after Buckley drowned in the Mississippi River. (thanks, Andrew - Toronto, Canada)
The song is about love which has soured and gone stale. Cohen used a lot of religious imagery, including references to some of the more notorious women in the bible. Here's some lyrical analysis:
"You saw her bathing on the roof, her beauty and the moonlight overthrew you" - Bathsheba, who tempted the king to kill her husband so he could have her.
"She tied you to her kitchen chair, she broke your throne and she cut your hair" - Delilah, who cut off Sampson's locks that held his superhuman strength.
"But remember when I moved in you and the holy dove was moving too" - This could be a reference to the divine conception and Mary.
The lines referring to the immaculate conception can also be interpreted as having a sexual connotation: "And every breath we drew was hallelujah."
Cohen: "Hallelujah is a Hebrew word which means 'Glory to the Lord.' The song explains that many kinds of Hallelujahs do exist. I say: All the perfect and broken Hallelujahs have an equal value. It's a desire to affirm my faith in life, not in some formal religious way but with enthusiasm, with emotion." (thanks, Roderick - Qingdao, China)
Regarding the line, "The fourth, the fifth, the minor fall and the major lift," to which the chords played are: F - G - Am - F:
It is clever the way that not only the chords line up in the lyrics and in the music, but also because the connotations themselves of "major" and "minor" add to the meaning of the song. The "fourth" is a major chord based on the fourth of the key Buckley is playing in. Likewise the fifth is the major chord based on the fifth tone of the key. The "Minor Fall" corresponds to Buckley playing a minor chord based on the sixth of the key. "Major Lift" corresponds to playing the major chord on the fourth again. (thanks, Gol - Gainesville, FL)
The Bible makes reference to King David communing with the Lord and learning that certain types of music were more pleasing. The chords mentioned in the lyrics (that "David played and it pleased the lord) are often used in hymns. (thanks, Mike - Perth, Australia)
Leonard Cohen sang this to Bob Dylan after his last concert in Paris. The morning after, they sat down at a cafe and traded lyrics. Bob especially liked the last verse.
Dylan himself has performed this live, and there are bootleg versions in circulation of his version of this song. (thanks, Daniel - Nova Scotia,Canada)
Buckley started covering this after he became inspired by John Cale's version off his 1992 album Fragments Of A Rainy Season. Cale shaped his own interpretation after Cohen faxed him 15 pages of lyrics for this song. He claimed that he "went through and just picked out the cheeky verses."
Buckley always closed his live shows with this song. Remarkably, his revved-up crowds became extremely silent. (thanks, Kristy - La Porte City, IA, for above 2)
Cohen started work on this song five years prior to recording it on his 1984 Various Positions album, by which time he had 80 verses to choose from.
Rufus Wainwright recorded this for the 2001 movie Shrek. Wainwright did not sing on the version used in the film (John Cale did), but his version is on the soundtrack. Wainwright records for Dreamworks, who also distributed the movie. Wainwright had an album coming out a few weeks after Shrek was released, so this was good promotion for it. (thanks, Andy - Indiana, PA)
Rufus Wainwright is the gay father of Leonard Cohen's granddaughter. Don't worry, we'll explain. Rufus is the son of the famous recording artist Loudon Wainwright III and Kate McGarrigle. Loudon is a bit younger than Leonard but the two are spiritual twins in the unique folk-poetry they're both known for. Kate McGarrigle, originally from Quebec, has herself crafted brilliant work both before and after meeting and marrying Loudon. Kate gave birth to Rufus in 1973 and died from cancer in 2010. Still, before and after Kate's death the Wainwright family was and is very close with Leonard Cohen and his daughter, Lorca. The Cohens and Wainwrights are both nothing short of Canadian folk music royalty (Loudon is from the States but his marriage to Kate made him an honorary Canuck).
In 2011, Rufus had a child with Leonard's daughter and the little girl, Viva Katherine Wainwright Cohen, is being raised by the trio of Lorca, Rufus, and Rufus' lover John Weisbrodt. You can call it an unconventional setup, but one thing is certain: Viva most definitely has a long history of Canadian folk talent coursing through her veins.
Some notable uses of this song on TV shows:
Without A Trace on the first season finale episode.
The Fox series House, where It was used on the second season premiere episode "Acceptance."
The final episode of the third season of The West Wing. The president and staff were attending an opera when CJ Craig's (Press Secretary) secret service guard (and new love interest) was gunned down trying to stop a robbery. (thanks, Brittany - Eugene, OR, Danny - Atlanta, GA, Chris - Andover, MN and Ekristheh - Halath)
This plays at the end of the movie The Edukators (Die fetten jahre sind vorbei), which got the Award Of The Public in Cannes, 2004. The main characters by then lost some faith in humanity, start an open relationship and continue to fulfill their revolutionary dreams. (thanks, Chris - Wageningen, Netherlands)
This appears in the final minutes of the 2005 Nicolas Cage movie Lord Of War. (thanks, Sandy Currin - lillington, NC)
In March 2008, Irish singer-songwriter Damien Rice performed this song during Leonard Cohen's induction into the Rock and Roll Hall of Fame. Afterwards he told Billboard magazine what made this track so special for him. Rice said: "There's an amazing connection between sex and spirituality, and it's something Leonard Cohen hints at in that song. It's almost like a Buddhist master giving you a hint, but not the whole story. You have to take that hint and go sit with it."
On March 4, 2008, American Idol competitor Jason Castro performed this song to rave reviews by the judges. Randy Jackson and Simon Cowell both said that they considered the Jeff Buckley version the best. As a result, Buckley's "Hallelujah" hit #1 on Billboard's Digital Downloads chart the next week. In the UK the renewed interest in this song created by Jason Castro resulted in the song returning to the UK singles chart at #74. It also reached the Top 20 of the World Singles chart. (thanks, Bertrand - Paris, France)
Singer/songwriter Kate Voegele covered this in episode 517 of the TV show One Tree Hill (Hate Is Safer Than Love). Such was the positive response to her version that its digital sales gave the singer/songwriter her highest Hot 100 chart entry to date.
Buckley referred to his sensuous rendition as a homage to "the hallelujah of the orgasm." He explained in a Dutch magazine OOR: "Whoever listens carefully to 'Hallelujah' will discover that it is a song about sex, about love, about life on earth. The hallelujah is not a homage to a worshipped person, idol or god, but the hallelujah of the orgasm. It's an ode to life and love." Buckley also admitted to having misgivings about his sensual version and he hoped that Cohen wouldn't get to hear his version.
In November 2008 this entered the UK Top 50 for the first time, thanks to the BBC's use of the track in a series of promotional trails for their iPlayer service.
The song is broadcast at 2.00 every Saturday morning by the Israeli defence force's radio channel.
This song was the debut single for Alexandra Burke, the 2008 winner of the UK
X Factor show. Her version broke the record for Europe's fastest selling download and topped the UK chart. Its success prompted renewed interest in Jeff Buckley's rendition and as a consequence his version of Leonard Cohen's spiritual epic reached #2 just behind Alexandra Burke. It thus became the first song ever to hold down the top two slots on the chart simultaneously since Tommy Steele and Guy Mitchell's versions of
Singing The Blues were at #1 and #2 back in 1957.
It also prompted renewed interest in Leonard Cohen's original version. As a result the Canadian singer-songwriter got a look in on some chart action, gaining his very first UK Top 40 hit at the age of 74.
Justin Timberlake performed this song on the charity telethon, Hope for Haiti Now: A Global Benefit for Earthquake Relief, which was held on January 22, 2010. He was accompanied by his cast-mate from The Mickey Mouse Club, singer-songwriter Matt Morris, on guitar and vocals. Morris co-penned "(Another Song) All Over Again" on Timberlake's 2006 FutureSex/LoveSounds and his duet with Reba McEntire, "The Only Promise That Remains" on the Country singer's 2007 Reba: Duets LP. Morris also reunited with another of his mouseketeer co-stars contributing to five tracks from Christina Aguilera's Stripped album.
Timberlake told MTV News that when he was asked to perform on the Hope for Haiti Now telethon, he knew exactly what song he was going to perform. "It's always been one of my favorite songs," Timberlake said. "And my artist Matt, we always kinda sing that song when we're messing around in the studio with ideas. The way that it's written can be interpreted many different ways," he added. "But the emotion that comes through - the chords, the melody and also what's being said in the song - it just kind of fit for the telethon."
Timberlake's version marked the first time this song entered the Top 40 of the US singles chart. The only previous time "Hallelujah" reached the Hot 100 was in May 2008 when Kate Voegele spent one week at #68 with her cover.
The Canadian singer kd lang recorded a version of this song on her 2004 album Hymns of the 49th Parallel. She has several times been chosen to sing the tune at major events, including the 2005 Juno Awards, the 2006 Canadian Songwriters Hall of Fame on the occasion of Cohen's induction into the Hall of Fame and as part of the 2010 Winter Olympics opening ceremony in Vancouver, British Columbia.
Former
Vibe and
Spin editor Alan Light penned in 2012 a book titled,
The Holy or the Broken: Leonard Cohen, Jeff Buckley, and the Unlikely Ascent of 'Hallelujah. Speaking with
The Hollywood Reporter, he explained: "I attempt to explore the unprecedented path of this song - a protracted snowball effect that, over the course of several decades, has turned 'Hallelujah' into one of the most loved, most performed and most misunderstood compositions of all time."
Comments (212):
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For instance, I'm surprised no one has offered up an interpretation of " It goes like this, The fourth, the fifth...The minor fall, the major lift..." as also referring to the predictable up and down steps you go through in love. Clever lyrical wordsmithing that has multiple meanings.
It's clear that, like many great works of art, literature or music, Hallelujah easily supports several levels of interpretation well beyond what even Cohen meant. Similar examples include Fitzgerald's "The Great Gatsby" and many works of Hemingway, Mozart and Rembrandt: the spirit that moves the artist to create great works so often is not fully understood nor appreciated by them until much later.
Cohen's lyrical intertwining of biblical and spiritual alliteration with the elation found in when the bond of spiritual, emotional and physical love are first formed (And from your lips she drew the Hallelujah...), but then sadly and predictably lost (I know this room, I've walked this floor, I used to live alone before I knew you...), is pure musical genius. You literally feel the cold and bitter emptiness of a man who feels he sacrificed his pride and humility for the bond of trust that comes with love (she tied you to a kitchen chair, she broke your throne, she cut your hair....) only to have it unravel because of not only tensions that inevitably develop later in a relationship ( I've seen your flag on the marble arch, Love is not a victory march...) but recognition of his own knowing contribution to the destruction of that love ( And all I ever learned from love was how to shoot at someone who outdrew you...). It's a cold and it's a broken Hallelujah, Leonard
I'm pretty sure that, when he wrote Hallelujah, Cohen would have agreed "Life's a bitch" and not "better to have loved and lost then to have not loved at all."
Indeed, Cohen might also agree that, when you've been around the relationship block several times, you can't help but feel like "been there, done that" when it all goes to s--t. Again.
Someone asked the question who movingly sang "Hallelujah" at the closing ceremony of the 2010 Winter Olympics in Vancouver?
Canadian K.D. Lang, naturellement. See it on youtube.com and you'll choke up all over again.
You need a whole choir and orchestra to make it a little more interesting.
If I were to pick the best version it would be that sung by Espen Lind, Askil Holm, Alejandro Fuentes, Kurt Nilsen.
The text is simly weird and I can´t really relate to it. I can´t imagine why anyone would choose this song for a wedding.
,
tell him what you think and subscribe for more surprises in the future. :-)
1. Jason Castro- it was such a wonderful performance of it. I dont know what else to say. He was fantastic.
2. Alexandra Burke- such a beautiful voice. Im actually listening to it on repeat now. So much emotion.
3. Lee DeWyze- this is actually my favorite version. I saw him sing it live on the American Idols tour...and I was just floored. I cried. It was so intense and emotional and you can feel all the desperation of someone questioning God in his voice. And with all of those people there, just everyone singing along, it was just purely amazing.
If a song can elicit this much interest, interpretation and is performed and commemorated by such a wide variety of (real) musicians from a broad assemblage of musical genres, it truly is a work of art. It deserves all the acclamation.
It speaks of love making you one with the almighty that you would do anything for it and when it was true there is no rhyme or reason, however the joy that comes from it is complete and if it ends after that joining it is something that can tear out your heart and leave you to doubt, in yourself, your god, those around you.
Though I believe Cohen wrote it for the wrong reasons he was a genius at poetry and irony, and I am forever grateful this world had a chance to discover it.
Triumphal arches were constructed of marble and decorated with gold leaf and the regimental flag of the winning general. The designs of the Arc de Triumph and the Marble Arch in London were both based on Roman triumphal arches that are still in existence.
Cohen may have been saying that his lover looked at winning his love (or, perhaps another's love) as the winning of a trophy. The triumphal arch was awarded at the end of a victorius campaign. A successful relationship does not have a definitive ending. both parties involved must continue to work and communicate. Cohen's lover has "won" his love, and is content to sit back and admire her victory and not continue to work on growing the relationship. Cohen could also mean that he is aware that his lover has had another conquest and is being unfaithful to him.
Kate Voegele actually got me listening to the song properly.. she was the one that got me to download the Jeff Buckley version.
does any one know?
this song is beautiful.
i've never really thought about its meaning and its interesting to read about all the bible references it makes. sampson and delilah was one of my fave stories when i was a kid.
Meaning, I've got the "What to sing" but not the "How to sing".^^
Considering I'M german my english sucks but i think you know what I mean.^^
Would be great if u contact me.
My icq 487846132
Myself, I favour Jeff's version. But full credit to the author, and to anybody else who's ever had a stab at bringing this to a wider audience.
Delilah did not cut samsons hair - read the bible! (or, probably preferable - don't, you can just take my word for it)
The words were originaly majar fall / minor lift not vice versa.
It is abviously a matter of opinion but it seems likely to me that the chart entry in November 2008 was down to Wainrights cover as apposed to the BBC adverts.
It is very sad that such a young and talented artist has lost his life.
Jeff will never be forgotten
Recently, I was in my friend's room and suddenly it came on. But it wasn't a version that anyone has mentioned yet. It was sung by a college a'cappella group, and was picked for the Best of College A'Cappella in 2005, I believe. It is the best version. No instruments, just human vocalizations. The soloist is gorgeous and I can relate to it because I am a huge choir geek ;) So if anyone needs a new version, check out the BOCA version. You won't regret it.
I also love it that he closes his eyes when he sings-it makes you feel like he means what he sings. Andisn't that what music is supposed to do?
This song touches me at many levels. Ultimately, I believe that Cohen, as most other artists, would look at each one of us when asked of its meaning, and say, "What does it mean to you?" For me personally, it has tremendous meaning. I have recently gone through a very painful time where I almost lost my wife (and daughter) through a divorce (mostly from selfishness on my part), and the pain that it caused not only made me look at my "broken Hallelujah" at home, but I also questioned (and still do at times) my relationship with God. This song speaks to all of those things: the pain, doubt and confusion that I felt toward her, myself and God.
"Maybe there is a God above
But all I've ever learned from love
Was how to shoot at somebody who outdrew ya
And it's not a cry that you can hear at night
It's not somebody who's seen the light
It's a cold and it's a broken Hallelujah". Been there.
Fortunately, we have agreed to open our hearts up again to one another with God as our center. However, should it not work out, I only hope I can say,
"....And even though it all went wrong
I'll stand before the Lord of song
With nothing on my tongue but Hallelujah". Does anyone know why this last verse is not in Jeff Buckley's version?
It seems to me to be a reflection on the way that you can love someone enough to do/let them do horrible things, things that are never worth it, just to be with them for a while. It expresses the possible cold, dark side of love, but also sings of how it can still be great.
Hallelujah for this song.
The full story about Tim and Jeff Buckley is an absolute must read.
-James manila,phil
"u saw her bathing on the roof, her beauty in the moonlight over threw u" is the first meeting of the 2 people involved..
"she broke ur thrown and cut ur hair, and from ur lips she drew a hallelujah" if u use the idea of the Sampson and his hair giving him strength, then this line is for lack of a better word 'breaking' down who u are and bringing out the true person, not needing to always show strength but somehow show a vulnerability about urself. and eventually saying "i love you"...
"love is not a victory march, its a cold and its a broken hallelujah" refers to problems within a relationship that could eventually end it, when "i love you" doesnt mean the same thing anymore..
there are many ways to look at the song but i think its clear, by wat the rest of u have written, that u can feel the compassion in Jeff's voice and think that maybe it isnt about happiness but about the pain of love and relationships... it tends to help me through
- mia, melbourne, Australia
yeah, scrubs use was in 2002, the others were past that, scrubs tends to have songs they play that others shows take to use *COUGH* *GREYS ANATOMY*
Also, "baby I've been here before" verse is about the unnecessary win/lose situation that the developed when the relationship soured;
"there was a time..." verse is about the beginning of the relationship - great love and great sex;
"maybe there's a God above" verse is about how he was drawn into hurting someone he loved. And a verse which isn't always used (but the one that Dylan liked) "I did my best, but it wasn't much..." mean his efforts in the relationship were honest, but not enough to save it, and certainly not appreciated. That's what I think.
thank you to Jeff Buckley for the 1994 remake its mcuh better than the other singers
Your SO right! the first time I ever heard this song was when I used to watch the O.C. and it was in an ending scene, I fell in love with this song as soon as I heard it. Everytime I listen to this song it strikes a chord in my heart. its so overpowering and emotional. I could say much more about it. its just incredible. I love music...SO much.
Now this is total speculation, but I like to think that he was writing this song for all of us who aspire to pure spirituality, holiness and righteousness but are too weak to manage it. He certainly draws on some powerful examples of weakness (oxymoron?) in the bible. It makes the message even stronger because King David was called 'a man after God's own heart' yet he screwed up in a HUGE way with Bathsheba, he was an adulterer and a murderer. The reality is that 99% of us aren't saints in the stereotypical sense, and at the end of the day everyone says (or should say): "I did my best, it wasn't much?" but despite that, we can still sing Hallelujah. Ironically this is the perfect foundation for a truly intimate relationship with God. God wants to meet with humble and broken people: "But we have this treasure in earthen vessels, that the excellency of the power may be of God, and not of us" 2 Cor 4:7.
Really, I think this is the message that too many Christians miss- grace. There is an entire world of Leonard Cohens out there who have lost their faith, are weak and broken and have no hope of recovering but are searching desperately for something to believe in, something worthy of worship. More of us need to realize that regardless of the image we maintain, this is where we are. I think Jesus would have loved hanging out with him!
Leonard Cohen
kd laing
Rufus Wainwright
Arooj Aftab
Bono
Kathryn Williams
John Cale
Bob Dylan
Jeff Buckley
I like all of them other than the Bono version.
Ian
I heard this on a house episode
Also, I have read (I think on wikipedia) that since in ancient times bodies and news often didn't make it back from war, and someone could be away at war for a long time, or be alive but never make it home, a woman with a husband at war could be legally considered "not married" and thus sexual involvement would not be considered adultery.
There is an amazing new cover of the song done by an A Cappella group called "Take Note" from Clemson University. It's on the "Best of College A Cappella 2006" cd put out by Varsity Vocals (varsityvocals.com). I think the song is too powerful for any one version to be "best"; there are too many things in it to bring them all out in any one performance. This version brings out things I haven't heard in others, so I treasure it along with the other versions I own.
Buckley 'owned' it on "Grace" - that's what grabs hold of your soul! -- matt:
prayer. They refer to faith in God, but that faith is barely existent. A rough
relationship has caused doubt and guilt about everything that is.
I've heard there was a secret chord
That David played, and it pleased the Lord
But you don't really care for music, do you?
It goes like this
The fourth, the fifth
The minor fall, the major lift
The baffled king composing Hallelujah
The whole song is told from the point of view of a doubting, depressed
believer. Here he alludes to a relationship problem (line 3), possibly just
expressing a newfound incompatibility (what he sees as beautiful, she can't
appreciate). Also, lines 5 and 6 may refer to both his religious and personal
struggle. He admits things aren't going well ("The minor fall"), and looks to
the possibility of some divine reassurance ("the major lift"). The songwriter
is "The baffled king" and out of desperation, he is "composing Hallelujah."
Hallelujah
Hallelujah
Hallelujah
Hallelujah
Your faith was strong but you needed proof
You saw her bathing on the roof
Her beauty and the moonlight overthrew you
She tied you to a kitchen chair
She broke your throne, she cut your hair
And from your lips she drew the Hallelujah
This first allusion to sex is a critique of his relationship. His lust and the
sexuality of the relationship have caused him to lose his faith. As Samson,
his "throne" and "hair" are elements of his faith, which this woman has
stripped him of (I would guess that Samson allowed Delilah the opportunity to
take advantage of him). "And from your lips she drew the Hallelujah." Again,
his faith has been stolen away, so that he can no longer praise God.
Hallelujah
Hallelujah
Hallelujah
Hallelujah
Maybe I have been here before
I know this room, I've walked this floor
I used to live alone before I knew you
I've seen your flag on the marble arch
Love is not a victory march
It's a cold and it's a broken Hallelujah
Lines 1-3 of this verse refer to his faith in God, whom he had to ponder and
recognize before this relationship distracted him. Lines 4 and 5 pretty
directly refer to a battle (a spiritual one maybe), with "your flag on the
marble arch" symbolizing the pedestal that should have been reserved for God,
but was instead used for this woman. "Love is not a victory march" is a humble
admission of his fault. In line 6, he's left with nothing. It's a sad
realization at the end of what was to be a great thing that it was all wrong.
Nothing was gained, and in fact, "everything" may have been lost.
Hallelujah
Hallelujah
Hallelujah
Hallelujah
There was a time you let me know
What's real and going on below
But now you never show it to me, do you?
And remember when I moved in you
The holy dark was moving too
And every breath we drew was Hallelujah
I think this verse gets into the psychology of sex quite a bit. Prior to the
inception of sex into the relationship, "There was a time you let me know
what's real and going on below." "But now..." (with the sexual element as a
deterrant to true emotional correspondence) "you never show it to me, do you?"
Line 4 is obviously referring directly to the act of sex. "The holy dark" may
be the tainting of what was meant to be a "holy" act being misused, and
therefore "dark" refers to the evil that this destruction of a divine gift has
allowed in. In the context of marriage, "every breath we drew" should
constitute a "Hallelujah." But in the confines of this relationship,
the "Hallelujah" expressed may be worship of a false idol (his partner, or
more likely the act of sex itself.
Hallelujah
Hallelujah
Hallelujah
Hallelujah
Maybe there's a God above
And all I ever learned from love
Was how to shoot at someone who outdrew you
And it's not a cry you can hear at night
It's not somebody who's seen the light
It's a cold and it's a broken Hallelujah
Again, he questions his faith, which he has to do since his false idol is no
longer a part of his life. I would submit that in this verse, he no longer
sings to his lost love, but to the love he wants to rediscover (God). If this
is the case, then "someone who outdrew you" could be interpreted as the woman
he sings of, who served as an opposition to God. Lines 4-6, then, sound like a
desperate prayer, a proclamation of a man's lack of faith. His proclamation,
made out of the lowest state of shame is "a cold and it's a broken
Hallelujah," but it's an honest form of worship. Here he bows down to God,
confesses his error, and pleads for help.
Hallelujah, Hallelujah
Hallelujah, Hallelujah
Hallelujah, Hallelujah
Hallelujah, Hallelujah
These last intense Hallelujahs are a prayer, a supplication, and an earnest
appeal. A sincere conviction and a new hint of hope can be heard.
Leonard Cohen is a poet, not a singer. Listen to the lyrics, not the deep bass monotone voice! A lot of really cool songs by LC have been covered by Concrete Blonde, U2, Don Henley, Elton John, Brandi Carlile, Tricia Yearwood,(yes, and Jeff Buckley) and others. Check out this song. Love the lyrics... the presentation of the lyrics by Brandi are magical, too.
Wi1debeest
Also used in an episode of Joan Of Arcadia. Here's a website listing Cohen's tunes used in soundtracks:
http://www.leonardcohenfiles.com/filmo.html
But Buckley's after all, definitely the best...
Al, Georgetown, Canada... I would say that Rufus' simplicity makes his version, though it's pretty good, by far less spiritual than Jeff Buckley's
Matthew, Roanoke... learned it on the guitar myself too... thought i'd just mention it : )
-al
-dean
Ellen-Tybee Island
The songfact above about the minor fourth and the major fifth isn't true. The lyrics spell out what the song is doing harmonically; that is, 1, 4, 5, 6, 4, 5, 3, 6 in C major (or, if you like, CM, FM, GM, Am, FM, GM, Em, Am). Most minor songs do not end in a minor fourth, and most major songs do not end in a major fifth. In fact, you'd be hard-pressed to find such songs. And as for minor fourths and major fifths being used in hymns, MOST CHORDS are used in hymns. Way to go, Mike from Perth, Australia.
. . . . but when i heard this - i had to hop in my canoe and head out to an island with my guitar for two days - just little me - ALONE ! ! ! -just to let the thing become a part of me --> emancipating - challenging-to-the-extreme - celibration and resolve that for now, i am in the carnal college - like it or not
P.S. The Marble Arch is a reference to a place in London...
But love is not a victory march" - perhaps refering to Rahab marking her house with the scarlet flag (she helped the isrealite spies escape and she was promised that her family would be spared) when Joshua was marching around Jericho to destroy the city
You have to hear Arooj Aftab's version of this song. Arooj is a 19 year old girl from Pakistan who taught herself the guitar (instead of becoming an accoutant, as her parents expected) and recently won a Berklee online scholarship. I stumbled on a web site that has her version on it - http://www.thesahilzone.com/arooj_aftab/AROOJ%20AFTAB_Hallelujah.mp3 - and just had to share it.
Nevertheless- Rufus Wainwright is straight up brilliant in all he does. I'm not a huge Jeff Buckley fan, which I guess is blasphemous...of the four versions of this song I've heard, I think his is my least favorite. (I still love it, though.)Leonard Cohen is a freakin' legend-- 'Various Positions' is a gorgeous album, and his original version of this song has a certain triumphant quality to it that none of the others, even Cale, seem to have captured.
anyone here from dublin know the band on grafton street called the publick health service they do an amzaing verison of this song..watching the guy perform it is really powerful.
also lover, you should have come over is another great song by jeff buckley, if you havent already - listen to it!
God created the beauty and the angel sang it.
What a chock!!
I have only heard this wonderful version.
Jeff died so young...
Jeff was the most talented man of his time in the ninetees im surprised all of his better songs arent on here
Put in Lover, Should have come over, Grace, Last Goodbye Dream Brother