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Springsteen talked about this song in detail on an episode of VH1 Storytellers.A lot of the references are personal, to include people he knew or had met on the Boardwalks, or had grown up around, or were just direct personal references to himself:
Madman drummers bummers - Vinnie "Mad dog" Lopez, the first drummer in the E Street Band.
Indians in the summer - Bruce's little league baseball team as a kid.
In the dumps with the mumps - being sick with the mumps.
Boulder on my shoulder - a "chip" on his shoulder.
Some all hot, half-shot, heading for a hot spot, snapping fingers clapping his hands - Being a "know it all kid growing up, who doesn't really know anything."
"Silicone Sister" - Bruce mentions that this is arguably the first mention of breast implants in popular music - a dancer at one of the local strip joints in Asbury Park.
He wrote this song in his bedroom, primarily using a rhyming dictionary. Or as Bruce put it, "the rhyming dictionary was on fire." (thanks, John - Columbus, OH)
This was Springsteen's first single. It was released only in the US, where it flopped. It was, however, a
#1 hit for Manfred Mann's Earth Band in 1976, becoming the only #1 Hot 100 hit Springsteen ever wrote. The Manfred Mann version was much more elaborately produced, and Springsteen hated it at first. It ended up earning him a very nice payout.
Manfred Mann's version replaces the line "Cut loose like a deuce" with "Revved up like a deuce." In their version, "Deuce" was commonly misheard as "Douche." Springsteen's original line makes a lot more sense - a deuce is a 1932 Ford hotrod. On his Storytellers special, Springsteen said (in a jesting manner): "I have a feeling that is why the song skyrocketed to #1."
Springsteen wrote this after Columbia Records rejected his first attempt at an album, telling him to make some songs that could be played on the radio. He came up with this and "Spirit In The Night."
After 8 years playing in bars where audiences usually didn't listen to or couldn't hear the words, Springsteen used his first album to unload a ton of lyrics. All these lyrics helped earn Springsteen the tag "The New Dylan." Singer-songwriters like James Taylor and Kris Kristofferson also shared the comparison, and Bruce went out of his way to shed the tag by making his next album a true rock record.
This was the first song on Springsteen's first album. Greetings From Asbury Park, N.J. featured a postcard on the cover that fans would look for any time they were near the town.
Along with "Spirit In The Night," this was one of two songs on the album featuring Clarence Clemons on saxophone. The E Street Band became a much bigger part of Springsteen's songs on his next album.
Springsteen wrote the lyrics first and filled in the music later. The only time he wrote this way was on his first album.
The working title was "Madman's Bummers," taken from words in the first line.
This was one of the songs that prompted Columbia Records to market the album by claiming "This man puts more thoughts, more ideas and images into one song than most people put into an album."
Manfred Mann's cover is so far the only Bruce Springsteen song to top the American charts. Near misses for Bruce have been "Dancing In The Dark (#2 in 1984) and The Pointer Sisters version of "Fire" (#2 in 1979).
Comments (93):
Joe Ely
The renown Texas songwriter has been at it for 40 years, with tales to tell about The Flatlanders and The Clash - that's Joe's Tex-Mex on "Should I Stay or Should I Go?"
The Real Nick Drake
The head of Drake's estate shares his insights on the late folk singer's life and music.
Mike Watt - "History Lesson, Pt. 2"
Mike Watt of the Minutemen tells the story of the song that became an Indie Rock touchstone. It's also the story of what Mike calls "The Movement."
Susanna Hoffs - "Eternal Flame"
The Prince-penned "Manic Monday" was the first song The Bangles heard coming from a car radio, but "Eternal Flame" is closest to Susanna's heart, perhaps because she sang it in "various states of undress."
Eyes of the sun...means eyes of one of the three kings ( St Michael soul of Momaha Gadaffi and Churchill)
Go kart Mozart means the second king ( St George and soul of Gadaffi and Romel)
Mad dog Vinnie means the third king ( King David and soul of kimSung founder of North Korea)
Dethrone the dictaphone....bomb the bbc.
Preacher from the East....David the servant as per the book of Isaiah.
Silicon Sister..Oprah.
The deuce....means the moon ( 11) and the calliope is the Goddess with the beautifull voice.
Both the moon and the Goddess are Witney Houston.
BTW - Graham, YOU are a douche...
-Greg, Calgary AB, Can
When I hear that this apparently refers to a car I just can't get behind that. My interpretation was that cut loose like a deuce was a poker reference indicating being discarded as worthless. Which makes perfect since to me and fits much of the remainder of the song. Especially if you take the context and apply it to "another runner in the night" which could be a reference to anything from skipping town, out on bail, or simply as a runaway teen image.
-In the dumps with the mumps
-With this very unpleasing sneezing and wheezing
-Some all-hot half-shot was headin' for the hot spot, snappin' his fingers, clappin' his hands
-"I'll turn you on, sonny, to something strong if you play that song with the funky break" ...(funky break=quick, fast ****ty comedown off of cocaine/speed, especially the former)
-And Go-Cart Mozart was checkin' out the weather chart to see if it was safe to go outside ...(reminds me off private pilots smuggling back coke in the late 70s/early 80s
What's the difference between a picture and an image? Think of the word "imagination." You need that to listen to this song, much of Dylan's work, or for that matter, poems from Gerard Manley Hopkins, Allen Ginsberg and any number of other writers.
If you ask me, the rhymes in this song are pretty damned good.
It's so funny, I've always hated the Manford Mann song, I switch the station every time it comes on the radio, but I could listen to Springsteen's version all day. It's a great track.
"Go-Kart Mozart was checkin' out the weather charts, etc." is somewhat cryptic but translates thus. "checkin' out the weather charts" refers to the song "Wreck of the Edmund Fitzgerald." Go-Kart Mozart is the writer of the song, who raced go-karts at that time. The lyric refers to Gordon Lightfoot.
Crazy Johnny, unflooded section of New Orleans
And Steve from Torrance you are mistaken about when Manfred Mann sings on his band's version.
Throughout the song the lead vocals were from Thompson, the background vocals were from Chris Slade who was the drummer back then -- Slade also sings the lyrics that are sung as Thompson sings the main lines of "Blinded by the light, revved up like a deuce, another runner in the night", (those are the correct lyrics) near the end of the song. The only lyrics Mann sings are actually the spoken lyrics of "she got down, but she never got tight, she's gonna make it through the night". I do believe Thompson's vocals are very misinterpreted by many people.
As far as the meaning of the song, I have a feeling Bruce's originally meaning has been clearly stated here, by many, as a running commentary on the music industry -- I don't know for sure, though, because only Bruce knows for sure (with also some discussion about . I'm sure Bruce's version wasn't about masturbation. And yes his version was "sights of the sun", but Manfred Mann changed it to "eyes of the sun".
I'm not so sure about Manfred Mann's version, whether he was trying to take the song in another direction or not. The fact that Mann's final lyrics are "she got down, but she never got tight, she's gonna make it through the night", and a couple of other things about the song, makes me wonder if he misinterpreted and then reinterpreted The Boss' meaning of the song as about masturbation, but then again who knows. Agreed, Mann's version is open to interpretation, much more that I think Bruce's is.
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?Bruce Springsteen has no talent.?
Now, before you fanatics start screaming, let me explain why I say that. This song, ?Blinded By the Light?, is a perfect example of an artist trying to change his or her style SO much that it is the COMPLETE OPPOSITE of what they normally do.
Let me explain that. Bruce Springsteen has two writing styles. The first is to repeat a word or phrase OVER & OVER, until it?s drilled in your head (?Fire .Fire .(doom, doom, doom, doom) Fire
.?) or better yet, ?Born in the USA, can?t think of nothing else to say, so
His second style is to write a song that is SO nonsensical that it borders on schizophrenia! For example, lyrics like ?little Early- Pearly came by in her curly-wurly and asked me if I needed a ride?
and ?Go-Cart Mozart was checkin' out the weather chart? are totally MEANINGLESS. It is my opinion that he is taking words, rhyming them and is not even concerned about their meaning, relevancy or poignancy.
Anyone who finds ?meanings? in these lyrics is (A) REALLY stretching to make sense of the nonsensical (B) on some SERIOUS drugs and/or (C) schizophrenic.
Another reason I say he has no talent is his throaty, gravely voice.
That only sounded sexy when Kim Carnes sang ?Bette Davis Eyes? or when Kathleen Turner reads her lines. On Springsteen it sounds like he?s just smoked one too many cigarettes.
I did hear the Manfred Mann version first and typically the first version of a song I hear is the version I like the best. I do agree with another poster that said regardless of what the PRINTED lyrics state, I still, to this day 30 years after first hearing this song, believe that they actually SANG ?wrapped up like a douche!? LOL
Well he never did any hard drugs, I wouldn't be suprised if he tried them, but his demeanor in '73 hints pretty strongly towards marijuana use. That certainaly isn't far fetched considering the era and the scene Springsteen was in. His early lyrics (pre-Greetings) from songs like Henry Boy seemed to be influenced pretty heavily by pot. Plus if you ever listen to recordings of shows from 1973 he often sounds a bit stoned. I think he stopped smoking pot in '74 but who knows, he's great anyway.
i think that part of the makings of a great song is that they are open to the interpretation of the listener...that you get whatever out of it that you hear- a friend of mine though the 'pumps his way into his hat' was about masturbation, while another though it was about frustraion, and another thought it meant that he was excited, pumping to leave the house and get out into the world...
But mama, that's where the fun is).... at least that is my interpretation!
.
wrapped up refrerring to dressed as
duece - meaning prostitute
which is what a runner in the night is---a prostitute.
This is by far the coolest song I know of and as far a versions go Manford Mann has the best that I have heard to date.
The dad is close by and its dangerous.
"daddy's within earshot, save the buckshot turn up the band"
The whole song is about teenage sex.