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Keith Richards' fingers began to bleed as he played acoustic guitar for hours while Mick Jagger worked with an engineer on the drum track. The title came from Keith's desire to record his track. At least that's the story the band tells. Here's an alternate meaning: The phrase "Let It Bleed" is intravenous drug user slang for successfully finding a vein. The syringe plunger is pulled back and if blood appears, is called letting it bleed. (thanks, Bill - Hamilton, United States)
This was the first Stones song to also be the album title.
Ian Stewart, often considered "The 6th Stone," played the piano. This was his only appearance on Let It Bleed.
There are many references to sex and drugs in the lyrics to this track - an example of the Stones writing about what they knew.
This was recorded around the same time as The Beatles Let It Be, but the similar titles were just a coincidence.
The Stones recorded this after the death of Brian Jones, and Mick Taylor had yet to join the band. As a result, Keith Richards played both acoustic and slide electric guitar, and Bill Wyman played bass and autoharp. Autoharp is a string instrument with a series of chord bars attached to dampers which, when pressed, mute all but the desired chord. An autoharp is not really a harp - it's a zither. (thanks, Bertrand - Paris, France)
The English TV cook and author Delia Smith baked the cake on the album sleeve before she became famous. She got the gig through being a friend of the photographer, Don McAllester. In 1971, two years after the release of
Let It Bleed, Delia Smith's first cookery book,
How To Cheat at Cooking, was launched and by the end of the decade she'd become the UK's best known TV cook.
Comments (22):
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Are you serious? I like the 'Stones, they have some good songs, but seriously, The Beatles did more for music in 6-7 years than the Stones were able to do in almost 50. I know you guys love your Stones but we have to face facts.
The lyrics might say 'Get it on rider' but it sure does sound like he's saying 'bleed it all right' because on the live versions it doesn't sound like 'rider'.
But...whatever.
And what idiot at ABKCO insisted that 'gimme' was spelled 'gimmie'?
A very interesting thing about Let it Bleed, is the different mixes of the drums on the tracks. The title track's drums are very, very good for 1969. The Stones were not known for recording drums very well. But this track is different.
I have never heard that bit about "Let it Bleed" from any drug user I knew. While it's true that you leave a little air bubble at the top of the syringe when injecting intravenously, so the rush of blood tells you you've hit a vein, I never heard anything but "I've got a hit" or "...got it" or "I hit the vein" in response. Some users would inject the drug, then, without removing the needle from their vein, pull back on the plunger, causing the syringe to fill with blood. When repeated several times, this was known as "booting", or "jerking off" in sarcastic reference to the masturbatory act. Once again, I must say: there are enough genuine drug references in Stones songs. Don't invent one just because it sounds like it could be true! I don't really think of this as a drug song, anyway, despite the throwaway references to the "junkie nurse" in the basement and the possible cocaine in "when you need a little Coke and sympathy"-- which could be about Coca-Cola. The brilliance of the Stones' lyrics is that you're rarely sure... To me, it's more of a song about sexual and emotional need, and the promise that "I'll always be there for you". Certainly the line "you can come all over me" is not a drug reference...[smirk] And then there's the possible line "get it on, rider", which might actually be "bleed all right"-- or both at different times in the song? At any rate, "rider" is Blues slang for a sexual partner, usually a woman, as in the Skip James classic "Special Rider Blues" which I used to cover in my old NYC band The HellHounds. But, as stated, the brilliance is in the obscurity. Jagger once said he read an interview with Fats Domino once who said "You should never sing out the lyrics too clearly", which Mick said he took to heart. There is also a legend that Mick had an accident while playing sports where he accidentally bit off the end of his tongue, which caused him to be unable to enunciate as clearly and to sound "more like an old black man" (Mick's words, not mine). Thus obviously suited Mick just fine...Whatever the case, a cursory listen will show you that the Stones were the first Rock band to mix their vocals back down even with the instruments. Compare any Stones record to any Beatles record before "Rubber Soul" and you will hear the vocals way up front in the mix, dominating over the music to the point where the lyrics are clearly understandable - or they would be without the Beatles' thick 'Scouse (Liverpool) accent!
Put me down with those who hear no link between "Let It Loose" and ANY Beatles song, [sarcasm on]other than the presence of keyboards...[/sarcasm off].