The Way We Were

Album: The Way We Were soundtrack (1973)
Charted: 31 1


  • This was the title track to the movie of the same name, which starred Streisand and Robert Redford. The song is about a couple who fall deeply in love despite being complete opposites. They are looking back on fond memories of their time together.
  • Alan Bergman and his wife Marilyn wrote the lyrics to this song, and Marvin Hamlisch wrote the music. The Bergmans also wrote lyrics for "The Windmills Of Your Mind" and "You Don't Bring Me Flowers."
  • Streisand recorded this song on September 12, 1973 with Marty Paich doing the arrangements. The song was released as a single later in the month, and the movie came out on October 19, 1973. The film was very successful and helped popularize the song, which entered the Top 40 on December 22, 1973 and became Streisand's first #1 hit on Groundhog Day, 1974. The next week it was bumped from the top spot by "Love's Theme" by the Love Unlimited Orchestra, but reclaimed #1 a week later and stayed there until "Seasons In The Sun" bumped it on March 2. A total of three weeks at #1, but also the beginning of a chart hiatus for Streisand, who wasn't seen again on the Top 40 until 1976, when "Evergreen" from A Star Is Born entered. This one also spent three weeks at #1.
  • This song is famous for its opening line, "Memories, like the corners of my mind," which sets the nostalgic tone for the song and makes it perfect for the movie. Early demos of the song reveal that the first word was written as "Daydreams," and Streisand came up with the idea to change it to "Memories," although needing it shortened to two syllables to fit the music, it becomes "Mem'ries."
  • In January 1974, a soundtrack album to the film came out featuring this song as the first track and instrumental scores from the film written by Marvin Hamlisch. Around the same time, Streisand also released an album called The Way We Were featuring the song, and was sued by the movie's producer for using the same title. Streisand's album was re-issued as "Barbra Streisand Featuring 'The Way We Were' and 'All In Love Is Fair.'" Despite the awkward title, Streisand's album went to #1 and eventually sold over 2 million copies, far outselling the soundtrack. The film, single, and Streisand's album all went to #1.
  • Carol Kaye, who was a top session player in the '60s and '70s, played bass on this track. In a Songfacts interview with Kaye, she said it was one of her most memorable sessions, requiring a total of 33 takes. "It was cut live," she said. "They told me for the longest time, they said, 'Don't add any notes to the part.' And it was a very boom-de-boom part. Very simple part. Because I think that they wanted to let the strings shine and for it to sound more like the movie version, which is very sweet and subtle and all that kind of stuff. Well, the band was playing some important lines, and in the middle of the bridge there, I couldn't play sweet. It's the role of the bass to pump up the band. And in that sense, yes, I had to pump up the band. I mean, she was holding her notes, and had you played nothing, it wouldn't have sounded good. So I added some more notes, that 'dum-de-da-dum, de-da-dum, de-da-dum,' to kind of pump it up. But, of course, I'm still attacking it with the sensitivity. But you still have to add a certain kind of a movement pattern to keep the band going in good time and good sense."
  • This won the the Academy Award for Best Song in 1974, and the Grammy for Song Of The Year in 1975.
  • In 1975 Gladys Knight & The Pips recorded a medley of this song and "Try To Remember" which peaked at #4 in the UK and #11 in the US. "Try To Remember" was from the 1960 musical The Fantasticks where it was initially sung by Jerry Orbach. The show's original off-Broadway production ran for 42 years, becoming the world's longest-running musical.
  • Wu-Tang Clan's 1994 single "Can It All Be So Simple" was an interpretation of Gladys Knight's version.
  • Streisand performed this song in memory of Marvin Hamlisch at the 2013 Oscars ceremony. Hamlisch, who died in 2012 at age 68, was the final photo in the "in memoriam" segment (the "death montage"), at which point Streisand appeared on stage and said, "Marvin Hamlisch was a composer of extraordinary depth and versatility. He was also a very kind and generous friend who could always make me laugh. Marvin left us way to soon, but I'll always have those wonderful... (sings) memories..."

    This was Streisand's first performance at The Oscars since 1977, when she sang "Evergreen."
  • Tom Hanks sings the first few lines of this in the 1988 movie Big. His character, Josh, who has become an adult overnight, attempts to let his mother know he's okay by singing the song she used to sing to him when he was little. The song also appears in these movies:

    The In-Laws (2003)
    The Graduation (2002)
    Boys on the Side (1995)
    The Naked Gun 2½: The Smell of Fear (1991)
    Starting Over (1979)

    And in these TV series:

    The Simpsons ("Forgive and Regret" - 2018, "The Great Louse Detective - 2002)
    Stranger Things ("Chapter Nine: The Gate" - 2017)
    Ugly Betty ("East Side Story" - 2007)
    The Nanny ("The Finale: Part 2" - 1999, "Ode to Barbra Joan" - 1994)
    Seinfeld ("The Diplomat's Club" - 1995)
    Melrose Place ("End Game" - 1993)
    The Fresh Prince of Bel-Air ("Boyz in the Woods" - 1992)
    Married... with Children ("Kids! Wadaya Gonna Do" - 1991)
    The Facts of Life ("Graduation: Part 2" - 1983)
    Mork & Mindy ("Putting the Ork Back in Mork: Part 1" - 1980)

Comments: 5

  • Barry from Sauquoit, NyOn April 20th 1975, "The Way We Were/Try to Remember" by Gladys Knight and the Pips entered Billboard's Hot Top 100 chart at position #80; fourteen weeks later on July 27th, 1975 it peaked at #11 {for 1 week} and spent 17 weeks on the Top 100...
    It reached #2* {for 1 week} on Billboard's Adult Contemporary Tracks chart...
    * The week it was at #2 on the Adult Contemporary chart, the #1 record for that week was "Every Time You Touch Me (I Get High)" by Charlie Rich.
  • Camille from Toronto, OhIncredible lyrics, incredible music, incredible vocals. The combination makes for an amazing song that'll tug at your heartstrings every time you hear it. Who doesn't want to forget the pain and remember the laughter? Superb, all around.
  • Barry from Sauquoit, NyOn February 2nd, 1973 "The Way We Were" reached #1, it stayed there for one week, then "Love's Theme" by the Love Unlimited Orchestra moved into the #1 spot. But a week later "The Way We Were" reclaimed the top spot for the next two weeks!!!
  • Karen from Manchester, NhAlthough I love this version, one that I love is from the opening of "Fame" - the auditions. The dramatic reading of it, the mother crying and snapping's what I picture every time I hear it...and laugh...
  • Farrah from Elon, NcI once had a friend who said she used this song in her wedding(I think she married around th time this song was a hit). It's the best song Barbra Streisand ever recorded.
see more comments

Editor's Picks

Into The Great Wide Open: Made-up MusiciansSong Writing

Eddie (played by Johnny Depp in the video) found fame fleeting, but Chuck Berry's made-up musician fared better.

Kim Thayil of SoundgardenSongwriter Interviews

Their frontman (Chris Cornell) started out as their drummer, so Soundgarden takes a linear approach when it comes to songwriting. Kim explains how they do it.

Emilio Castillo from Tower of PowerSongwriter Interviews

Emilio talks about what it's like to write and perform with the Tower of Power horns, and why every struggling band should have a friend like Huey Lewis.

Howard JonesSongwriter Interviews

Howard explains his positive songwriting method and how uplifting songs can carry a deeper message.

Who's Johnny, And Why Does He Show Up In So Many SongsSong Writing

For songwriters, Johnny represents the American man. He has been angry, cool, magic, a rebel and, of course, marching home.

Muhammad Ali: His Musical Legacy and the Songs he InspiredSong Writing

Before he was the champ, Ali released an album called I Am The Greatest!, but his musical influence is best heard in the songs he inspired.