Many have interpreted Phil Collins’s 1985 hit, “Take Me Home”, as an anthem for returning. But the pleading tune describes something much more complex than simply going home.
Collins was inspired by Ken Kesey’s 1962 novel, One Flew Over The Cuckoo’s Nest. The narrator in “Take Me Home” is Randle McMurphy, a Korean War veteran and patient at a psychiatric hospital.
I’m an Ordinary Man
McMurphy, who had pretended to lose his mind after being sentenced to work on a prison farm, wants to escape the hospital. He can feel the warmth of freedom outside his door. It’s enough to give him hope.
Take that look of worry,
I’m an ordinary man.
They don’t tell me nothing,
So I find out all I can.
There’s a fire that’s been burning,
Right outside my door.
I can’t see, but I feel it,
And it helps to keep me warm.
The former prisoner of war understands how one finds little comforts when escape isn’t an option.
So, I, I don’t mind,
No, I, I don’t mind.
Seems so long I’ve been waiting,
Still don’t know what for.
There’s no point in escaping,
I don’t worry anymore.
I Don’t Remember
Co-produced with Hugh Padgham, Collins’s hook remains one of the most enduring from the 1980s. It appears on No Jacket Required, the third solo album by the ex-Genesis drummer-turned-singer. (Padgham helped craft the colossal drums that propel Collins’s “In The Air Tonight”.)
“Take Me Home” is yearning, earnest, desperate. And when removed from the rest of the song, the chorus, often licensed in media, feels nostalgic. It also received a sky-high lift from backing vocalists Sting and Peter Gabriel.
So take, take me home, ’cause I don’t remember,
Take, take me home, ’cause I don’t remember.
However, in the context of McMurphy’s desperation, “Take Me Home” is utterly heartbreaking. His life became a series of prisons. And there was no way out of this one.
Home, for many, represents safety. And few experiences can make someone feel less safe than being trapped.
’Cause I’ve been a prisoner all my life.
Photo by Bob King/Redferns








