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While recording this, the producer Arif Martin asked if one of the Bee Gees could do some screaming during the main chorus to make the song more exciting. In response, Barry Gibb began singing higher and higher, eventually singing it in a falsetto that was unexpectedly powerful. He had never known he had such an ability and Barry's falsetto became a trademark of the Bee Gees. Barry Gibb recalled in a May 2001 interview with Mojo magazine: "Arif said to me, 'Can you scream?' I said, Under certain circumstances. He said, 'Can you scream in tune?' I said, Well, I'll try."
Barry Gibb on The Larry King show February 2, 2002 talked about his first use of falsetto on this song: "It came to me in a dream. There was a request by Arif Martin, who was like an uncle to us, he was a great record producer during the song 'Nights On Broadway,' for the Main Course album, which is previous to the 'Fever' syndrome. And he said, 'Can any of you scream... scream in falsetto.' So, you know, give us an ad lib or a scream at the end. So from screaming, it turned into things like Blaming It All."
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