{"id":5562,"date":"2026-09-08T17:59:44","date_gmt":"2026-09-08T21:59:44","guid":{"rendered":"https:\/\/www.songfacts.com\/articles\/?p=5562"},"modified":"2026-09-08T17:59:45","modified_gmt":"2026-09-08T21:59:45","slug":"the-iconic-joy-division-beat-that-anchors-new-orders-age-of-consent","status":"publish","type":"post","link":"https:\/\/www.songfacts.com\/articles\/the-iconic-joy-division-beat-that-anchors-new-orders-age-of-consent\/","title":{"rendered":"The Iconic Joy Division Beat That Anchors New Order\u2019s \u201cAge Of Consent\u201d"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">When the remaining members of <a href=\"https:\/\/www.songfacts.com\/facts\/joy-division\">Joy Division<\/a> chose to carry on following the death of the band\u2019s singer, Ian Curtis, their future was uncertain. Bernard Sumner, Peter Hook, and Stephen Morris, along with Curtis, had already transformed rock music when, on the eve of their first North American tour, Curtis killed himself.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">So the others regrouped as New Order, later joined by keyboardist Gillian Gilbert. By the time New Order released <em><em>Power, Corruption, and Lies<\/em><\/em> (1983), the band had transitioned from post-punk to synth-pop, pioneering yet another genre.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u201cAge Of Consent\u201d, the LP\u2019s opening track, is propelled by Hook\u2019s persistent bass line and contains echoes of Joy Division\u2019s bleak musical style. And though it\u2019s the sound of a group of musicians moving forward, it nods to the past, it seems, one final time.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><strong><strong>\u201cLove Will Tear Us Apart\u201d<\/strong><\/strong><\/h3>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Joy Division - Love Will Tear Us Apart [OFFICIAL MUSIC VIDEO]\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/zuuObGsB0No?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Morris\u2019s drum groove was recycled from Joy Division\u2019s defining song, \u201cLove Will Tear Us Apart\u201d. Produced by Martin Hannett, the song documents Curtis\u2019s troubled marriage.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>When routine bites hard,<br>And ambitions are low.<br>And resentment rides high,<br>But emotions won\u2019t grow.<br>And we\u2019re changing our ways,<br>Taking different roads<\/em>.<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"New Order - Age of Consent (2020 Remaster) [Official Music Video]\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/hZXxmhok1AU?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">But in \u201cAge Of Consent\u201d, Sumner narrates a different kind of broken relationship. He\u2019s ready to leave his partner, but can\u2019t bring himself to say the painful words.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>And I\u2019m not the kind that likes to tell you,<br>Just what I want to do.<br>I\u2019m not the kind that needs to tell you,<br>Just what you want me to<\/em>.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Returning to \u201cLove Will Tear Us Apart\u201d, Morris\u2019s drum kit was recorded live, but the stiff repetition foreshadows New Order\u2019s experiments with drum machines and samplers. In the studio, Hannett had pushed for complete control of the instruments. The same kind of machine-like manipulation that would define future New Order hits like \u201cBlue Monday\u201d and \u201cBizarre Love Triangle\u201d.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>Anyone\u2019s Ghost<\/strong><\/h3>\n\n\n\n<p class=\"wp-block-paragraph\"><em><em>Power, Corruption, and Lies<\/em><\/em> was the follow-up to New Order\u2019s debut, <em>Movement<\/em>. It marked a slow shift from Joy Division, a band that proved to be both a force and a transition from punk to post-punk and later, new wave.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u201cAge Of Consent\u201d became the connective tissue between both bands and the genres they unwittingly pioneered. And with the appropriated beat, the song feels like a metaphorical conversation between ghosts. &nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Photo by Philip Wayne Lock\/Fairfax Media via Getty Images<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>When the remaining members of Joy Division chose to carry on following the death of the band\u2019s singer, Ian Curtis, their future was uncertain. Bernard Sumner, Peter Hook, and Stephen Morris, along with Curtis, had already transformed rock music when, on the eve of their first North American tour, Curtis killed himself. So the others [&hellip;]<\/p>\n","protected":false},"author":973477,"featured_media":5565,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"byline":{"profiles":[{"type":"byline_id","atts":{"term_id":316,"post_id":2139}}]},"savage_platform_role_ideator":[],"savage_platform_role_editor":[],"savage_platform_role_senior_editor":[],"savage_platform_role_photographer":[],"savage_platform_role_illustrator":[],"savage_platform_role_translator":[],"savage_platform_role_as-told-to":[],"savage_platform_role_reviewed-by":[],"savage_platform_disable_recirculation":false,"savage_platform_article_type":"news","savage_platform_vice_article_type":"article","savage_platform_article_intent":"","savage_platform_show_affiliate_disclaimer":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"wp_curate_deduplication":false,"wp_curate_unique_pinned_posts":false,"savage_platform_featured_image_caption":"Photo by Philip Wayne Lock\/Fairfax Media via Getty Images","_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false,"savage_platform_subheadline":""},"categories":[12],"tags":[524,15,518,486],"byline":[316],"class_list":["post-5562","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-features","tag-joy-division","tag-new-order","tag-post-punk-2","tag-synth-pop"],"savage_platform_primary_term":{"category":{"term_name":"Features","term_id":12,"term_link":"https:\/\/www.songfacts.com\/articles\/category\/features\/"},"post_tag":{"term_name":"Joy Division","term_id":524,"term_link":"https:\/\/www.songfacts.com\/articles\/tag\/joy-division\/"}},"hide_from_homepage":false,"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.6 - 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