Songfacts®:

• Go-Go's bass player Kathy Valentine wrote this song in 1980 when she was a member of a Los Angeles band called The Textones. Kathy grew up in Austin, Texas, and on a trip back to the city, met a dreamy boy named Billy who sang in a band called Boy Problems. On the flight back to LA, she wrote these lines on a napkin:
  
  Now that I'm away, I wish I'd stayed
  Tomorrow's a day of mine you won't be in
  
  "The short romance had softened me, and the words, written from true-life longing, resonated forever," she wrote in her memoir, All I Ever Wanted.
  
  Valentine finished the song and recorded it with The Textones, which were comprised of two guys and two girls. Their version was released in the UK as the B-side of their first single, song written by Tom Petty called "I Can't Fight It."
  
  The Textones went to England to promote the single, but it went nowhere. Valentine left the group and got recruited into The Go-Go's, an all-girl band that was selling out shows at places like the Whiskey A Go Go. When The Go-Go's recorded their second album, Valentine reworked the song with the group's guitarists, Jane Wiedlin and Charlotte Caffey. In a Songfacts interview with Wiedlin, she said, "We really loved the song, but it didn't really have a chorus, so Charlotte and I ended up working with Kathy a little bit more on the song, and sort of Go-Go-fying it, basically adding the chorus. But that storyline was one about having a summer romance, thinking that it was all just for fun and games, and then later realizing that you are actually in love."
• The original Textones version of this song runs just 1:45 and starts with the line, "I've thought a lot of things about you." Jane Wiedlin came up with the idea of changing that line to "Can't seem to get my mind off of you."
• The guy who inspired this song knows it is about him. When Songfacts asked Kathy Valentine if she has seen him since, she replied: "A few times, yes, and he knows I wrote about him in the book!"
• Ginger had the idea for the waterskiing cover, inspired by a Florida postcard featuring synchronized water skiers. Art director Mick Haggerty analogedited our heads onto the Cypress Garden skiers' bodies.
  
  The iconic video shows The Go-Go's water skiing, although it's pretty obvious that the girls themselves are not in the water. The concept came from their manager, Ginger Canzoneri. Footage of the water skiers came from the Cypress Gardens theme park, where they were part of a show. The group shot their parts in a studio pretending to water ski in front of a projection. They look more than a little spaced-out at times; Wiedlin told us why: "Well, we were at the A&M sound stage, and it was a big-budget video, because of course by that time we were really popular, because it was our second album, and our first album had sold like, I don't know, over two million copies or something. So we had a lot of money to do the video, which was the first time for us, because the other videos we just spent, like $5,000 on or something.
  
  And it was fun, but it was a way of working that we weren't accustomed to. And I remember it being a really long day, like a 14-hour day, and about eight hours into it we all were getting really bored and restless, so we started drinking. But by the time they actually shot the scene where we're on the water skis, skiing one-handed and waving and stuff, we were all really looped. It's so funny, if you look at us, look in our eyes in those parts, we're all like cross-eyed drunk.
  
  Go-Go's always made fun of everything. So of course, we were making fun of the whole thing all along. And we were very resistant to following orders, or to acting, because we weren't actors. But yeah, even thought we had become America's sweethearts, we were still basically punk rockers at heart."
• The music video look became the motif for the single and also the album, whose cover showed the group water skiing. Their heads were superimposed on the head of the real water skiers from Cypress Gardens - not an easy task in the analog age. This was the work of art director Mick Haggerty.
• According to Kathy Valentine, after this song was mixed to perfection, the engineer recorded it to cassettes so everyone could take it home and listen to it. "When we reconvened a couple days later, they brought up the mix on the board," she wrote in her memoir. "For the life of them, they couldn't get it to sound as good as the cassette. No matter where the faders got pushed or how those EQ knobs got turned, something about the cassette sounded better. In an unheard-of solution, when it came time to release the song 'Vacation,' they mastered the single off the cassette tape. Fittingly, it also became the first ever 'cassingle' issued as a format for the public."
• TV shows that have used this song include The Simpsons, Rugrats, Duckman and Scrubs. It was also used in the movie Fahrenheit 9/11 and performed by Kelly Clarkson to open the 2003 movie From Justin To Kelly.
• The Go-Go's were the most successful all-girl pop group to write their own songs, but this success took a toll on the band and they broke up in 1984, just three years after their first album came out. After re-forming in 1990, they stayed together on-and-off until their farewell tour in 2010.
  
  They became very famous very fast, but they also worked for it, playing gnarly punk clubs in Los Angeles for a few years before getting a record deal. So how did this punk group end up with some of the best-remembered pop hits of the '80s? In our interview with Charlotte Caffey, she explained: "When I brought in the songs to The Go-Go's for the first time, they were very melodic and very pop. And it was terrifying to bring them in. Because I was like, Oh my God, they're gonna shoot me down, this is gonna be horrible, blah blah blah. But what we did with them was kind of brilliant. We took those pop songs and those melodies and, with our beginning kind of inability to play, still made them great. You know, like maybe an early Green Day, there's maybe a roughness, even though they play very well. But there's like distorted guitars playing really pop melodies. That's exactly what we did. And so I never wavered in my songwriting. We were just a beginning band trying to find ourselves, and then that first record was produced a certain way that we weren't happy about in the beginning, but then we were fine with afterwards."
• "I wrote it when I was 21 years old, on an airplane napkin," Kathy Valentine told The New York Times in 2018. "Because we'd been working so hard we didn't have the opportunity to write as many songs for the second record as for the first, and I thought this seemed perfect for the Go-Go's." She added: "If I had to boil down the message, it would be: Learn who you are, accept who you are. It’s the same lesson I would teach my daughter - it's just a basic truth."
• Richard Gottehrer, who produced the group's first two albums, weighed in on the tune: "'Vacation' was an anomaly on the second album, which really wasn't as good as the first one. They were queens of the LA world and I'm sure they had boyfriends, girlfriends, whatever, along with people giving them substances, and that is reflected in the music. I wish it'd get to the chorus sooner but I guess you needed to set up the story; the song is very good, but the chorus is amazingly good."
• This was featured in The Go-Go's-themed Broadway musical Head Over Heels, which debuted in July 2018. Michael Mayer, the show's director, spoke about adapting the song, which was given a new vocal arrangement: "It's always going to be a tricky song because of the cognitive dissonance between the tempo, the melody and the lyric. We thought that maybe it should be a ballad so that you deliver this sort of rueful lyric with a melancholy music. We tried that and you just want to scream, it’s so wrong - it's not in the DNA of the song."