That young boy without a name I'd know his face In this city the kid's my favorite I've seen him I see him every day Seen him run outside looking for a place to hide from his father The kid half naked and said to myself "Oh, what's the matter here?" I'm tired of the excuses everybody uses, he's their kid I stay out of it But who gave you the right to do this?
We live on Morgan Street Just ten feet between and his mother, I never see her But her screams and cussing, I hear them every day Threats like: "If you don't mind I will beat on your behind" "Slap you, slap you silly" Made me say, "Oh, what's the matter here?" I'm tired of the excuses everybody uses, he's your kid, do as you see fit But get this through that I don't approve of what you did to you own flesh and blood
"If you don't sit on this chair straight I'll take this belt from around my waist and don't think that I won't use it!"
Answer me and take your time What could be the awful crime he could do at such young an age? If I'm the only witness to your madness offer me some words to balance out what I see and what I hear All these cold and rude things that you do I suppose you do because he belongs to you And instead of love, the feel of warmth you've given him these cuts and sores won't heal with time or age
And I want to say, I want to say "What's the matter here?" But I don't dare say "What's the matter here?" But I don't dare say
Writer/s: ROBERT BUCK, NATALIE MERCHANT
Publisher: WORDS & MUSIC A DIV OF BIG DEAL MUSIC LLC
Lyrics licensed and provided by LyricFind
Gregmon from Intelbuquerque, NmI went to Natalie's official site and was startled to find a significant change to the chorus, "I'm tired of the excuses everybody uses, he's your kid do as you see fit, but get this through that I know what you do and what you did to your own flesh and blood"
This of course differs from, "that I don't approve of what you did...". It's her song, artistic freedom and all of that, but let me say, I don't approve of the softer message.
Toni Marie from Lake City, FlI have to agree with Fred as well. I would love to see more of Natalie's songs on here. She is outstanding. I was actually looking for information about the song Wonder.
Kilgoretrout from Bouca, CoThis is one of my favorite 10,000 Maniacs songs. Incredible lyrics and Natalie is an angel. Saw them when they opened for REM in 1986, all else pales. I agree with Fred, more Maniacs. Cotton Alley is my favorite, but I would listen to Natalie sing a soup ingredients label.
Ray from Brooklyn, NyI agree with Fred. My personal favorites (in no particular order) are Don't Talk, Verdi Cries, Trouble Me, Happy Puppet, and a number of lesser known but beautiful songs from "The Wishing Chair."
Fred from Laurel, MdI'd like to echo the title of this song, and ask, "What's the Matter Here?" when, as of 2009 Oct 27, only this and one other Maniacs song, "Eat for Two," and one Natalie Merchant entry, "Carnival," appear on this site. How about, "Candy Everybody Wants," "Don't Talk," "Jealousy," "Like the Weather," "These Are the Days," "Trouble Me," and "Wonder," just to get the ball rolling? A paltry three songs by this/these smashingly magnificent artist(s) is pathetic. OK, I'm down off my soap box now, and I'll go quietly, officer. But Natalie and her voice still give me goosebumps.
When "Nothin' On You" reached #1 on the Hot 100, B.o.B became the first American act whose name is a palindrome to top the chart. The other two who did so prior to the Atlanta rapper were both Scandinavian groups - ABBA and A-Ha.
"Cleveland Rocks" was written by an Englishman. Ian Hunter wrote the song after touring America in the late '70s and finding that Cleveland was by far the most receptive city to his brand of Glam Rock.