Dear Cocaine

Album: We All Bleed (2011)
Play Video
  • Dear cocaine, I'm not your bitch
    Dear cocaine, I'm not your whore anymore
    I hate the day we ever met
    The times with you I'll just forget

    Dear cocaine, quit calling me
    The phone is off and I'm fast asleep
    I can't recall when we last slept
    The times with you I'll just regret

    What can I say, I said that I'm not your bitch
    Or should I have to say
    I'm not your whore anymore
    I'm not your whore anymore

    I'm coming down

    Dear cocaine, you're not my friend
    Dear cocaine, this is the end
    'Cause I miss the days when I used to smile
    When life was simple and so alive

    So dear cocaine, don't follow me
    Don't turn around, don't say a thing to me
    Let me go, 'cause I know
    That I can do this on my own
    Dear cocaine, I'm not your whore anymore
    I'm not your whore anymore

    I'm coming down, down
    Down
    I'm coming down
    I'm coming down

    I'm not your whore anymore
    I'm not your whore anymore
    I'm coming down Writer/s: Charles Edward Sloan, Leslie Cameron Hall, Robert James
    Publisher: Downtown Music Publishing, Kobalt Music Publishing Ltd.
    Lyrics licensed and provided by LyricFind

Comments

Be the first to comment...

Editor's Picks

Roger McGuinn of The Byrds

Roger McGuinn of The ByrdsSongwriter Interviews

Roger reveals the songwriting formula Clive Davis told him, and if "Eight Miles High" is really about drugs.

Reverend Horton Heat

Reverend Horton HeatSongwriter Interviews

The Reverend rants on psychobilly and the egghead academics he bashes in one of his more popular songs.

Kim Thayil of Soundgarden

Kim Thayil of SoundgardenSongwriter Interviews

Their frontman (Chris Cornell) started out as their drummer, so Soundgarden takes a linear approach when it comes to songwriting. Kim explains how they do it.

"Private Eyes" - The Story Behind the Song

"Private Eyes" - The Story Behind the SongSong Writing

How a goofy detective movie, a disenchanted director and an unlikely songwriter led to one of the biggest hits in pop history.

A Monster Ate My Red Two: Sesame Street's Greatest Song Spoofs

A Monster Ate My Red Two: Sesame Street's Greatest Song SpoofsSong Writing

When singers started spoofing their own songs on Sesame Street, the results were both educational and hilarious - here are the best of them.

Judas Priest

Judas PriestSongwriter Interviews

Rob Halford, Richie Faulkner and Glenn Tipton talk twin guitar harmonies and explain how they create songs in Judas Priest.