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Y.M.C.A. stands for "Young Men's Christian Association," which is commonly associated with the gyms that often provide temporary housing to men. The Village People sing about the YMCA as a place where you can hang out with all the boys. It's implied that this is more of a concealed kind of place to gather in-the-closet gay young men so they can leave their worries and troubles behind and let loose. While the lyrics don't contain any specific gay references, the song became a gay anthem.
Producers Jacques Morali and Henri Belolo in 1977 assembled a group designed to attract gay audiences while parodying (some claimed exploiting) that same constituency's stereotypes. Songwriters Phil Hurtt and Peter Whitehead were tabbed to compose songs with gay underpinnings, and roles and costumes were carefully selected; among them were a cowboy, biker, soldier, policeman, and construction worker complete with hard hat. The songwriting credit on "Y.M.C.A" goes to Morali, Belolo and Victor Willis, who was the policeman in the group.
A common misconception was that Village People were an all-gay troupe. Only cowboy Dave Forrest and indian Felipe Rose were gay; the rest were straight. But they all played gay stereotype roles because the group was marketed to the GLBT community associated with disco at the time. Looking back, it's kind of ridiculous to think that discos were "a gay thing" (nobody was having suspicions of, say, John Travolta), but people didn't think very hard about these things in 1978. (thanks, Alexander - Ciudad Ojeda, Mexico, for above 2)
This song has a dance associated with it where people form the letters with their arms. It is commonly performed at weddings and other celebrations, and is extremely popular as it's very easy to do. The Village People introduced the dance moves when they performed the song, and over the years they have sometimes given instructions on how to do it correctly. They say the most common mistakes are in the M and the C: the M is correctly made by touching your fingers in front of you, not by putting your fingers on your shoulders like you're calling a 20-second timeout. The C goes wrong when dancers make the gesture to the right, which to the audience looks flopped. The correct way to make the C is to the left, so it looks like a C to people facing you.
The Village People made a video for this song, which was rare for American acts in 1978, since there was no MTV. In Europe, however, there were many more places to show videos, and that's where the Village People clip got the most views. When MTV launched in 1981, they played a lot of videos from British acts and a few they had from American acts like Devo, but the Village People apparently didn't fit their format.
In 2008, Spin magazine asked some of the Village People about this song. Here are some of the responses:
Randy Jones (cowboy): When I moved to New York in 1975, I joined the McBurney YMCA on 23rd Street. I took Jacques (Morali) there three or four times in 1977, and he loved it. He was fascinated by a place where a person could work out with weights, play basketball, swim, take classes, and get a room. Plus, with Jacques being gay, I had a lot of friends I worked out with who were in the adult-film industry, and he was impressed by meeting people he had seen in the videos and magazines. Those visits with me planted a seed in him, and that's how he got the idea for "Y.M.C.A." - by literally going to the YMCA.
David Hodo (construction worker): We had finished our third album Cruisin', and we needed one more song as a filler. Jacques wrote "Y.M.C.A." in about 20 minutes - the melody, the chorus, the outline. Then he gave it to Victor Willis and said, "Fill in the rest." I was a bit skeptical about some of our hits, but the minute I heard "Y.M.C.A.," I knew we had something special. Because it sounded like a commercial. And everyone likes commercials. "Y.M.C.A." certainly has a gay origin. That's what Jacques was thinking when he wrote it, because our first album [1977's Village People] was possibly the gayest album ever. I mean, look at us. We were a gay group. So was the song written to celebrate gay men at the YMCA? Yes. Absolutely. And gay people love it."
When Spin asked Y.M.C.A. media relations manager Leah Pouw about this song, she replied: "We at the Y.M.C.A. celebrate the song. It's a positive statement about the Y.M.C.A. and what we offer to people all around the world."
This is a very popular song at sporting events, especially baseball games where it is often played between innings. The song plays at Yankee Stadium when the grounds crew dredges the infield. The crew stops to perform that arm gestures at the appropriate times.
The Village People saw this song as no more than an album filler but Neil Bogart, the president of their record label, saw its potential and made the decision to push it.
The YMCA re-branded its name and logo to the popular nickname, "The Y" on July 11, 2010. The name switch came after research indicated many people didn't understand what the group does. Village People fans breathed a sigh of relief when the lead singer of the original group, Victor Willis, released a statement to say the change won't affect the song. He added that the dance that goes along with it, in which participants use their arms to make the shape of each letter, is here to stay as well.
On December 31, 2008, Guinness World Records certified the Village People performance at halftime of the Sun Bowl between Oregon State and Pittsburgh in El Paso as the largest YMCA dance ever, with 40,148 fans doing the moves, minus a few guys who didn't feel comfortable making letter gestures in the beer line.
Various versions of the song have been used in a series of UK television adverts for British price comparison website Confused.com since 2010. The commercials use the music as a familiar tune to which several distinct new lyrics have been added.
Comments (22):
Dean Pitchford
Dean wrote the screenplay and lyrics to all the songs in
Footloose. His other hits include "Fame" and "All The Man That I Need."
Chris Knight
This Kentucky singer/songwriter's hits include "She Couldn't Change Me" (recorded by Montgomery Gentry) and "It Ain't Easy Being Me."
Neal Smith - "I'm Eighteen"
With the band in danger of being dropped from their label, Alice Cooper drummer Neal Smith co-wrote the song that started their trek from horror show curiosity to the Rock and Roll Hall of Fame.
Seeing is believing..........
Hey! Didn't anybody mentioned that this song is played every day in Yankee Stadium when the field crew comes out to rake the infield mid-game?
As for the song, it is actually one of the best disco songs. To some that may not be saying much, and I'll admit to having participated in a couple of "Death to Disco" fests in my youth. But it does have an anthemic quality to it, so I can see how it became--and continues to be--iconic among gay men. Furthermore, it's what the Swedes call a kulturbarer--culturebearer--in that it represents a mood and mode of the time. No song like it could or would have been made after AIDS became widespread and killed so many of the Village People's contemporaries.
By the way, has anyone ever noticed that disco "died" around 1982 or 1983--right about the time AIDS left the gay male subculture and spread to the wider homosexual community?
Marlon Brando popularized the biker look as an iconic tough guy image in the 1950s movie "The Wild One". The sadomasochistic subculture of gay male culture in the 1970s, particularly in new york city, adopted it both ironically and because it fitted the role playing and posturing that s&m frequently involves. You can see classic images of both sides of this in the movie "After Hours".
They simply provide a measure of protection for a motorcyclist if he/she crashes on the road.