Songfacts®: You can leave comments about the song at the bottom of the page.
This is about changing established society, starting in the middle of a conversation between two people (the Joker and the Thief). The Thief sympathizes with the Joker, who wants to escape his position in life and hates the values of society. The third verse suddenly shifts the scene, changing from a conversation to an almost unrelated verse filled with imagery of princes, women, and barefoot servants guarding a castle, establishing a place in the past. These figures are said to represent established society. "Somewhere in the distance, a wildcat does growl" suggests danger is approaching, then suddenly "Two riders are approaching" links us back to the first two verses. The riders are the Joker and the Thief, coming to establish a different set of values. The guarded castle suggests there will be confrontation. (thanks, Jamie - Sydney, Australia)
While Bob Dylan did the original version of the song, it wasn't as popular until remade by Jimi Hendrix. Dylan liked Hendrix' version so much, he began playing the Hendrix version instead of his own. Jimi Hendrix had replaced the harmonica parts with guitar, and sped up the song.
In 2006, Australian Rock group Wolfmother had success with a song called "Joker & the Thief," which was inspired by lines from this song.
In addition to Hendrix, this song has also been covered by Lenny Kravitz, Pearl Jam, Dave Matthews Band, U2, Eric Clapton, The Grateful Dead and Neil Young. (thanks, Bert - Pueblo, NM, for above 3)
According to The Sun
November 1, 2013, this is the song Dylan has played live the most, having performed it 2,160 times. Runner up is "Like A Rolling Stone
" which has been rendered by the singer-songwriter 2,009 times in concert.
With Bernie Taupin, Martin co-wrote the #1 hits "We Built This City" and "These Dreams." After writing the Pretty Woman
song for Go West, he had his own hit with "In the House of Stone and Light."
You may not recognize his name, but you will certainly recognize Peter Lord's songs. He wrote the bevy of hits from Paula Abdul's second album, Spellbound
, plus a collection of other classics for the likes of Aftershock, Ali and Goodfellaz.
Al Jourgensen of Ministry
In the name of song explanation, Al talks about scoring heroin for William Burroughs, and that's not even the most shocking story in this one.
John Lee Hooker
Into the vaults for Bruce Pollock's 1984 conversation with the esteemed Bluesman. Hooker talks about transforming a Tony Bennett classic and why you don't have to be sad and lonely to write The Blues.