Songfacts®:

• Many Americans cross the border to Mexico in search of the kind of adventure described in this song. The singer finds a sweaty little cantina with a crazy owner who plays a mean honky-tonk piano. After a while, an exotic woman with fishnets and castanets comes by and does a dance that blows him away.
• "Down in Mexico" was written by the team of Jerry Leiber and Mike Stoller. Together with "Smokey Joe's Cafe," it represents a huge turning point for the songwriting team. Before, with "Smokey Joe's Cafe," they had Spark Records, The Robins, and an old hit called "Hound Dog" by Big Mama Thornton. After, with "Down in Mexico," they'd quit Spark and signed with Atlantic, Carl Gardner had quit The Robins and formed The Coasters, Elvis had covered "Hound Dog" and made them world-famous, and both of the songwriters experienced life-altering events. It was like a bookmark between chapters.
  
  Those two life-altering events? Jerry Leiber first had a run-in with James Dean only weeks before his death, then got into his own car accident with a couple of women involved. Mike Stoller lost his mother, then decided to go on a cruise with his new wife, Meryl. The cruise ship they picked just happened to be the Andrea Doria, which sank and left them with a harrowing survival experience. Returned to port by the rescue ship, Mike Stoller just stepped off the boat when Jerry Leiber runs up to tell him they have a smash hit. By "some white kid named Elvis." Cue act 2!
• This is the song that plays on the jukebox during the lap dance scene in Quentin Tarantino's 2007 movie Death Proof, one half of the Tarantino/Rodriguez collaborative film set Grindhouse. However, it is not the same version. The version in the film is a re-recording done in 1970, still with Carl Gardner singing lead.
• By this time, The Coasters had even more dramatic flair that The Robins, and Leiber and Stoller were describing themselves more as directors than producers.
• When hearing the infectious bongo drums kicking in on the bridge (beginning with the line "All of a sudden in walks a chick..."), one is reminded of the anecdote about the producer who went into a musician's store to ask for the "Leiber and Stoller drum kit." When the clerk asked to clarify, the producer said he wanted to buy the same drum kit used in Leiber and Stoller's productions. The clerk informed him that would cover every drum they sold in the store, and several more varieties that they didn't even stock!