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Rocks Off


The Rolling Stones

Songfacts®:  You can leave comments about the song at the bottom of the page.

The lyrics contain lots of sexual content, but they are very hard to understand. The song is about the impending loss of sexual ability - there was no Viagra back then.
Andy Johns, who engineered the Exile On Main Street sessions, told Goldmine magazine in 2010: "It went on for ages. When Mick came back from Paris for the first time he seemed happy with the sound. And Keith would sit down stairs and at one point he sat there for 12 hours without getting out of his chair just playing the riff over and over and over.
And then one night, it was very late, four or five in the morning, Keith says, 'Let me listen to that take again.' And he nods off while the tape is playing. I thought, 'Great. That's it. End of the night and I'm out of here.' So I go back to my place where I was staying. (Horn player/arranger) Jim Price and I had this villa. It was pretty spanky. I'm tellin' you. A half an hour drive. I walk in the front door and the phone is ringing. I pick it up and it's Keith. 'Where are you?' 'Well, I'm obviously here 'cause I answered the phone.' 'Well you better get back here, man, 'cause I have this guitar part. Come back!'"
This was the first of 18 songs on Exile On Main Street. Most of the album was recorded at the Villa Nellcote, a place Keith Richards rented in the South of France. The Stones went there to have some fun and get away from England, where they were taxed heavily on their earnings.
This features Bobby Keys on sax and Jim Price on trumpet. They provided horns on albums and tours through the early seventies. Nicky Hopkins played piano on the track. (thanks, Bertrand - Paris, France)
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Comments (14):

"The sunshire bore the daylights out of me"...A lot of sex and drugs by the kings, The Stones. Great Song...
- Jim, Long Beach, CA
the best song to open an album. ever. period.
- matt, new york, NY
I agree with Grayson. "The sunshine bores the daylights out of me" is one of the greatest lines in rock & roll. It resonates the way great lyrics do. Of course, this moment is only great because the rest of the song is so great too. A perfect slice of rock & roll, and the Stones are always as much about being rock & roll as anything else.
- Chelsea, Atlanta, Georgia
Filthy, dirty rock n' roll at its best.
- Joe, Seattle, WA
This can't be about Anita Pallenberg and Scott Cantrell, the 17-year-old who committed suicide. That happend in 1979, 7 years after this song was recorded.
- jean, wichita, KS
This has always been one of my favorite Stones tunes, but the remastering of the original has allowed me to take the song apart and appreciate all that is going on below the surface. Just for kicks, listen in at the 3:30 mark, right after Keith blows his cue, he adds a line "socks don't come off, string em up, only take em off, take em off . . ."
- james, portland, OR
This song is in the key of E.
- Tim, Long Island, NY
The post below is incorrect. ROCKS OFF was recorded in 1972. Anita Pallengerg's 17-year-old friend (named Scott Cantrell) shot himself in 1979. Thus the song could in no way be about his suicide!
- Susan, Toronto, Canada
"Hearing voices on the street" is a reference to Anita Pallenbergs' affair with an under age young man. He was unfortunatly, appearently found dead from a self inflicted gun shot wound. "What's a matter with your boy. He ain't coming round no more, is he checking out for sure?" While many Stones lyrics are started by Keith and finished by Mick, this song seems to discribe Keith's relationship with Anita Pallenberg, which included satanic worship and drug addiction. She kicked him like she kicked before and he couldn't feel the pain anymore, and Keith only got hid rocks off in his dreams.
one of the best lyrics in Rock history, "the sunshine bores the daylights out of me"
- Grayson, Cleveland, OH
One of the greatest and most underrated songs of all time.
- Steve, Wayne, PA
rock n roll doesn't get any better
- Ethan, Portland, OR
The Stones at their best. Adding horns to rock and roll is always a tricky thing I think, but the horns really bring out this song.
- Dave, Le Mars, IA
The lead track off "Exile On Main Street' which was recorded at Keith's villa in the south of France - in the basement - where it was so humid the guitars wouldnt stay in tune.
- Dave, London , Canada
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