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Uptown Funk by Mark Ronson (featuring Bruno Mars )

Album: Uptown SpecialReleased: 2014Charted:
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  • The first single from Uptown Special, this exuberant track features vocals and co-writing credits by Bruno Mars and was produced by Jeff Bhasker (Kanye West, Drake, Alicia Keys). The same trio previously collaborated on Mars' hit tune "Locked Out of Heaven."
  • The song originated from a lick that Mars and his band were playing on tour. "When we hit on that opening line - 'This s--t, that ice cold. Michelle Pfeiffer, that white gold' - we knew that we had the seed of this really exciting idea," Ronson told Billboard magazine. "I pushed myself much more than I have on anything else in the past."
  • The song took over a half a year to complete as Ronson spent a lot of time traveling across the States as he tried to pin Mars down. "It was six or seven months of chasing Bruno around on tour," he said.

    The pressure got to Ronson as he struggled to lay down his guitar part before producer Jeff Bhasker left at the end of the day for another project. "The plan was for me to record my guitar part by lunch. Lunchtime comes around and I still haven't nailed the part," he recalled to Billboard. "We go out and in the stress of finishing this song I fainted in the restaurant. I threw up three times. Jeff had to carry me back to the studio." In the end, they got it - on take 82."
  • Mars and Ronson create a monster party vibe in this song, starting with the title: "Uptown" implies high class (as Prince or Billy Joel could tell you), while "funk" is the rhythm and release. The lyrics are way over-the-top, with Mars explaining that he's so hot he's forcing dragons into retirement. It's clever, fun and outrageous, but also meticulously constructed with a mix of rhyming patterns. For instance:

    "Stop wait a minute
    Fill my cup put some liquor in it"

    "Minute" and "liquor-in-it" aren't typical rhymes, but you can get away with it if you have the funk on your side.

    Another example:

    "Ride to Harlem, Hollywood, Jackson Mississippi
    If we show up we gonna show out
    Smoother than a fresh jar of Skippy"

    In this case, "Mississippi" and "Skippy" sandwich (get it?) a line that doesn't rhyme with any others. In that line, however, "show" is repeated twice, creating an inline rhyme.

    The lyrics all sound like they're improvised after a few libations, but every syllable has a place in the rhythm.
  • The Vance Joy song "Riptide" was on the charts when "Uptown Funk" was released. Both tracks mention Michelle Pfeiffer, which is a little odd considering the actress hadn't been in any blockbuster movies in a while.

    The reference in this song relates to her role in the movie Scarface, as Mars is channeling the Tony Montana drug kingpin character (the "white gold" is cocaine); Vance Joy mentioned her ("closest thing to Michelle Pfeiffer that you've ever seen") because he was infatuated with the actress when he was younger.
  • Mars and Ronson performed this song for the first time when they were musical guests on the November 22, 2014 episode of Saturday Night Live.
  • Most funk-inflected songs with heavy swagger appeal strictly to a male audience, but this one is far more inclusive, with Mars making numerous overtures to the ladies:

    This one for them hood girls
    Them good girls
    Straight masterpieces
    ...
    Girls hit your hallelujah


    The girls are clearly welcome at this party and appreciated.
  • This was Mark Ronson's first entry on the Hot 100 as an artist. His first credit as a writer on a chart hit was Christina Aguilera's 2006 #19-peaking ballad "Hurt."
  • The song's music video was filmed by frequent Bruno Mars' director Cameron Duddy. The clip stars Ronson, Mars and the Hawaiian singer's backing band, The Hooligans. It was shot in various cities where Mars was touring as well as the 20th Century Fox New York street backlot in Los Angeles.

    Ronson explained to Radio.com why the visual was shot in the Big Apple. "There's a lot of 'uptowns' all across America," he said. "Obviously and famously in New York, but there's also New Orleans, Oakland and Minneapolis. But Bruno has family from the Bronx and I grew up on 90th and Riverside [the Upper West Side]. I guess that's why we choose that uptown. It was the one that was in our heads when we were writing the song."
  • This was the first US chart-topper to include the word "funk" in the title. However, a song with variations of both "funk" and "town" had reached the summit before: Lipps Inc. reached #1 on the Hot 100 with "Funkytown" in 1980. A previous chart-topper containing the "funky" adjective variant was Wild Cherry's "Play That Funky Music" in 1976.
  • A gospel influence in this song comes when Mars says, "Girls hit your hallelujah," which is followed by a background "Whoooo." This call-and-response makes the song far more club-friendly, specifically to the ladies in the crowd he's addressing. The "hallelujah" brings in a spiritual element as well.
  • Fans of BBC's 1980s children's wildlife show, The Really Wild Show pointed out the song sounds suspiciously similar to the program's theme tune. Even its presenter, Michaela Strachan, agrees, telling The Daily Mail's Sebastian Shakespeare: "It hadn't occurred to me that it sounded like the theme tune until I listened to it again. Maybe that's why I like it so much."
  • This is one of just four songs ever to lead the Hot 100 and the Official UK Singles chart for at least seven weeks each. The other three were:

    1991 Bryan Adams' "(Everything I Do) I Do It For You."

    1992-93 Whitney Houston's "I Will Always Love You."

    2007 Rihanna's "Umbrella."
  • The line "gotta kiss myself I'm so pretty" is something that boxing champ Larry Holmes said in an interview where he started talking about how much he loves himself - he then proceeded to kiss his own arms to make his point. Before Holmes, Muhammad Ali often boasted, "I'm so pretty."

    Note that after Bruno Mars says the line, he makes a kissing sound to punctuate it.
  • This was Mark Ronson's first UK #1 in the Britain. Back in 2007, he'd had a couple of near-misses with "Stop Me" and "Valerie," which both stalled at #2.
  • UK X Factor finalist Fleur East performed the song during the show's December 6, 2014 semifinal. She received unanimous praise from the judges and the singer's mentor Simon Cowell said the performance was one of the top three in X Factor's history. As a result of her cover topping the iTunes chart, the UK release date of Mark Ronson's original recording was brought forward by a month.
  • At 17 seconds, the intro runs longer than most hit songs of the time, as the trend was to quickly get into the chorus or first verse. This intro sets the stage for the rest of the song, introducing the hooky "doh doh doh" vocal and the clapping drum sound (made with a Linn drum machine) that show up throughout the song. Before the intro ends, various other key instruments in the song appear: bass, snare drums, cheery guitar, horns and a swishy synth effect.

    Mars also lets out a howl before going into his verse, indicating the wild, unpredictable nature of what's to come.
  • Mark Ronson was walking down a London street when he got a text from his manager saying this was the new #1 single in the States. "I called Bruno, we talked for a minute, and I said, 'I'm going to let out a primal scream right now, if that's OK,'" he recalled to Billboard magazine. "I cupped the phone to protect his golden ears, and that's what I did."
  • Trinidad James and Devon Gallaspy were both included on the song's credits. This was because of its use of the "don't believe me, just watch" chant, from James' 2012 hit "All Gold Everything."

    The writers of The Gap Band's 1979 anthem "Oops Up Side Your Head" (band members and brothers Charles, Robert and Ronnie Wilson, keyboardist Rudolph Taylor, and record producer Lonnie Simmons) were later added to the songwriting credits in the wake of a claim put forth by publisher Minder Music.
  • An early version of this song was deemed so bad it ended up in the virtual trash can on Mars' Mac. According to Rolling Stone, this version had Mars shouting, "Burn this motherf--ker down." He told the magazine: "We spent months on that chorus. Then one day it was like, 'Maybe we don't have a chorus.'"
  • This won for Best Male Video at the 2015 MTV Video Music Awards.
  • The song was the best-selling single of 2015 in both the US and UK.
  • Ronson and Mars performed this song at the halftime show of the 2016 Super Bowl, which was headlined by Coldplay. Mars and his crew did some Hammer-dancing to the song before yielding to BeyoncĂ©, who did a new song, "Formation." A West Side Story-style dance-off between team Mars and team Bey followed before Chris Martin joined them to close out "Uptown Funk."
  • This won Grammy Awards for Record Of The Year and Best Pop Duo/Group Performance at the 2016 ceremony.
  • The 1980s Minneapolis funk group Collage sued Ronson and Mars for alleged copyright infringement, claiming elements of "Uptown Funk" are "deliberately and clearly copied" from their 1983 single "Young Girls." The suit, on behalf of living Collage band member Larry White and the estates of two deceased members Grady Wilkins and Lee Peters, sought unspecified damages.
  • This spent the most time, 21 weeks, in the Hot 100's top three of any song. The record was previously held by Santana's "Smooth" with 19 weeks.
  • Veteran soul singer Angie Stone accused Mark Ronson and Bruno Mars of copying her old group The Sequence's 1979 tune "Funk You Up." Speaking to The Sun, Stone said:

    "As far as I'm concerned the song belongs to us. We have been robbed, railroaded, overlooked and completely disrespected. Everyone got paid but my group.

    The truth of the matter is no one on that suit deserves it more than The Sequence because those lyrics are ours - 'Funk You Up was ours.' We branded it in 1979. Their record was not recorded before ours and I think it is because we are women on the ballot and we are getting railroaded. The truth is we have been trying to sue them long before the record became Record of the Year [at the Grammys]."
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Comments: 2

Hi Guys - Thanks. Love the interesting information. You may want to edit the part about where the video was shot. I have little doubt that some of it was, indeed, shot in New York City. However, the lion's share of the "dancing and singing in the streets" parts were shot on the "New York Street" area of 20th Century Fox's lot. I bet my life, guys. I used to work there for many years and walked down that street a jillion times. It's unmistakable. Wikipedia confirms the location.Barbara Stirling - Hollywood
Move over Bruno I think Fleur East now owns this song!
https://www.youtube.com/watch?v=N9Wq7B_VV_U
Tj - Usa
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