The End Is Beautiful

Album: Integrity Blues (2016)
Play Video

Songfacts®:

  • This song finds Jim Adkins recommending not dwelling on your pain when you split up with a lover.

    It doesn't have to hurt anymore
    No, it doesn't have to hurt anymore


    Adkins explained to Kerrang!: "It's about relationships ending. If you interpret that as painful, then that frustration keeps you in a place of misery, and that's first choice you have. Yes, things are different. Yes, things might change, but it's completely a choice of yours to relieve that pain over and over again. Coming to acceptance of it, really, truly is freedom. It takes that uncomfortable, real work to get to that place. But the other option is things are lost? You're just gonna be miserable? Really, that's an option? I suppose… but that's not really what you want, right? That's not the solution to anything. You literally do not have to feel that way."

Comments

Be the first to comment...

Editor's Picks

James Bond Theme Songs

James Bond Theme SongsMusic Quiz

How well do you know the 007 theme songs?

Hawksley Workman

Hawksley WorkmanSongwriter Interviews

One of Canada's most popular and eclectic performers, Hawksley tells stories about his oldest songs, his plentiful side projects, and the ways that he keeps his songwriting fresh.

Dave Pirner of Soul Asylum

Dave Pirner of Soul AsylumSongwriter Interviews

Dave explains how the video appropriated the meaning of "Runaway Train," and what he thought of getting parodied by Weird Al.

Tom Keifer of Cinderella

Tom Keifer of CinderellaSongwriter Interviews

Tom talks about the evolution of Cinderella's songs through their first three albums, and how he writes as a solo artist.

John Kay of Steppenwolf

John Kay of SteppenwolfSongwriter Interviews

Steppenwolf frontman John Kay talks about "Magic Carpet Ride," "Born To Be Wild," and what he values more than awards and accolades.

Brenda Russell

Brenda RussellSongwriter Interviews

Brenda talks about the inspiration that drove her to write hit songs like "Get Here" and "Piano in the Dark," and why a lack of formal music training can be a songwriter's best asset.