In the December 2006 issue of Blender magazine, Crow explained: "We were jamming in the studio, and I picked up this poem (titled Fun) in a book - the first line was 'All I wanna do is have some fun.' It encapsulated what was going on in LA, a real extreme feeling of apathy and defeat. It's masked in this light Pop ditty, but it's about somebody down and out, sitting in a bar watching their life go by. I contacted the poet, Wyn Cooper, and he was really pleased. And the song was easy for me to sell because it was a character I could easily slip into. There was a lot of drinking going on in my life then, a lot of late-night bars. The song was a throwaway - it wasn't even going to be on the album. My little brother kept saying, 'This is a big hit.' And there really is a bar on Formosa across from a car wash. But I haven't ever spent a morning in a bar having a beer."
Tuesday Night Music Club was Crow's first album, released when she was 31. It took nearly a year for the album to catch on as Crow toured small theaters while she built an audience. She got a lot of exposure in 1994 when she opened for the Eagles on their reunion tour and played Woodstock II. "All I Wanna Do" was her breakthrough hit, reaching #2 in America on October 8, 1994, 14 months after the album was released.
This song reflects the laid-back Los Angeles lifestyle, but Crow grew up in a small Missouri town. She later moved to Los Angeles to pursue her music career.
The single is a remix, a little shorter and more radio-friendly than the album version.
The conversational singing style is similar to the 1973 hit by Stealer's Wheel, "Stuck In The Middle With You
." Crow's producer Bill Bottrell explained to Q
magazine in 1999: "Right away I thought Sheryl had an amazing voice and attitude. With Kevin, Baerwald and some other guys we developed a free-form writing and recording workshop around her. For the lyrics we evolved this collective storytelling, aimed at a sense of character that suited Sheryl. Conversation creates the best lyrics because it’s plain-spoken."
This collective Bottrell spoke of was the "Tuesday Night Music Club," a weekly jam session between Crow and some other musicians from the L.A. area, including David Baerwald and Keving Gilbert. This is one of the songs that came out of those sessions, which was used as the title of the album.
This was also a hit in England. It took even longer for Crow to catch on there.
This won Grammys for Record of the Year and Best Female Pop Vocal Performance. Crow thanked the members of the Tuesday Night Music Club in her speech, but many of them felt they were not given enough credit for her success.
This got a lot of airplay on Top 40 radio. After a while, stations edited out most of the vocal intro ("This ain't no disco..."), so it started with Crow saying "This is L.A.," and going right into the verse.
The line "We were drinking beer at noon on Tuesday," reflects what the Tuesday Night Music Club did. They usually got together for drinks before trying to write songs.
Crow recorded an album before Tuesday Night Music Club, but she hated the way it sounded. She convinced her record company to scrap it and let her try again. This was the result.
Three singles from the album were released before this song: "Run, Baby, Run," "What I Can Do For You," and "Leaving Las Vegas." None of them did very well, but "Leaving Las Vegas" got some airplay and she was gradually building an audience. "All I Wanna Do" was not released until over a year after the album came out. When it did, it became Crow's first and biggest hit, and it established her as a star. The song got a great response at her live shows, which led the record company to finally release it as a single.
In the music video, Crow and her band perform outside of the Roxy Theater in Clarksville, Tennessee, while characters float overhead to watch them play. David Hogan, who was at the helm for Crow's debut clip "Leaving Las Vegas
," returned as director.
A longer version exists with True Blood
actor Gregory Sporleder playing the role of Billy, who is mentioned throughout the song. Billy's shadow can still be seen in the edited version.