Thrill of it All

Album: Sabotage (1975)
Play Video

Songfacts®:

  • "Thrill of it All" had to be re-recorded because of the reference tones a technician accidentally put on the master tape for the song, recording over the track itself. The band gave a nod to this in the liner notes: "Tape operator and saboteur - David Harris."

Comments: 2

  • Butch from Ocala Fl Send another then you guys rock I'm 54 still jammin yal u guys saved me on the real masters of reality.
  • Cindy from Pure DeliriumTrue Sabbath fans know there is more to Sabbath than just Iron Man and Paranoid which is demonstrated beautifully here "won't you help me Mr. Jesus" "forget your problems that don't even exist" "don't you think that I know my own mind...ohhhh yeah" - Sabotage is my fave
see more comments

Editor's Picks

Waiting For The Break of Day: Three Classic Songs About All-Nighters

Waiting For The Break of Day: Three Classic Songs About All-NightersSong Writing

These Three famous songs actually describe how they were written - late into the evening.

Charlotte Caffey of The Go-Go's

Charlotte Caffey of The Go-Go'sSongwriter Interviews

Charlotte was established in the LA punk scene when a freaky girl named Belinda approached her wearing a garbage bag.

Jack Blades of Night Ranger and Damn Yankees

Jack Blades of Night Ranger and Damn YankeesSongwriter Interviews

Revisit the awesome glory of Night Ranger and Damn Yankees: cheesily-acted videos, catchy guitar licks, long hair, and lyrics that are just plain relatable.

Trans Soul Rebels: Songs About Transgenderism

Trans Soul Rebels: Songs About TransgenderismSong Writing

A history of songs dealing with transgender issues, featuring Pink Floyd, David Bowie, Morrissey and Green Day.

Graduation Songs

Graduation SongsFact or Fiction

Have you got the smarts to know which of these graduation song stories are real?

John Lee Hooker

John Lee HookerSongwriter Interviews

Into the vaults for Bruce Pollock's 1984 conversation with the esteemed bluesman. Hooker talks about transforming a Tony Bennett classic and why you don't have to be sad and lonely to write the blues.