See You Later Alligator

Album: Rock Around the Clock (1956)
Charted: 7 6


  • They don't make 'em like they used to! This classic hails from a time when rock-n-roll bands had flashy names like "Bill Haley & His Comets" and played 12-bar blues songs like they knew where they were coming from. Bill Haley & His Comets is regarded today as one of the first true rock-n-roll bands, innovators who were white musicians bringing rock to a white audience.

    "See You Later Alligator" was written by Louisiana songwriter Robert Charles Guidry, who recorded it himself in 1955 under his stage name of Bobby Charles. It was of course the Bill Haley version that took off. Guidry also wrote hits for other performers, most notably "Walking To New Orleans" for Fats Domino.
  • Haley and his producer Milt Gabler had some experience turning catchy R&B songs into mainstream hits - they had done it with "Shake, Rattle And Roll." They heard the Bobby Charles version of "See You Later Alligator," which was climbing the charts, and knew that they had to get a version recorded and released quickly before someone else did. In mid-December, knowing that operations would shut down when hey got near Christmas, the band recorded the song on a weekend, and Gabler had to break into his own office to retrieve the Charles version of the song and the lyrics he had written down. Said Gabler: "My office had a frosted glass panel so I got a hammer, smashed the pane and robbed my own office. When the staff came in on Monday morning, they thought there had been a robbery. My secretary had a long face. She said, 'Mr. Gabler, someone's broken into your office.' I said, 'Yes, I know. It was me.'"
  • Both the title phrase and the complement line "After 'while, crocodile" are examples of a common fad in the 1950s. This was a sort of rhyming jive-talk that crackled with rapid-fire phrases: "What's the deal, McNeal?" "Got no tale, Nightingale!" "What's your story, morning glory?" "It's my pleasure, treasure!" ...and so on. The Rosemarie Ostler book Dewdroppers, Waldos, and Slackers - A Decade-by-Decade Guide to the Vanishing Vocabulary of the Twentieth Century calls this style "Voutian" and credits the jazz musician Slim Gaillard with its invention.

    If you're thinking "Get on the bus, gus!", then you have a good clue, Blue! Another song to use this rhyming-jive style is "Fifty Ways To Leave Your Lover." Also see TV series such as I Love Lucy and other shows from the '50s or set in the '50s. Oh, yes, and in the film Grease, the master of ceremonies at Rydell High's National Bandstand Dance-Off Contest explains the rules in rhyming jive. You can probably think of more examples, but do not confuse this with Cockney rhyming slang, which is a completely different speech pattern altogether.

    Hipsters loved this stuff, you have enough? You get the point in this here joint? We'd better stop before we drop. Thanks for dropping by, McFly!
  • The use of the phrase 'See you later alligator' when taking one's leave stemmed from this song. However, according to Brewer's Dictionary of Modern Phrase & Fable, 'alligator' was already a term in the 1950s for a jazz or a swing fan, as someone who 'swallowed up' everything on offer.

Comments: 1

  • Barry from Sauquoit, NyOn February 24th 1956, the city police of Cleveland, Ohio were instructed to enforce a 1931 city ordinance barring people under the age of 18 from dancing in public unless accompanied by an adult...
    City officials were looking for a legal way to shut down the increasing number of rock 'n roll shows that were being held in the city ...
    At the time there were only two rock 'n roll songs on Billboard's Top 10 chart; "See You Later, Alligator" by Bill Haley & His Comets at #7 and "Why Do Fools Fall In Love" by Frankie Lymon & the Teenagers at #10...
    Ironically, the #1 record had 'Rock and Roll' in its title, but it differently wasn't a rocker; "Rock and Roll Waltz" by Kay Starr was in its third of four weeks at #1.
see more comments

Editor's Picks

Modern A Cappella with Peder Karlsson of The Real Group

Modern A Cappella with Peder Karlsson of The Real GroupSong Writing

The leader of the Modern A Cappella movement talks about the genre.

Keith Reid of Procol Harum

Keith Reid of Procol HarumSongwriter Interviews

As Procol Harum's lyricist, Keith wrote the words to "A Whiter Shade Of Pale." We delve into that song and find out how you can form a band when you don't sing or play an instrument.

Paul Williams

Paul WilliamsSongwriter Interviews

He's a singer and an actor, but as a songwriter Paul helped make Kermit a cultured frog, turned a bank commercial into a huge hit and made love both "exciting and new" and "soft as an easy chair."

David Clayton-Thomas of Blood, Sweat & Tears

David Clayton-Thomas of Blood, Sweat & TearsSongwriter Interviews

The longtime BS&T frontman tells the "Spinning Wheel" story, including the line he got from Joni Mitchell.

Five Rockers Who Rolled With The Devil

Five Rockers Who Rolled With The DevilSong Writing

Just how much did these monsters of rock dabble in the occult?

Richie Wise (Kiss producer, Dust)

Richie Wise (Kiss producer, Dust)Songwriter Interviews

Richie talks about producing the first two Kiss albums, recording "Brother Louie," and the newfound appreciation of his rock band, Dust.