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This was the only song on the album produced by Tom Wilson, who produced Dylan's second album, The Freewheelin' Bob Dylan. Wilson had been a Jazz producer and was brought in to replace John Hammond. Wilson invited keyboard player Al Kooper to the session, and Al produced the famous organ riff that drove the song. This was the last song Wilson worked on with Dylan, as Bob Johnston took over production duties.
The title is not a reference to The Rolling Stones. It is taken from the phrase "A rolling stone gathers no moss." Dylan got the idea from the Hank Williams song "Lost Highway," which contains the line, "I'm a rolling stone, I'm alone and lost."
Dylan based the lyrics on a short story he had written about a debutante who becomes a loner when she falls out of high society. The lyrics that made it into the song are only a small part of what was in the story.
This runs 6:13. It was a big breakthrough when this got radio play and became a hit, since many stations refused to play songs much longer than 3 minutes. It was also rare for a song with so many lyrics to do well commercially.
Dylan recorded another version in 1970 for his Self Portrait album. This time, he used experienced session players in Nashville, Tennessee. Ron Cornelius played guitar on the album and told us about the session: "You're not reading manuscripts. In Nashville the players are booked because of what they can create right now, not what's written on a piece of paper. Everybody's creating their part as the tape is rolling. Out of everybody I've worked with, I don't know of anyone who's been any nicer than Bob Dylan. He treated me wonderfully, but at the same time you knew being around him day after day that this man wakes up in a different world every morning. On a creative level that's a really good thing and to try to second guess him or to ask him what he actually meant by these lyrics, you're shooting in the dark because he's not going to tell you anyway. And he might be telling you the truth when he says "I don't know, what does it mean to you.'"
It is rumored that this was written about one time debutante Edie Sedgwick, who was part of Andy Warhol's crowd. She was the subject of an emotional tug of war between the Dylan camp and the Warhol camp. (thanks, David - London, England)
This made Bob Dylan an unlikely inspiration for Jimi Hendrix, who before hearing this considered himself only a guitarist and not a singer. After hearing this, he saw that it didn't take a conventional voice to sing Rock and Roll.
Hendrix often played "Like A Rolling Stone," including a performance at the 1967 Monterey Pop Festival. Hendrix and Dylan met only once, but Jimi had a knack for bringing out the emotions in Dylan's songs: he also did a very successful cover of "All Along The Watchtower." (thanks, Chris - Newcastle Upon Tyne, United Kingdom)
The Rolling Stones recorded this for their 1995 album Stripped.
In the November 2004 issue, Rolling Stone Magazine named this #1 on their list of the greatest songs of all time. (thanks, Ed - Perth, Australia)
Al Kooper, who was primarily a guitarist and went on to be a very successful music producer, played this organ on this song. If you listen very closely at the beginning of this song, you will notice that the organ is an 1/8th note behind everyone else. Kooper wasn't an expert on the organ, but Dylan loved what he played and made sure it was turned up in the mix.
When we asked Kooper what stands out as his finest musical accomplishment, he told us: "By the amount of emails I receive and the press that I get it is undoubtedly the organ part on "Like A Rolling Stone." I kinda like the way Martin Scorcese edited my telling of that story in the documentary No Direction Home
For me, no one moment or event sticks out. I think reading my resume every ten years or so, is my finest moment - certainly my most incredulous. I cannot believe I did all the stuff I did in one lifetime. One is forced to believe in luck and God." (Check out our interview with Al Kooper
A line from this song provided the title of the 2005 Martin Scorsese documentary about Bob Dylan called No Direction Home. (thanks, Bertrand - Paris, France)
Jimi Hendrix's performance of this song at Monterey is a classic. Hendrix had made a name for himself in Europe, but didn't manage to make a dent in the US market until the fabled Summer of Love. It happened at the Monterey Pop Festival in June 1967. All of a sudden, an artist who had struggled unsuccessfully for recognition in his own country became one of its future music legends. (thanks, Bertrand - Paris, France)
asked a panel of musicians, writers and academics to vote for Dylan's greatest song in a poll to mark Dylan's 70th birthday on May 24, 2011. This song came out on top, beating "A Hard Rain's A-Gonna Fall
" and "Tangled Up In Blue
" into second and third places respectively.
When Judd Apatow needed under-appreciated rockers for his Knocked Up
sequel, he immediately thought of Parker, who just happened to be getting his band The Rumour back together.
This Kentucky singer/songwriter's hits include "She Couldn't Change Me" (recorded by Montgomery Gentry) and "It Ain't Easy Being Me."
One of the most successful songwriters in the business, Desmond co-wrote "Livin' La Vida Loca," "Dude (Looks Like A Lady)" and "Livin' On A Prayer."
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