“These are not ordinary song titles. They have a certain bite to them. And I guess that would be something I would be proud of.” »read more
Songfacts: You can leave comments about the song at the bottom of the page.
The song title is a play on "Mental Health," and is a celebration of the rebellious nature of Heavy Metal and fans who bang their heads to the music. The target audience was teenage boys; this is evidenced by the video, which shows one of the species undergoing a Metal assault in his bedroom, and by the references to teachers in the lyrics.
Helped by a video that got lots of airplay on MTV, this song helped bring Heavy Metal music with a Pop sheen into the mainstream, paving the way for photogenic Hair Bands of the '80s like Motley Crue and Twisted Sister.
In 1998, Quiet Riot lead singer sang on an acoustic version with The Neanderthal Spongecake that appeared on their album The Side Effects Of Napalm. Cevin Soling of The Neanderthal Spongecake explains how this came together:
"Eric Clapton had done his cover of Layla, of his own song. I thought it was just atrocious, doing this mellow version and that acoustic thing. I thought it was an abomination, and so as sort of a joke I played this acoustic version of Quiet Riot's 'Metal Health.' And so, I was working out in the studio while we were working on our album, and it just started coming out really, really well - an acoustic version of the ultimate headbanging song. But it came out brilliantly, and I started adding strings and a choir, and it got pretty insane. But the problem was the original concept of the vocals was supposed to be this hard core kind of slacker vocals over this acoustic sound. But the music was just too good to sort of do that to. So I managed to get in touch with Kevin Dubrow, the lead singer of Quiet Riot, and asked him if he was interested in singing on it. His initial response was no, because I guess Marilyn Manson was responsible for getting the band back together again, and then they were actually going to be cutting a new version of that song to sort of exploit it. But he agreed to listen to it anyway. And then after I sent it out to him, he called me immediately and said, 'I have to sing on this. Please let me sing on this.' Because it was such a radical departure, and so unexpected. So he was working as a DJ out in Vegas at the time, and so I flew out to Vegas and recorded with him, and Lindsey Buckingham's son actually was the engineer there. The whole experience was just a lot of fun, working with him. And he was great. I wasn't so much into the heavy metal music, but he was telling me how he had this terrible reputation, but I didn't know anything about his reputation or anything about him being difficult. Because he could not have been easier to work with, could not have been more professional. The whole thing was a pleasure. And I thought, hey, this could be kind of fun to do this kind of concept for a whole album. But not necessarily having people do their own materials, pairing people up with the least likely song that you could imagine them doing. (Cevin went on to executive produce the album When Pigs Fly: Songs You Never Thought You'd Hear. His full interview is available in the Songfacts Interviews. His website is cevinsoling.com.)
Depending on your definition of "Heavy Metal," Metal Health was the first album in the genré to hit #1 on the Pop charts. (thanks, Ben - Baltimore, MD)
Comments:
This band rocked! Sad that most of em died. =(
- Airk, Skagway, AK
This song is in Guitar Hero Encore Rocks the 80's
- pat, reading, MA