Wild Billy's Circus Story

Album: The Wild, The Innocent & The E Street Shuffle (1973)
Play Video

Songfacts®:

  • This was inspired by the Clyde Beatty/Cole Brothers circus that visited Springsteen's hometown of Freehold, New Jersey every summer. In the song, we hear about all the unusual folks who are part of the circus: the sideshow performers, the Ferris wheel mechanic, the acrobats and the barker among them. At the end of the song, the circus boss spots a little boy and asks if he'd like to join the show.

    Springsteen made up the characters, but he could relate to Billy. "I've stood around carnivals at nights when they're clearing up and I was scared," he said in a 1974 ZigZag interview.
  • Springsteen was intrigued by the constant travel of the circus, a lifestyle similar to his as a touring musician. There are many parallels in the professions, including the equipment hauls, the strange cast of characters, the visits to small towns and the will to entertain.

    In his book Songs, Springsteen wrote that the song is about "The seduction and loneliness of a life outside the margins of everyday life."
  • The elephant trumpet was simulated by a tuba played by Garry Tallent, an E Street Band member who typically played bass. The song showed up in some of Springsteen's setlists from 1973-1974. Done live, it was was rather unusual, with Tallent playing the tuba and Danny Federici on accordion.
  • Springsteen started performing this song, known at the time as "Circus Town," in 1972 soon after forming the E Street Band. He recorded it with the group for their second album, The Wild, The Innocent & The E Street Shuffle, in 1973. When he hit the road to promote the album, Springsteen earned an impressive live following but sales were stagnant. Knowing his label (Columbia) would drop him if he didn't shift some units, he went in more of a rock direction for his next album, Born To Run, which got him back on solid ground. "Wild Billy's Circus Story" reflects a time when Springsteen was less structured and more experimental - a time when he could put a tuba and accordion on a song without thinking twice about it.
  • Billy is never named in the lyric - in many of Springsteen's early songs the title doesn't appear.
  • The last line is, "All aboard, Nebraska's our next stop." Springsteen released his album Nebraska in 1982.

Comments: 3

  • Sarah from Kennewick, WaGotta love the tuba in this one--so original & incomparable, especially to anything else going on in the early 1970's.
  • Ted from Glenview, Ilwhat do you mean he missed it? He screwed up and didn't play it?
  • Rob from TorontoBruce played this during D&D, and it was outstanding. Still love the version from the WBCN interview where Garry missed the big tuba solo!
see more comments

Editor's Picks

Timothy B. Schmit of the Eagles

Timothy B. Schmit of the EaglesSongwriter Interviews

Did this Eagle come up with the term "Parrothead"? And what is it like playing "Hotel California" for the gazillionth time?

Little Big Town

Little Big TownSongwriter Interviews

"When seeds that you sow grow by the wicked moon/Be sure your sins will find you out/Your past will hunt you down and turn to tell on you."

Jon Foreman of Switchfoot

Jon Foreman of SwitchfootSongwriter Interviews

Switchfoot's frontman and main songwriter on what inspires the songs and how he got the freedom to say exactly what he means.

Jonathan Cain of Journey

Jonathan Cain of JourneySongwriter Interviews

Cain talks about the divine inspirations for "Don't Stop Believin'" and "Faithfully."

We Will Rock You (To Sleep): Pop Stars Who Recorded Kids' Albums

We Will Rock You (To Sleep): Pop Stars Who Recorded Kids' AlbumsSong Writing

With the rise of Kindie rock, more musicians are embracing their inner child with tunes for tots - here, we look at pop stars who recorded kids' albums.

Women Who Rock

Women Who RockSong Writing

Evelyn McDonnell, editor of the book Women Who Rock, on why the Supremes are just as important as Bob Dylan.