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Written by Queensrÿche guitarist Chris DeGarmo (who left the band in 1998), this is a song that deals with a person having a lucid dream. A lucid dream happens when you are aware that you are dreaming, and can control parts of it. DeGarmo got the idea from a book called Creative Dreaming
, which explains how to tap into your subconscious mind and make like Leonardo DiCaprio in Inception. DeGarmo told Metal Edge
in 1990: "Dreams tend to recur. Very often you have the same images, and it's being used in therapy, to confront the image in your dream. In a lifetime the average person spends about 4 ½ years in a vivid hallucination of the subconscious. You're doing things like flying, walking through walls - it's so intense. People can experience incredible physical sensations during dreaming."
In our interview with Queensrÿche's lead singer Geoff Tate, he said: "I love that song. I think it's a beautiful, beautiful piece. And although I didn't write it, I had a lot to do with shaping the destiny of that track through my melodic contributions and the way I sang it, and also in the mixing of the song and that kind of thing.
It had a strange beginning. It started out as simply just acoustic guitar and voice. And it wasn't until we were almost finished with the record, just in the last week of working on the record, that we added all the other instrumentation to it.
In fact, our producer (Peter Collins) didn't really want to put it on the record because he didn't think it was that well-developed as an idea. He was actually putting his foot down at one point saying, "No, I think you should come up with another song. You only have so many songs for the record, I don't think you should put that on the record." I think it's a good idea that he said that because it inspired Chris DeGarmo and I to really buckle down and finish the song and actually make it into what it is."
A piece of classical music is incorporated into this song: Brahm's "Lullaby" can be heard starting at 5:26, played by a cello.
Queensrÿche has had a long and illustrious career, but this is their only song to crack the Hot 100 in America. They fared better on the UK charts, where they placed six songs in the Top-40.
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