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Kurt Cobain wrote this about his life. He talks about living under a bridge, which he claimed happened when he got kicked out of the house and had to live under a nearby bridge. He expresses his feelings and emotions by saying "something in the way" - he thought everything was in the way every time he tried to feel better. (thanks, Dana - jonesboro, GA)
Nirvana performed this on their MTV Unplugged appearance shortly before Cobain's suicide.
The lyrics to this song were spray painted by Cobain on the wall of the bridge that he lived under when he left his home. It was later painted over in a clean up of the city. (thanks, josh - regina, Canada)
This was used in the film Jarhead. (thanks, Phil - London, England)
On the Nevermind
album, this is the last track before the hidden song called "Endless, Nameless
," which comes in 13:51 later. It startled some folks when the music would suddenly come on again, and it made others think there was something wrong with their carousel CD players that were supposed to play the next disc in the queue.
When recording this song, Kurt Cobain whispered his vocals so quietly that producer Butch Vig had to turn his recording levels all the way up.
Nirvana used a cello on this song, which was played by their Los Angeles-based friend Kirk Canning. The cello was recorded on the last day of the session - the band was at a party with some friends when they went looking for a cellist, and found out that Canning could play. Said Cobain, "We said, Here, play something, and he came up with something right away. It fell like dominoes, it was really easy."
Pete produced Dwight Yoakam, Michelle Shocked, Meat Puppets, and a very memorable track for Roy Orbison.
Billy Gould of Faith No More
Faith No More's bassist, Billy Gould, chats to us about his two new experimental projects, The Talking Book and House of Hayduk, and also shares some stories from the FNM days.
You may not recognize his name, but you will certainly recognize Peter Lord's songs. He wrote the bevy of hits from Paula Abdul's second album, Spellbound
, plus a collection of other classics for the likes of Aftershock, Ali and Goodfellaz.
This mysterious and wildly eclectic singer/songwriter talks about some of his most memorable songs and collaborations.