
Florida Georgia Line's "Cruise" spent 24 weeks on top of the Country chart - the most ever until Sam Hunt's "Body Like a Back Road" was #1 for 34 weeks. The record was previously held by Eddy Arnold's "I'll Hold You in My Heart (1947-48), Hank Snow's "I'm Moving On" (1950-51) and Webb Pierce's "In the Jailhouse Now" (1955), which each led for 21 weeks.

"Never Tear Us Apart" was a live favorite for INXS, who would often extend the second pause for a while as the crowd went crazy.

Vincent Price did the spooky narration on "Thriller." He was paid a flat fee of $20,000, turning down a percentage of the royalties that would have paid him far more.

In Beastie Boys' "Paul Revere," the title refers to the name of a horse. They took it from a song in the musical Guys And Dolls where a character sings, "I got the horse right here, the name is Paul Revere."

Creedence Clearwater Revival's first single was a cover of a rockabilly song called "Susie Q." When it became a hit, group leader John Fogerty went into a songwriting frenzy so they wouldn't be one-hit wonders, resulting in hits like "Proud Mary" and "Lodi."

The most intense song we know that deploys a cowbell is "Killing In The Name," the most popular song by Rage Against The Machine. Their drummer kept a cowbell on his kit and used it in some of their recordings.
When a waitress wouldn't take him home, Jack wrote what would become one of the Eagles most enduring hits.
An Electronic music pioneer with Asperger's Syndrome. This could be interesting.
Joe talks about the challenges of of making a Duke Ellington tribute album, and tells the stories behind some of his hits.
The Sevendust frontman talks about the group's songwriting process, and how trips to the Murder Bar helped forge their latest album.
Phil was a songwriter, producer and voice behind many Philadelphia soul classics. When disco hit, he got an interesting project: The Village People.