Noël Coward wrote this song for one of his revues, but it is largely autobiographical, or at least based on his state of mind at the time. Although he had been a child actor, Coward, who was born in 1899, was not propelled to stardom until 1924 when his play The Vortex
scored on both sides of the Atlantic. But less than three years later, This Was A Man
which was banned in England bombed in the United States, opening at the Klaw Theatre in New York City on November 23, 1926, and closing before Christmas, running for a disappointing 31 performances. At this point, years of near constant hard work caught up with him; he wrote in his autobiography "I felt suddenly sick of the theatre and everything to do with it, sick of cities and high buildings and people and screaming traffic".
These sentiments are reflected in the lyrics with references to buildings obscuring the sky and longing to get away from it all.
He decided to take a well earned break, and set sail for Hong Kong on Christmas Day, but stopped off in in Honolulu where he was accommodated by the Dillingham family while he recuperated from exhaustion and an illness which was misdiagnosed as a recurrence of childhood tuberculosis. He spent weeks just lying and dozing in the sun; his jaunty love song "A Room With A View
" came out of this sojourn, but when he returned, refreshed, he produced This Year Of Grace!
First presented by Charles B. Cochran at the Palace Theatre, Manchester on February 28, 1928 as Charles B. Cochran's 1928 Revue
; it was transferred to the London Pavilion on March 22 as This Year Of Grace!
and ran for 316 performances. Coward himself said it was "the best of all my revues." When it opened at the Selwyn Theatre, New York on November 7, 1928, he played the lead with Beatrice Lillie, and "World Weary" went into the show. Lillie sang the song as an office boy munching on an apple, but as usual, Coward was the best interpreter of his own songs. The 1955 CBS special Together With Music
features an alluring performance in which he sings the song in a mixture of upper class English and American jazz/blues accents.