Call Me

Album: Love Letters (2014)
Play Video

Songfacts®:

  • Joe Mount sings of emotional weakness on this song as he promises, "we can try anything," before adding a caveat, "we can say will try anything." The Metronomy frontman admitted to Uncut magazine that he was laying himself bare with his lyrics on Love Letters. "I've always been quite aware of that and worried that people would take things the wrong way, I'll laugh," he said. "I realised you can kind of say what you want, and people will listen and not judge."

    "I was travelling when I was writing," he added, "and the only stuff I felt I had the authority to write about was being away from people, mildly upsetting people by being unreliable."
  • Mount commented to NME: "I think it's in the same vein as 'Johnny and Mary' by Robert Palmer. I like songs like that where the vocal is just doing the same thing as an instrument."

Comments

Be the first to comment...

Editor's Picks

Adam Schlesinger of Fountains of Wayne

Adam Schlesinger of Fountains of WayneSongwriter Interviews

The guy who brought us "Stacy's Mom" also wrote the Jane Lynch Emmy song and Stephen Colbert's Christmas songs.

Art Alexakis of Everclear

Art Alexakis of EverclearSongwriter Interviews

The lead singer of Everclear, Art is also their primary songwriter.

Bill Medley of The Righteous Brothers

Bill Medley of The Righteous BrothersSongwriter Interviews

Medley looks back on "Unchained Melody" and "You've Lost That Lovin' Feelin'" - his huge hits from the '60s that were later revived in movies.

Dave Mason

Dave MasonSongwriter Interviews

Dave reveals the inspiration for "Feelin' Alright" and explains how the first song he ever wrote became the biggest hit for his band Traffic.

Michael W. Smith

Michael W. SmithSongwriter Interviews

Smith breaks down some of his worship tracks as well as his mainstream hits, including "I Will Be Here For You" and "A Place In This World."

Matt Sorum

Matt SorumSongwriter Interviews

When he joined Guns N' Roses in 1990, Matt helped them craft an orchestral sound; his mezzo fortes and pianissimos are all over "November Rain."