"Just Dance" was Lady Gaga's first hit, and it also brought the techno-synth sound that had been popular in Europe for the previous decade to the United States.
"Frankenstein" by Edgar Winter got its name because it was a monster to edit; they pieced it together like Frankenstein's monster.
"Veronica" was inspired by Elvis Costello's grandmother, who suffered from Alzheimer's disease.
"Personal Jesus," a song about "being a Jesus for somebody else," was inspired by Elvis and Priscilla Presley.
The 311 song "Amber" is likely about Nicole Scherzinger, who was dating the band's lead singer Nick Hexum.
The bedrock of David Guetta's Nicki Minaj-featuring single "Hey Mama" is a sample of "Rosie," a 1940s prison recording from folk archivist Alan Lomax that songwriter Esther Dean first showed the French DJ on YouTube.
Gary Lewis and the Playboys had seven Top 10 hits despite competition from The Beatles. Gary talks about the hits, his famous father, and getting drafted.
Rickie Lee Jones on songwriting, social media, and how she's handling Trump.
Devo founders Mark Mothersbaugh and Jerry Casale take us into their world of subversive performance art. They may be right about the De-Evoloution thing.
It started with a bouncy MTV classic. Nirvana and MCR made them scary, then Gwen, Avril and Madonna put on the pom poms.
Zac tells the story of Hanson's massive hit "MMMbop," and talks about how brotherly bonds effect their music.
Laura Nyro talks about her complex, emotionally rich songwriting and how she supports women's culture through her art.