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This was the last song Freddie Mercury recorded. May explained in the Days of our Lives documentary that "Freddie would say 'give me words, I will sing' so there I was writing on scraps of paper these lines of 'Mother Love.' I would give him a line, he would sing it, then sing it again, then sing it again - so we only had three takes of everything. After he'd finished the second verse, he said 'Oh I don't feel too well, I'm going to go home and we'll finish it tomorrow'... and he never did. That was the last time I saw Freddie in the studio."
The final verse was written and sung by Brian May a couple of years after Mercury died in November 1991. (thanks, Kyle - Dallas, TX)
Roger Taylor is a particular admirer of this song. He notes in the Days of our Lives documentary: "I'm hearing the voice (Freddie's voice) getting... weaker. But I mean he still hits all the notes. There's an absolutely spine-chilling note in the middle of "Mother Love" ("out in the city, in the cold world outside, I don't want pity, just a safe place to hide") which is just a great bit of singing."
The lyrics were co-written by Freddie Mercury and Brian May. It is one of the few times in song that Mercury seems to admit his inner pains and struggles of dealing with AIDS ("I'm a man of the world and they say I am strong, but my heart is heavy and my hope is gone") - the other key one being "The Show Must Go On
The random bursts of sound throughout the song and the strange end sounds are small segments of every Queen track ever recorded sped very fast through a tape machine and mashed together. They combine at the end with samples of Mercury's famous 'deh-doh!' vocal interludes with the crowd from Live at Wembley 1986, the synth intro to "One Vision," and a sample from his very first single, "Goin' Back" in 1972, which he performed vocals on under the pseudonym of Larry Lurex. In the context of the song it is obviously meant to show the cyclical nature of life and death, and a man looking back across the entire spectrum of his life and career.
Reverend Horton Heat
The Reverend rants on psychobilly and the egghead academics he bashes in one of his more popular songs.
Meshell talks about recording "Wild Night" with John Mellencamp, and explains why she shied away from the spotlight.
With Bernie Taupin, Martin co-wrote the #1 hits "We Built This City" and "These Dreams." After writing the Pretty Woman
song for Go West, he had his own hit with "In the House of Stone and Light."