Album: A Nod Is as Good as a a Blind Horse (1971)


  • The July 3, 2009 issue of the London Evening Standard includes "Debris" in its London Calling 15 Capital Classics with the comment: "East Ender Ronnie Lane locates his saddest love song by the Blitz-era rubble that hosts the Sunday morning market".

    This is a fair description of this semi-acoustic track which includes a passable saxophone solo.
  • Ronnie Lane (1946-97) was born at Forest Gate, London, and romantic interests aside, "Debris" is a fairly obvious tribute to his East End/working class roots. >>
    Suggestion credit:
    Alexander Baron - London, England, for above 2

Comments: 3

  • David from Cleveland, Ohio, Usa“Debris” is Ronnie Lane’s tribute to his dad, first recorded with the Faces. By all accounts, Lane’s father, a bus driver (hence the reference to “the depot” in the song) was an irrepressibly cheerful guy who never once complained about his lot in life as a de facto single parent, caring for a couple of young sons as well as a wife disabled by multiple sclerosis. Sadly, MS is the same disease that would one day rob Ronnie Lane of his ability to play his music, and eventually take his life at the age of 53.
    The “debris” in the song refers to a bombed-out portion of the hardscrabble East End London neighborhood in which the Lanes lived that had not yet been rebuilt after World War II. Apparently, on weekends an impromptu flea market would spring up on the rubble, with locals trying to generate some cash by selling whatever they could.
    The last lines in the song are “And I wonder what you would have done/ Without me hanging around”. In live performances, Ronnie Lane often changed the wording to “I wonder what you could have been”, in clear recognition of the great sacrifices his father made for the family. Understated as it is, I can’t think of a greater expression of gratitude toward a parent that I have heard than this song.
    An added treat is some of the most tasteful lead guitar work of Ron Wood’s career.
  • Tim from North Mankato, MnCarlos: The song is about Ronnie Lane's father (Stan Lane, Sr.) and growing up in a bombed out area of east London. I found a December 1983 interview with Ronnie Lane in which he discusses "Debris" and other songs... "Oh, "Debris" is basically about my old man. Yeah, the Debris used to be… The Debris was down… not Petticoat Lane. Adjoining Petticoat Lane-- which is famous, everybody knows about it—is another market called Club Row, and that was all on Debris. People just used to come out there with all their chuck-outs and flotsam and jetsam and spread it out on the Debris, you know? And my father used to go down there every Sunday. Every Sunday morning, he’d take me down there and he’d root around for hours in all this s--t! (Laughter) And, uh, it wasn’t until I was in New York that I realized that I quite missed it! I was feeling homesick at the time." The complete interview can be found at .

    Faces' Rock and Roll Hall of Fame induction is well-deserved. It shed light on a wonderful group that many people weren't familiar with. They left behind four good LPs. And Rod Stewart's best solo work is on his first four solo albums recorded while in Faces - and largely with the help of his bandmates.
  • Carlos from São Paulo, BrazilCould someone confirm if Mr Ronnie Lane, in this song, is talking to his father? I knew it since the LP record was launched here in my country. But due to the natural difficulties to catch the meanings in English I never went far to understand what is was about. Maybe a song for his wife or girlfriend. But it's really another story. Thanks. C.Alberto / São Paulo - Brazil.
see more comments

Editor's Picks

Steven Tyler of Aerosmith

Steven Tyler of AerosmithSongwriter Interviews

Tyler talks about his true love: songwriting. How he identifies the beauty in a melody and turns sorrow into art.

Sam Phillips

Sam PhillipsSongwriter Interviews

Collaborating with T Bone Burnett, Leslie Phillips changed her name and left her Christian label behind - Robert Plant, who recorded one of her songs on Raising Sand, is a fan.

Lou Gramm - "Waiting For A Girl Like You"

Lou Gramm - "Waiting For A Girl Like You"They're Playing My Song

Gramm co-wrote this gorgeous ballad and delivered an inspired vocal, but the song was the beginning of the end of his time with Foreigner.

Glen Burtnik

Glen BurtnikSongwriter Interviews

On Glen's résumé: hit songwriter, Facebook dominator, and member of Styx.

Johnette Napolitano of Concrete Blonde

Johnette Napolitano of Concrete BlondeSongwriter Interviews

The singer/bassist for Concrete Blonde talks about how her songs come from clairvoyance, and takes us through the making of their hit "Joey."

Ian Anderson of Jethro Tull

Ian Anderson of Jethro TullSongwriter Interviews

The flautist frontman talks about touring with Led Zeppelin, his contribution to "Hotel California", and how he may have done the first MTV Unplugged.