I've Got You Under My Skin

Album: Songs for Swingin' Lovers (1956)
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  • Cole Porter wrote this classic pop standard in 1936, and it debuted when actress Virginia Bruce sang it in the MGM musical Born to Dance, starring Eleanor Powell and James Stewart, that same year. The song was nominated for an Academy Award for Best Original Song but lost to "The Way You Look Tonight," from the Astaire/Rogers film Swing Time.
  • Frank Sinatra began performing this song on his weekly radio show in 1946 but added his signature swagger when he recorded a big-band arrangement by Nelson Riddle for the album Songs for Swingin' Lovers ten years later.
  • Sinatra re-recorded this for the 1963 album of his favorite numbers, Sinatra's Sinatra. The trombone solo, originally played by Milt Bernhart in the '56 version, was performed by Dick Nash. He recorded it yet again in 1993 with U2 frontman Bono for the album Duets.
  • This became a fixture in Sinatra's set-list and can be heard on his 1966 live album, Sinatra at the Sands, where he is backed by Count Basie's orchestra.
  • While this was one of Sinatra's signature songs, he certainly was not the only one to record it. Among many others, it was covered by Peggy Lee, Ella Fitzgerald, Eartha Kitt, Sammy Davis Jr., Carly Simon, Michael Buble, Michael Bolton, and Deana Martin. The Four Seasons scored a Top-10 hit with the song in 1966, and Neneh Cherry's hip-hop version earned her the #25 spot on the UK chart.
  • Chad L. Coleman sang this on the TV series The Walking Dead in the 2013 episode "Infected."
  • Sound engineer John Palladino remembers the sessions for Songs for Swingin' Lovers as being particularly challenging because of the awkward setup of Capitol's Studio A - a small area made even smaller when it was crammed with musicians - and Sinatra's demands for perfection. Trombonist Milt Berhart learned this all too well on this song when he played full force, take after take, never quite hitting the crooner's mark.

    "That was a dirty trick to play on Milt," Palladino told Sound on Sound. "He'd get in there early and practice the stuff, and then he had to play at full volume. We could have said to Frank, 'Why don't we intercut take one or two with Milt's solo?', but that never occurred to me. And besides that, Frank really didn't like editing. He was fastidious about capturing complete takes, and so I did very little editing on his recordings."
  • Sinatra held himself to the same standard of perfectionism as he did his musicians. Palladino remembers him running through this song with the musicians for 22 takes.

    "Some of those takes could have been false starts where they got through a few notes and then stopped," he said. "I doubt there were more than four or five complete takes. Frank knew his own voice pretty well, and when he wasn't singing well, he'd walk out of a session. I've got to give him credit for that. In fact, I've got no criticism of Frank at all. His criticisms of the musicians' playing were really top-notch, because they locked in with what he was doing. He knew what he was doing, and he knew what he wanted the band to do."
  • Sinatra sang a ballad version of this song to honor the late Cole Porter during a two-hour tribute at the University of California on February 12, 1967.
  • In a 2014 Songfacts interview, Frankie Valli told us the Four Seasons were inspired to record this after watching Sinatra perform the song on TV. But they didn't want to copy the crooner's style. "We managed to make it sound like us, and that all came under the heading of the way the harmony was laid out. We used a basic type of harmony on almost everything we did - a harmony that had a lot of church overtones, with a touch at times of the modern."
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Comments: 4

  • Barry from Sauquoit, NyOn September 9, 1966, the Four Seasons performed "Dawn (Go Away)" and "Let's Hang On" on the Dick Clark produced ABC-TV weekday-afternoon program 'Where The Action Is'...
    At the time their covered version of "I've Got You Under My Skin" was at #41 on Billboard's Top 100 chart, five weeks later it would peak at #9 {for 1 week} and it spent 10 weeks on the Top 100...
    Between 1962 and 1977 the Jersey quartet had forty* songs make the Top 100; sixteen made the Top 10 with five reaching #1, "Sherry" for 5 weeks in 1962, "Big Girls Don't Cry" for 5 weeks in 1962, "Walk Like A Man" for 3 weeks in 1963 , "Rag Doll" for 2 weeks in 1964, and "December, 1963 (Oh! What A Night)" for 3 weeks in 1976...
    Bass singer/bass guitarist Nick Massi, born Nicholas Macioci, passed away on December 24th, 2000 at the age of 65...
    May he R.I.P.
    * In 1994 a remixed dance version of "December 1963" was released, and it peaked at #14 on the Top 100.
  • Barry from Sauquoit, NyOn June 12th 1960, Louis Prima and Keely Smith performed “I've Got You Under My Skin" on the CBS-TV program 'The Ed Sullivan Show'...
    Just over a year earlier on February 23rd, 1959 their covered version of the song entered Billboard's Hot Top 100 chart at position #95 and that was also its peak position on the chart, the following week it was at #97 and that was its last week on the Top 100...
    The duo had two other Top 100 records; "That Old Black Magic" {#18 in 1958} and "Bei Mir Bist Du Schon" {#69 in 1959}...
    R.I.P. Louis Prima {1910 - 1978} and Ms. Smith, born Dorothy Jacqueline, celebrated her 87th birthday three months ago on March 9th {2015}.
  • Barry from Sauquoit, NyOn January 12th 1956, Frank Sinatra recorded "I've Got You Under My Skin" at the KHJ Studios in Hollywood, California...
    It was track nine from his tenth studio album, 'Songs for Swingin' Lovers!', and the album peaked at #2 on Billboard's Pop Albums chart {the week it was at #2, the #1 album was Elvis' debut album, 'Elvis Presley'}...
    None of the tracks from the album were released as singles, but he did have seven songs make the Top 100 in 1956, with "Hey! Jealous Lover" being his biggest hit that year, it peaked at #3.
  • Barry from Sauquoit, NyOn October 2nd 1966, the Four Seasons performed "I've Got You Under My Skin" on the CBS-TV program 'The Ed Sullivan Show'...
    At the time the song was at #10 on Billboard's Hot Top 100 chart; the following week it peaked at #9 {for 1 week} and spent 10 weeks on the Top 100...
    The Jersey quartet had two other records that peaked at #9 on the Top 100; "Working My Way Back to You" in 1966 and "C'mon Marianne" in 1967...
    In 1959 Louis Prima & Keely Smith covered the song; their version stayed on the Top 100 for 2 weeks, peaking at #95.
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