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Some of Robert Plant's lyrics in this song were inspired by the work of J.R.R. Tolkien, author of The Lord of The Rings. The references are to the adventures of the Hobbit, Frodo Baggins, as he goes to "the darkest depths of Mordor" and encounters "Gollum and the evil one." Plant later admitted in an audio documentary that he was embarrassed by the Tolkien references, as they don't make all that much sense - a fair maiden wouldn't be found in Mordor, and Gollum would want nothing to do with her anyway, since his only concern is the precious ring.
This is one of Led Zeppelin's most enduring songs, but they never performed it live from start to finish while the band was active. It was in their set when Zeppelin reunited for a one-off concert at the O2 Arena in London on December 10, 2007. John Bonham's son Jason filled in on drums at that show.
Zeppelin recorded this in New York when they were on their first US tour.
The group Train covered this on their 2001 Midnight Moon album. Their lead singer was once in a band that did entire sets of Zeppelin songs. Producer Brendan O'Brien heard Train's version and agreed to produce their second album.
What John Bonham played as percussion to supplement his drums on this song is not clear. It sounds like bongos, but has been reported to be a plastic garbage pail or a guitar case.
This was sampled by the Insane Clown Posse for the song "50 Bucks" on their rare album Psychopathics From Outer Space and was also the single that accompanied The Pendulum #7, a 12-comic series of the group done by Chaos! Comics.
The concept of the troubadour "rambling on" - going from place to place and constantly moving forward - it one the Robert Plant embraced. In his post-Zeppelin career, he went from one project to the next, refusing to fall back on nostalgia. It was Plant who kiboshed the proposed Led Zep reunion tour in 2007.
Meshell talks about recording "Wild Night" with John Mellencamp, and explains why she shied away from the spotlight.
After studying in Paris with a famous composition teacher, Charles became the most successful writer of TV theme songs.