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3 Classics From the 1980s That Perfected the Art of the Drum Machine

We typically remember most forms of pop music by the vocal hooks. From there, a guitar (โ€œPanamaโ€) or possibly the piano (โ€œDonโ€™t Stop Believinโ€™โ€) helps define the song. But in the 1980s, the drum machine was equally as crucial, as youโ€™ll hear below.

โ€œWhen Doves Cryโ€ by Prince

Prince created the knocking rhythm that powers โ€œWhen Doves Cryโ€ on a LinnDrum. Designed by Roger Linn, the drum machine became a defining feature of music in the 1980sโ€”from pop and rock to hip-hop and R&B. With detuned samples, Princeโ€™s groove remains one of his funkiest. Even on a track without bass, itโ€™s hard to find a groover deeper than this one.

Why do we scream at each other?
This is what it sounds like when doves cry
.

โ€œThe Boys Of Summerโ€ by Don Henley

Released in 1984, the same year as Purple Rain, Don Henleyโ€™s signature solo track was written on the above-mentioned LinnDrum. Tinkering with the drum machine and an Oberheim synthesizer, guitarist Mike Campbell created an instrumental that he presented to Tom Petty. But Petty didnโ€™t think it fit the Heartbreakers, who were recording Southern Accents at the time. So Pettyโ€™s producer, Jimmy Iovine, played it for Henley, who penned an iconic lament about fading youth and lost ideals.

Out on the road today,
I saw a Deadhead sticker on a Cadillac.
A little voice inside my head said:
โ€œDonโ€™t look back, you can never look back.โ€

โ€œIn The Air Tonightโ€ by Phil Collins

Though many drummers may have feared the popularity of drum machines in the 1980s, it didnโ€™t put them all out of work. Phil Collins, one of rock musicโ€™s best-known percussionists, crafted what remains one of the most recognizable machine-generated grooves in pop history. Producer Hugh Padgham, who helped pioneer the gated reverb sound that became a feature of the decade, perfected the technique on โ€œIn The Air Tonightโ€. A Roland CR-78 drives the track for nearly four minutes before Collins enters with an epic acoustic drum fill.

I can feel it coming in the air tonight, oh, Lord.
And Iโ€™ve been waiting for this moment, for all my life, oh, Lord.

Photo by Jonathan Wiggs/The Boston Globe via Getty Images

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