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This was the only song on the album produced by Tom Wilson, who produced Dylan's second album, The Freewheelin' Bob Dylan. Wilson had been a Jazz producer and was brought in to replace John Hammond. Wilson invited keyboard player Al Kooper to the session, and Al produced the famous organ riff that drove the song. This was the last song Wilson worked on with Dylan, as Bob Johnston took over production duties.
The title is not a reference to The Rolling Stones. It is taken from the phrase "A rolling stone gathers no moss." Dylan got the idea from the Hank Williams song "Lost Highway," which contains the line, "I'm a rolling stone, I'm alone and lost."
Dylan based the lyrics on a short story he had written about a debutante who becomes a loner when she falls out of high society. The lyrics that made it into the song are only a small part of what was in the story.
This runs 6:13. It was a big breakthrough when this got radio play and became a hit, since many stations refused to play songs much longer than 3 minutes. It was also rare for a song with so many lyrics to do well commercially.
Dylan recorded another version in 1970 for his Self Portrait album. This time, he used experienced session players in Nashville, Tennessee. Ron Cornelius played guitar on the album and told us about the session: "You're not reading manuscripts. In Nashville the players are booked because of what they can create right now, not what's written on a piece of paper. Everybody's creating their part as the tape is rolling. Out of everybody I've worked with, I don't know of anyone who's been any nicer than Bob Dylan. He treated me wonderfully, but at the same time you knew being around him day after day that this man wakes up in a different world every morning. On a creative level that's a really good thing and to try to second guess him or to ask him what he actually meant by these lyrics, you're shooting in the dark because he's not going to tell you anyway. And he might be telling you the truth when he says "I don't know, what does it mean to you.'"
It is rumored that this was written about one time debutante Edie Sedgwick, who was part of Andy Warhol's crowd. She was the subject of an emotional tug of war between the Dylan camp and the Warhol camp. (thanks, David - London, England)
This made Bob Dylan an unlikely inspiration for Jimi Hendrix, who before hearing this considered himself only a guitarist and not a singer. After hearing this, he saw that it didn't take a conventional voice to sing Rock and Roll.
Hendrix often played "Like A Rolling Stone," including a performance at the 1967 Monterey Pop Festival. Hendrix and Dylan met only once, but Jimi had a knack for bringing out the emotions in Dylan's songs: he also did a very successful cover of "All Along The Watchtower." (thanks, Chris - Newcastle Upon Tyne, United Kingdom)
The Rolling Stones recorded this for their 1995 album Stripped.
In the November 2004 issue, Rolling Stone Magazine named this #1 on their list of the greatest songs of all time. (thanks, Ed - Perth, Australia)
Al Kooper, who was primarily a guitarist and went on to be a very successful music producer, played this organ on this song. If you listen very closely at the beginning of this song, you will notice that the organ is an 1/8th note behind everyone else. Kooper wasn't an expert on the organ, but Dylan loved what he played and made sure it was turned up in the mix.
When we asked Kooper what stands out as his finest musical accomplishment, he told us: "By the amount of emails I receive and the press that I get it is undoubtedly the organ part on "Like A Rolling Stone." I kinda like the way Martin Scorcese edited my telling of that story in the documentary
No Direction Home.
For me, no one moment or event sticks out. I think reading my resume every ten years or so, is my finest moment - certainly my most incredulous. I cannot believe I did all the stuff I did in one lifetime. One is forced to believe in luck and God." (Check out our
interview with Al Kooper.)
A line from this song provided the title of the 2005 Martin Scorsese documentary about Bob Dylan called No Direction Home. (thanks, Bertrand - Paris, France)
Jimi Hendrix's performance of this song at Monterey is a classic. Hendrix had made a name for himself in Europe, but didn't manage to make a dent in the US market until the fabled Summer of Love. It happened at the Monterey Pop Festival in June 1967. All of a sudden, an artist who had struggled unsuccessfully for recognition in his own country became one of its future music legends. (thanks, Bertrand - Paris, France)
Rolling Stone asked a panel of musicians, writers and academics to vote for Dylan's greatest song in a poll to mark Dylan's 70th birthday on May 24, 2011. This song came out on top, beating "
A Hard Rain's A-Gonna Fall" and "
Tangled Up In Blue" into second and third places respectively.
Comments (145):
Graham Parker
When Judd Apatow needed under-appreciated rockers for his
Knocked Up sequel, he immediately thought of Parker, who just happened to be getting his band The Rumour back together.
Chris Knight
This Kentucky singer/songwriter's hits include "She Couldn't Change Me" (recorded by Montgomery Gentry) and "It Ain't Easy Being Me."
Desmond Child
One of the most successful songwriters in the business, Desmond co-wrote "Livin' La Vida Loca," "Dude (Looks Like A Lady)" and "Livin' On A Prayer."
The Real Nick Drake
The head of Drake's estate shares his insights on the late folk singer's life and music.
Still- The Lines "You used to ride on a chrome horse with
your diplomat
Who carried on his shoulder a siamese cat
Ain't it hard when you discover that
He really wasn't where it's at
After he took from you everything he could
steal" Could have been about Warhol!
And the Earlier part Has to be about Edie!
Once upon a time you dressed so fine
You threw the bums a dime in your prime, didn't you ? ( self-referential)
People'd call, say, "Beware doll, you're bound to fall"( folk music was on its way out givin over to rock and roll)
You thought theywere all kiddin' you
You used to laugh about
Everybody that was hangin' out (likely the warhol crowd)
Now you don't talk so loud (Eating humble pie after negative reaction to his using an electric guitar for the first time.)
Now you don't seem so proud ( losing his fanbase)
About having to be scrounging for your next meal. ( 1964 money not coming in)
You've gone to the finest school all right, Miss Lonely
But you know you only used to get juiced in it (He quit U of Minnesota first year.)
And nobody has ever taught you how to live on the street
And now you find out you're gonna have to get used to it
You said you'd never compromise ( staying true to his folk roots)
With the mystery tramp, but now you realize
He's not selling any alibis
As you stare into the vacuum of his eyes
And say do you want to make a deal?
You never turned around to see the frowns on the jugglers and the clowns
When they all come down and did tricks for you
You never understood that it ain't no good
You shouldn't let other people get your kicks for you
You used to ride on the chrome horse ( his motorcycle which he crashed) with your diplomat (warhol)
Who carried on his shoulder a Siamese cat (?)
Ain't it hard when you discover that
He really wasn't where it's at ( Warhol)
After he took from you everything he could steal. (perhaps Edie, as Warhol was determined to keep them apart...)
How does it feel
How does it feel
To be on your own
With no direction home
Like a complete unknown
Like a rolling stone ?
Princess on the steeple and all the pretty people
They're drinkin', thinkin' that they got it made
Exchanging all precious gifts
But you'd better take your diamond ring, you'd better pawn it babe
You used to be so amused
At Napoleon in rags and the language that he used
Go to him now, he calls you, you can't refuse
When you got nothing, you got nothing to lose
You're invisible now, you got no secrets to conceal.
Bottom line-it's all about him.
This was from 1965, when the '60s generation was still new and the idealism hadn't faded yet.
Two other songs from Self Portrait were also recorded at Isle of Wight. "Quinn the Eskimo" and "Minstrel Boy".
Besides being the so-called genius and Voice of a generation which I would never argue, Dylan was very clever in not disclosing what his songs meant. So here we are almost 45 years later asking "what does it mean?" We can only guess and we might even be right but the only one who knows for sure is the great Mr. Dylan. As far as the hear-say I have read above attributing this person or that group or Dylan said this to a close friend I don't believe a word of it. Perhaps we will know the meanings origins and inspiration for a lot of the songs but as Harmonica says to Frank in the film Once upon a time in the West..
"Only at the point of dying"
Who has not known someone who started out as a close friend at first, who then later decided to run with another crowd, ignoring you in the bargain?
You know, the whole "I wouldn't want my new friends to know I was ever YOUR buddy" mentality.
Stinging accusation and reproach throughout, and that is only appropriate, musical and vocal blemishes notwithstanding.
C'mon People. One of the best songs ever has to have alot of meaning
for everybody else who is just stating their opinion then i think its such a fantastic topic and so interesting to hear eveyones interpretation.
At the end of the day we all hold this song as apart of our individual history and to have our own interpretaion of its meaning is all that should matter to us as individuals.
By the way.....
@Swisher, just for the record Dylan introduced LSD to the Beatles so I'm pretty sure they were friends. Also, this song is about what you believe, I think
- Josh, Toronto
Wrong he introduced them to pot.
Also, this song is about what you believe, I think
'However, Dylan is widely believed only to have begun to associate with Sedgwick in the fall of 1965, after "Like a Rolling Stone" was recorded. Joan Baez was considered another possible target of Dylan's words.'
also notice :
the ROLLING STONE magazine top500 songs ever :
1. bob dylan : like a ROLLING STONE
2. the ROLLING STONEs : satisfaction .
The overall looseness of the session (or any Dylan session for that matter) was a reflection of Dylan's dislike for rehersals in general. His philosophy was to just put the band in the studio, roll the tape, start playing, and let the chips fall where they may. It just goes to show how sharp the guys he picked to play with were.
Ten years later, a guy hailing from Freehold, NJ wrote another epic as a make-or-break sequel to this one, but on a more desperate or urgent note ending in "Cause tramps like us, baby we were born to run!"
Roseanne
The first verse talks about some girl who must?ve been quite wealthy or popular. Someone who?s high up on the social scale. It talks about how that girl is no longer wealthy and doesn?t like having to ?be scrounging for [her] next meal.? Scrounging, of course, meaning begging or borrowing. Now, America used to be great in the beginning. But now, she?s relying on other countries to make her reputation. She?s relying on other countries for the things she needs.
The second verse tells about how this lady was in the finest school but would only get ?juiced in it.? America, being part of the U.N. is always being called upon to help its fellow nations when they?re in need. The girl swore she?d never compromise with the mystery tramp, but now she?s gonna make a deal with it. Well, America swore she would never get involved with Iraq or Iran again. Well, there she is. Negotiating for natural resources and trying to ?make peace.?
The jugglers and clowns are like the U.S. citizens. Everybody is constantly giving and giving to America and all America does is take from them. America was chillin with the other leading countries of the world. But now, everybody can see that they?re all corrupt. Everybody sees that their peacemaking attitude was just a cover-up. These countries constantly robbed each other of everything. Money, Soldiers, sympathy, & time.
America has to hand over her crown. She is no longer a princess. All of her people are slowly coming to realize what?s going on. In the beginning, America pitied those countries that didn?t have much and would go to war over everything. But now, she?s joining those countries. She has no choice because that?s all that?s left for her to do. Everybody knows everything about her. Her reputation is ruined and nobody cares. She?s just another face now.
It says in the "Song Facts" section how the song was based on the expression "A rolling stone gathers no moss." America keeps moving, we aren?t stopping to do something. We?re constantly fighting or helping another country re-build. In doing this, we?re getting nothing out of it but a reputation. A bad one.
The Beatles changed the way music was played. Even Dylan said The Beatles were the way music was going to go. They put more energy into their sound, rather than their lyrcistic value.
Bob Dylan on the other hand, wrote powerful lyrics. I think it was The Beatles who convinced him to "plug it in".
They inspired each other. I believe Dylan and Harrison were friends, and Dylan convinced him to play at the Concert for Bangledesh.
The girl was rich and dressed and acted like a snob. The people tried warning her that if kept up her bahvior karma would catch up to her. She went all these nice school but all she did was party, and now shes a drop out living on the streets. The mystery tramp is a hooker. And now the girl is consulting the hooker trying to get a job for some money. But the guy thats about to buy sex after her isnt an excuse for were shes ended up. "Do you want to make a deal" means selling herself to the john. She never realized that people would jump through hoops for her. Chrome horse means a nice car and dipolmat is a hot shot boyfriend. Meaning she used to drive a nice car and have a big time boyfriend and now shes about to do an "act" as a hooker, and this man is about to take all her diginity from her. (Everything he could steal Shes thinking about all the like frat boys she used to know party and wasting money because they can, and now she's gonna "pawn her diamond ring" aka sell herself to the john. Now she go to her pimp whenever he calls her because she has nothing else to lose
Again this is just an interaption, I didn't call up Bob and ask him so it isnt 100% right
dylan is a great lyricist but his voice isn't anything great, and how can you say the beatles write superhuman lyrics that are better than dylan? lol
1)a teenage girl is going through intense labour and is cryign and screaming and asking for her mother.
2) a guy is at vietnam and gets a rage of energy and starts shooting viet cons
3) a young black boy whose father is accediently shot, by a white cop lies lifeless in his son's arms, after resolving a fight.
You gotta be kidding me i love the beatles, theyre the best rock n roll group i have ever listened to ( and listen to alot of groups), but how can you say theyre better lyrically than bob dylan? Thats like saying a peasant is wealthier the a king, it makes no sense. Dont get me wrong i love the beatles but the Beatles were very inspired by bob dylan, and john lennon himself once said that he is astonished by his work when he heard "subtareanean homesick blues" he thought it was so amazing that he could never match it. ( i dont know the exact quote but im sure you can find it if you search the web a bit)
Also, this song was voted the number one greatest song of all time by The Rolling Stone(magazine) in their "Top 500 greatest songs of all time" list.
On another subject, "Rolling Stone" magazine may have named it the #1 rock & roll song of all time, but they also named a song by The Rolling Stones as #2. Call me cynical, but doesn't that seem a little self-aggrandizing?
the bar out......I've been given drinks NOT to
sing this song at karaoke.
wat happened to those songs that could change aor lives like "stairway to heaven" or "like a rooling stone",in my opinion all actual bands are a complete disaster(exept for"patricio rey y sus redonditos de ricota")
AGREED!