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This song refers to The Wake Forest "Demon Deacons," whose football team struggled for much of the '70s, winning just 7 games from 1972-1975. At the same time, the University Of Alabama was a football powerhouse, winning the National Championship in 1973 and losing just one game in each of their next two seasons under the direction of their famous coach Paul "Bear" Bryant. Alabama is known as "The Crimson Tide":
"They got a name for the winners in the world
And I want a name when I lose
They call Alabama the Crimson Tide
Call me Deacon Blues"
(thanks, Ben - Savannah, GA)
The Scottish rock group Deacon Blue, who enjoyed 7 Top 20 UK hits between 1988 and 1994, took their name from this song. (thanks, Edward Pearce - Ashford, Kent, England)
When asked about the line, "They call Alabama the Crimson Tide, they call me Deacon Blues," Donald Fagen told Rolling Stone magazine: "Walter and I had been working on that song at a house in Malibu. I played him that line, and he said, 'You mean it's like, 'They call these cracker a--holes this grandiose name like the Crimson Tide, and I'm this loser, so they call me this other grandiose name, Deacon Blues?' and I said 'Yeah!' He said, 'Cool, let's finish it.'"
Comments (64):
We start with the cliched white-collar suburbanite, probably about 40-ish. He's daydreaming about being the "expanding man, " which has two layers of meaning here. First, there is the figurative "expanding," or broadening, of the man into something more than he has ever been, into what he once dreamed he would be: someone educated, hip, artistic, admired, whatever. But he's also "expanding" in the sense of getting older and fatter. Life is taking its toll. It's now or never. "The day of the expanding man" can be seen as HIS day, meaning his time, his time to shine. It can also mean a general sense of the social climate of the middle class American white guy, the "day" being the era, the age, the age of men taking control and doing what they want, not what corporate rules and family responsibilities dictate. The expanding (self-improving) man can control his own fate. His time is now!
"That shape is the shade where I used to stand" refers to him probably cruising his old neighborhood, looking at the spot where as a kid he stood so long in front of a music shop or barroom window that he left a permanent shadow on the outside wall. This line is followed immediately by his reminiscence of "only yesterday" when he stood there looking, seeing all the wild party-goers inside who seemed to have life by the balls, laughing it up. But standing and looking in windows is "all in the past." He's a grown-up adult, who chose responsibility for a life of carefree carousing. ("Shade" here can mean shading your eyes to see in a window. It can also be wordplay. Shade, as a shortened form of shadow. Shade = younger, thinner man, and shadow (longer "expanded" word) = the older man he is now, a shadow of his former self.)
The next three lines are his conversation with the wife he's leaving, and they are critical. "You call me a fool / You say it's a crazy scheme / This one's for real / I already bought the dream." The phrase "this one" juxtaposes what his wife calls a "scheme" -- running off to be a musician -- and "dream," as in the American dream: wife, kids, house, pension, etc. Saying "this one's for real" clues us into his classic, cynical, middle-aged thinking. The dream he "bought" -- literally with his hard work and figuratively with his faith in American ideals -- is a fraud. The "scheme" is what's "real," the selfish chasing of the singular fate of the free man. So what he is doing now is no "dream." Dreams are illusory. He's embarking on LIFE! (in his mind, anyway). He is leaving behind the one truly foolish dream, the American dream as it's taught to every elementary school student. He is trading it for the freedom that dream is supposed to spring from.
Now the gorgeous chorus. "Work" is a word meaning "play." It probably originated with real musicians. ("That cat was workin' that bass, boy!") But like all jargon, once it hits the street, it becomes hipster slang, loses all coolness, and the "cats" in the business drop it for something new. Alas, hipsters and wannabe hipsters can't resist. Every time they meet a musician, they compliment him on "working" his instrument, probably better than anyone has ever "worked" it before. So the guy in our song uses it, because it gives him a elf-assured feeling that he really is in-the-know, and just a step away from being where he dreams of, forgetting that those who try hard to look or sound the part usually aren't. And the classic pledge of the underachieving, compromising procrastinator: I will. "I'll learn to work the saxophone..." I will, you'll see.... one day I WILL! .... One day.... just haven't had time yet....
"Play just what I feel" .... The classic rebel's stance. No music company will tell ME what songs to play, Jack!
"Drink Scotch whiskey all night long/ Die behind the wheel" .... Scotch drinkers are COOL, man! (again, in the mind of our sad, song persona guy) And every cool musician who dies in a drunken car crash gets headlines, now and forever, as the guy who "did it his way," didn't play by "THE rules."
"They got a name for the winners of the world" -- yeah, it's WINNERS, that's the name.
"I want a name when I lose" .... Notice, he does not use the word we already have for people who lose: LOSERS. This is what a self-deluded mind does. It paint pictures and leaves out details it doesn't like, details that do not fit the script.
And notice the name he comes up with? A college football mascot. What do middle-aged white guys do? They sit around, with expanding asses on worn out sofas, watching college football, and other spectator sports. So when he has to come up with something original, he is stuck reaching for something in his Saturday TV toolkit: The Alabama Crimson Tide and the Demon Deacons of Wake Forest. To be sure, he adds "Blues" because it adds to his bluesy/jazzy image of who he "really is." But guys who wanted to be musicians can't be musicians if they sit around watching college football on TV. He might wish he HAD BEEN Deacon Blues, preaching all that wisdom with his lyrics and song, but he let it all pass him by, for a 12 p.m. kickoff.
I could go on, but you can do the rest. Go ahead, scroll down through the other verses. It's all there. Still a great song, and maybe that so many people feel "inspired" by it is part of the irony.... Who knows?
As I see the first verse, "where (he) used to stand" is in the world of the 'establishment' (a little like Ben in "The Graduate") and he's looking through the metaphorical glass (veil of illusion?) that separates him from the world of ramblers and wild gamblers, wanting to be on the other side of it, and now he is. The rest of the song (until the last verse) is a veritable paean to rambling and wild gambling (leavened with a little cynical self-deprecation). Hence, its strong correlation to ski-resort life (for those who know). At its core, that life was always experiential in the extreme (no doubt accounting for the scarily-high percentage of us who didn't survive it), yet we thought we were philosophers, too. We were back-to-the-wall victims of laughing chance and loving every second of it.
All things must pass, though. The last verse is a perhaps slightly bitter (if still rebellious) reflection on that fact. If we live through all of the craziness, we just get old, and then we die. So now, it is the "night" of the expanding man and he is taking one "last" drag on whatever it is he is smoking before he approaches the stand. (Mic stand? Bar of judgement?) Doesn't matter--he's putting it out there one more time, taking that risk yet again. The final lines," This brother is free. I'll be what I want to be." is the writer's way of shaking his fist at an uncaring universe. Tom Petty had to have had this song in mind when he wrote "I Won't Back Down." There are others that borrow on the theme as well, of course.
Anyway, I could go on, but this was probably already way too long. No matter, the song is amazing and still puts me through the full emotional range whenever I hear it. Awesome, awesome work of art.
Steve
San Diego
But I think as opposed to "beyond the grave", you could also read it as:
after the car crash, during his last moments of life, right as he feels his soul departing -
THAT would be a more poignant perspective of the song, I think......
That had nothing to do with the meaning of the song, but it does have to do with why, especially the Alabama team, was considered with contempt by many since it only recruited white players until 1971.
Interestingly also is the number of son's of the early black players for Alabama that have also played for Alabama.
As far as the song goes, it is about the life of musicians, and the 'sue me if I play too long' is a reference to the length of the song, which was not radio play length! Come on, a 7 1/2 minute song on the radio!! Even FM stations balked at 4 1/2 minute tunes back then.
(Gosh, I so love the tenor solo!)
The Crimson Tide is a trade-mark 'winner name', so he's just turning that name around into 'Deacon Blues'(a deacon is essentially a servant - a tool), and 'blue' is the color of depression. Voila' - Deacon Blues.
Simply put, this song is the last reflection of comic irony as he 'dies behind the wheel'. He's made his decision - drank all night long, and will now die behind the wheel. Evidenced by 'So useless to ask me why, Throw a kiss and say goodbye, I'll make it this time, I'm ready to cross that fine line'.
For anyone familiar with suicide, the 'fine line' is the line between planning it, and doing it.
Proving again how influential music can be.
This song is about a guy whose life is empty, miserable and meaningless, therefore, he creates an alternate reality, an escapist fantasy world in which he assumes a new identity. In his fantasy world, he is a nocturnal, super-cool, sax-playing, scotch-drinking, chick-banging Dude who is SO FREAKIN' AWESOME that he has his own nickname..."Deacon Blues".
"A world of my own
I'll make it my home sweet home."
The second verse is self explanatory "You call me a fool you say It's a crazy scheme....This one's for real I all ready bought the dream....foolish to ask me why.. throw a kiss and say goodbye"...there were some naysayers, but he believed in himself "I'll make it this time".. " I'm ready to cross that fine line"...There was no looking back.
The third verse or chorus is also pretty transparent. .I'll learn to play the saxophone. Drink Scotch Whiskey all night long and die behind the wheel ( making music and living the lifestyle is great fun ...Chicks, Booze, Drugs, Sex, Death...one of there mates died in a lat night auto accident) other than the death part who wouldn't be happy. You've made it....They call Alabama the Crimson Tide.... But now there is the name thing , you need a good one a cool one , a hip and catchy one after all your not Bernie the accountant, or Joe the Plumber, your in show bizzz, therefore "Deacon Blues. " A reference to the hip coolness of the " Steely Dan" moniker from William Burroughs "Naked Lunch" novel, whose title was miss transposed from Kerouak to Ginzberg to Burroughs from "Naked Lust"
Fourth verse "back to the wall... essence of true romance...sharing love w those we love ..& my kind...libations sensations...that stagger the mind" There were also hardships but when you are doing something you love with friends and partying and having a good time as well. The experiences are mind blowing.... Is there anything better?
Fifth verse, "I crawl like a viper...thru these suburban streets..make love to these women.. wake up when the sun goes down.. cover every game in town.(so much for focusing, partying and no gambling) a world of my own.." They moved from New York to LA, now successful players in the world stage ahh Music show Bizzz and all its fringe benefits.
The last verse he is getting ready to perform on stage again...last drag from cigarette....I cried when I wrote this song ....sue me if I play too long....." Unlike studio sessions performing live is a high in itself and inspired players improvise and jam.. "This brother is free I'll bee what I want to be....." Chorus.
The inference of Deacon Blues as a "calling card" is the declaration of what the new day will mean...the past is past now I am somebody new....
The lyric "they call Alabama the Crimson Tide, call me Deacon Blues" is the exclamation of a new day, how the new man will be advertised to those around him who will listen and who will care.
A great commentary of any man in mid life crisis.
I don't think he is dead already, he is mourning his former life and he knows this fast life of decadence may inevitably be fatal - but he doesn't care anymore, like many people he is searching for an identity, good or bad he only wants a crowd to belong to and a name for himself - Deacon Blues
ps: I heard Alabama's marching band uses part of this song in their routine. Enough said.
Joe in Fla
And die behind the wheel". My friend said that one of Steely's college friends hit that tree after a night of drinking and died. The tree most definitely looked like it had been banged up before. Might be another urban legend but I have heard others at that school say the same thing.
This is the day of the expanding man (expanding beyond the living world) / That shape is my shade (?shade? as in ghost) / There where I used to stand (ain?t standin no more) / It seems like only yesterday / I gazed through the glass (as in whiskey glass) / At ramblers, wild gamblers / That's all in the past (cause I?m dead now, expanded)
You call me a fool (because you buy into this illusory existence) / You say it's a crazy scheme (this romantic notion of live-fast-die-young) / This one's for real / I already bought the dream (as in ?bought the big one?) / So useless to ask me why (not much use now, is it?) / Throw a kiss and say goodbye (that?s about all you can do at this point) / I'll make it this time (ain?t no losers here) / I'm ready to cross that fine line (that fine line between life and death)
My back to the wall (oh s--t, about to face another judgement) / A victim of laughing chance (not suicide, bu accidental death behind the wheel) / This is for me / The essence of true romance (live fast die young) / Sharing the things we know and love (the things you and I used to like to do) / With those of my kind (other ghosts) / Libations (don?t forget to pour some whine on my grave) / Sensations / That stagger the mind (you can?t even imagine)
This is the night of the expanding man / I take one last drag (gotta have that last smoke) / As I approach the stand (as in final judgement) I cried when I wrote this song (hard not to get a little nostalgic) / Sue me if I play too long / This brother is free free at last, baby / I'll be what I want to be
When asked about the line, "They call Alabama the Crimson Tide, they call me Deacon Blues, Donald Fagen told Rolling Stone magazine: "Walter and I had been working on that song at a house in Malibu. I played him that line, and he said, 'You mean it's like, 'They call these cracker a--holes this grandiose name like the Crimson Tide, and I'm this loser, so they call me this other grandiose name, Deacon Blues?' and I said 'Yeah!' He said, 'Cool, let's finish it.'"
I was drawn to this song because its theme seems to be about the warmth and depth of embracing/accepting the perceived role of a looser. Embracing music, alcohol, vices, and self-destruction - and being ok with it because you come to a point where it is home and its where you want to be. In a way its falling in love with failure - sort of. It reminds me of all of Wes Anderson's movies or of Boogie Nights: the theme in all of these is finding and embracing family despite failure. In Deacon Blues you get a sense of family in the world of the looser that he has embraced.
Another recent song that I hear this in is Josh Rouse's song "James" on his 1972 album (great song btw). It's about an alcoholic - and you get the sense that disappearing into a bar is what James wants to do. It's both tragic and beautiful at the same time.
I definitely don't think this song is about suicide. If anything its about celebrating a lifestyle that many would look down upon.: a lifestyle that you may know will lead to 'dying behind the wheel' (in all the ways to interpret that wonderfully multi-meaning line).
The last lines are maybe the best though:
I cried when I wrote this song
Sue me if I play too long
This brother is free
Ill be what I want to be
So what if its the life of the looser. So what if you know you'll die behind a wheel. He has struggled with society and himself and has finally become free by accepting himself and choosing his path - consequences be damned. He want a grandiose name for the looser - because he sees the grandness in this life he has chosen.
What an awesome song however you may interpret it.
For me, it's about a guy finally coming to terms with himself. He may have had big dreams, but now he realizes he'll never achieve them and that's okay. He's figured out who he is and that's all that matters.
I was intrigued by the notion that the lyric "die behind the wheel" is about gambling. I've heard it speculated that on Do it Again, when they sing "wheel turning round and round" they're referring to the wheel of fate. I've always linked dying behind the wheel to the reference to scotch whisky, but perhaps Dan had something else in mind.
"This is the day of the expanding man" refers to someone going through a significant spiritual/life change. "That shape is my shame, there where I used to stand...only yesterday I stared through the glass..." represents this character's past. He's made some decision about his life (don't we all do that?) and will have to "approach the stand," as he will be judged by others. But he is "ready to cross that fine line," determined to "be what I want to be." And the sarcastic "sue me if I play too long," and "this brother is free, I'll be what I want to be" express this self-determination. It could be a person falling into an alcoholic or any other lifestyle that is looked down on, thus the allusion to "losing." The Alabama and Wake Forest football teams are definitely referred to here, but as symbolic references to any life that others judge as a "winning" or "losing"
What great writing, and I love the sax solo.
By the way, I've used Deacon Blues for the name of sports teams that I've captained/formed, as a tongue-in-cheek reference to being a "losing" team.
Here is an excerpt from a Rolling Stone magazine article/interview with Donald Fagen.
Walter and I had been working on that song at a house in Malibu. I played him that line, and he said, "You mean it's like, 'They call these cracker (deleted) this grandiose name like the Crimson Tide, and I'm this loser, so they call me this other grandiose name, Deacon Blues?' " And I said, "Yeah!" He said, "Cool! Let's finish it!">
source: http://www.rollingstone.com/news/qa/story/9519861/donald_fagen_gets_inspired
I've never heard this refered to as a "suicide song" but it contains the lyrics, "..drink Scotch whiskey all night long and die behind the wheel" -- to indicate the depth of dispair being experienced.
Finally, while Steely Dan didn't tour much in the late 70's or 80's, they have been pretty active since. Many Steely Dan classics were performed by Becker/Fagan and others in the New York Rock and Soul Review which toured in the early 90's. Steely Dan did a tour (with an awesome band) in 1993. I know for sure there was a 1996 and I believe a 1998 tour as well. They've toured each of their last two releases pretty extensively. If you haven't seen them live, you really are missing something. They are as careful about selecting their touring musicians as they are about producing their records.
If you are a BitTorrent fan, you can find many great shows at a torrent site of your chosing.
This song asks a bit much of your intelligence and sympathy for a couple of aged guys ("this is the day, of the expanding man, that shape is my shame... there where I used to stand") So I assume it can be interpreted in a negative way.
The truth, though... most likely lies in their Nostalgia and pain for the past...
It moves along side the theme of most of their music....it almost always seems to surge in the direction of past experience. What a beautiful song by one of my favorite bands, Ever to make music.
Steely dan (Who's name was derived from a William Burroughs book) is IMO, the greatest jazz/rock fusion band to ever live...it pains me that they were a studio band and that it's so damn hard to see them live...Entirely too much magic to not spread around. But isn't that part of being the modest genius? Rock on Guys!!
I love your work, Entirely!!!!!
Other dominant teams in the 70's were Nebraska,Penn State,OK,USC,NotreDame.
Now somebody correct me....I just assumed that Becker and Fagan must have gone to Wake Forest. In ArtistFacts..it says they attended a school in NY. Anybody????